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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E593 it is the complementary color #461A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E593 shade: #BEE58E, #CFF7A1, #E0FFB4, #F1FFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E593 shade: #B9E593, #A8D380, #97C16D, #86AF5A and #759D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E593 shade: #B9E594, #CFE594, #E5E494, #E5CF94 and #E5B994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E593 shade: #B9E594, #A3E594, #94E59A, #94E5B0 and #94E5C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E593 shade matches the following richer shades: #B9E594, #B8EF89 and #B8FA7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E593 shade: #B9E594, #BADA9E, #BBCFA9, #BCC4B4 and #BCBABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E593 shade: #E5E594, #CFE594, #BAE594, #A4E594 and #94E599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E593 shade: #8ED551, #A4DD73, #B9E594, #CFEDB5 and #E4F5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E593 shade: #B9E593, #94E5CF and #E594DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E593 shade: #B9E593, #94BAE5 and #E594BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E593 shade: #B9E593, #94E5CF, #BF94E5 and #E594A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E593 shade: #B9E593, #94E2E5, #BF94E5 and #E59694

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

Complementary color

CMYK 35 / 76 / 0 / 58

HEX #461A6C

RGB 70 26 108

HSL 272.2, 0.61%, 0.26%

LAB 20.53, 37.12, -39.13

 

CMYK 17 / 0 / 38 / 10

HEX #BEE58E

RGB 190 229 142

HSL 86.9, 0.63%, 0.73%

LAB 86.47, -27.23, 38.33

 

CMYK 16 / 0 / 35 / 3

HEX #CFF7A1

RGB 207 247 161

HSL 87.91, 0.84%, 0.8%

LAB 92.73, -27.2, 37.22

 

CMYK 12 / 0 / 29 / 0

HEX #E0FFB4

RGB 224 255 180

HSL 84.8, 1%, 0.85%

LAB 96.27, -22.43, 32.63

 

CMYK 5 / 0 / 22 / 0

HEX #F1FFC7

RGB 241 255 199

HSL 75, 1%, 0.89%

LAB 97.77, -13.74, 25.28

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

CMYK 20 / 0 / 39 / 17

HEX #A8D380

RGB 168 211 128

HSL 91.08, 0.49%, 0.66%

LAB 79.88, -28.44, 36.58

 

CMYK 22 / 0 / 44 / 24

HEX #97C16D

RGB 151 193 109

HSL 90, 0.4%, 0.59%

LAB 73.43, -28.49, 37.75

 

CMYK 23 / 0 / 49 / 31

HEX #86AF5A

RGB 134 175 90

HSL 88.94, 0.35%, 0.52%

LAB 66.87, -28.51, 38.94

 

CMYK 25 / 0 / 55 / 38

HEX #759D47

RGB 117 157 71

HSL 87.91, 0.38%, 0.45%

LAB 60.2, -28.47, 40.11

 

CMYK 19 / 0 / 35 / 10

HEX #B9E594

RGB 185 229 148

HSL 92.59, 0.61%, 0.74%

LAB 86.25, -28.23, 34.96

 

CMYK 10 / 0 / 35 / 10

HEX #CFE594

RGB 207 229 148

HSL 76.3, 0.61%, 0.74%

LAB 87.7, -20.23, 37.13

 

CMYK 0 / 0 / 35 / 10

HEX #E5E494

RGB 229 228 148

HSL 59.26, 0.61%, 0.74%

LAB 89.06, -11.41, 39.21

 

CMYK 0 / 10 / 35 / 10

HEX #E5CF94

RGB 229 207 148

HSL 43.7, 0.61%, 0.74%

LAB 83.66, -0.74, 32.15

 

CMYK 0 / 19 / 35 / 10

HEX #E5B994

RGB 229 185 148

HSL 27.41, 0.61%, 0.74%

LAB 78.17, 10.79, 24.78

 

CMYK 19 / 0 / 35 / 10

HEX #B9E594

RGB 185 229 148

HSL 92.59, 0.61%, 0.74%

LAB 86.25, -28.23, 34.96

 

CMYK 29 / 0 / 35 / 10

HEX #A3E594

RGB 163 229 148

HSL 108.89, 0.61%, 0.74%

LAB 84.98, -35.78, 33.05

 

CMYK 35 / 0 / 33 / 10

HEX #94E59A

RGB 148 229 154

HSL 124.44, 0.61%, 0.74%

LAB 84.31, -39.63, 28.97

 

CMYK 35 / 0 / 23 / 10

HEX #94E5B0

RGB 148 229 176

HSL 140.74, 0.61%, 0.74%

LAB 84.72, -35.8, 18.16

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C6

RGB 148 229 198

HSL 157.04, 0.61%, 0.74%

LAB 85.21, -31.46, 7.32

 

CMYK 19 / 0 / 35 / 10

HEX #B9E594

RGB 185 229 148

HSL 92.59, 0.61%, 0.74%

LAB 86.25, -28.23, 34.96

 

CMYK 23 / 0 / 43 / 6

HEX #B8EF89

RGB 184 239 137

HSL 92.35, 0.76%, 0.74%

LAB 88.79, -34.67, 43.69

 

CMYK 26 / 0 / 50 / 2

HEX #B8FA7E

RGB 184 250 126

HSL 91.94, 0.93%, 0.74%

LAB 91.72, -40.88, 52.54

 

CMYK 19 / 0 / 35 / 10

HEX #B9E594

RGB 185 229 148

HSL 92.59, 0.61%, 0.74%

LAB 86.25, -28.23, 34.96

 

CMYK 15 / 0 / 28 / 15

HEX #BADA9E

RGB 186 218 158

HSL 92, 0.45%, 0.74%

LAB 83.47, -21.14, 26.14

 

CMYK 10 / 0 / 18 / 19

HEX #BBCFA9

RGB 187 207 169

HSL 91.58, 0.28%, 0.74%

LAB 80.77, -13.57, 16.66

 

CMYK 4 / 0 / 8 / 23

HEX #BCC4B4

RGB 188 196 180

HSL 90, 0.12%, 0.74%

LAB 78.15, -5.67, 7.07

 

CMYK 2 / 3 / 0 / 25

HEX #BCBABF

RGB 188 186 191

HSL 264, 0.04%, 0.74%

LAB 75.81, 1.63, -2.28

 

CMYK 0 / 0 / 35 / 10

HEX #E5E594

RGB 229 229 148

HSL 60, 0.61%, 0.74%

LAB 89.32, -11.9, 39.54

 

CMYK 10 / 0 / 35 / 10

HEX #CFE594

RGB 207 229 148

HSL 76.3, 0.61%, 0.74%

LAB 87.7, -20.23, 37.13

 

CMYK 19 / 0 / 35 / 10

HEX #BAE594

RGB 186 229 148

HSL 91.85, 0.61%, 0.74%

LAB 86.31, -27.88, 35.06

 

CMYK 28 / 0 / 35 / 10

HEX #A4E594

RGB 164 229 148

HSL 108.15, 0.61%, 0.74%

LAB 85.03, -35.45, 33.13

 

CMYK 35 / 0 / 33 / 10

HEX #94E599

RGB 148 229 153

HSL 123.7, 0.61%, 0.74%

LAB 84.3, -39.79, 29.46

 

CMYK 33 / 0 / 62 / 16

HEX #8ED551

RGB 142 213 81

HSL 92.27, 0.61%, 0.58%

LAB 78.42, -43.78, 56.66

 

CMYK 26 / 0 / 48 / 13

HEX #A4DD73

RGB 164 221 115

HSL 92.26, 0.61%, 0.66%

LAB 82.29, -36.13, 45.98

 

CMYK 19 / 0 / 35 / 10

HEX #B9E594

RGB 185 229 148

HSL 92.59, 0.61%, 0.74%

LAB 86.25, -28.23, 34.96

 

CMYK 13 / 0 / 24 / 7

HEX #CFEDB5

RGB 207 237 181

HSL 92.14, 0.61%, 0.82%

LAB 90.4, -19.56, 23.96

 

CMYK 7 / 0 / 13 / 4

HEX #E4F5D6

RGB 228 245 214

HSL 92.9, 0.61%, 0.9%

LAB 94.59, -11.01, 13.03

 

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

CMYK 35 / 0 / 10 / 10

HEX #94E5CF

RGB 148 229 207

HSL 163.7, 0.61%, 0.74%

LAB 85.42, -29.56, 2.9

 

CMYK 0 / 35 / 5 / 10

HEX #E594DA

RGB 229 148 218

HSL 308.15, 0.61%, 0.74%

LAB 71.49, 40.96, -23.15

 

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

CMYK 35 / 19 / 0 / 10

HEX #94BAE5

RGB 148 186 229

HSL 211.85, 0.61%, 0.74%

LAB 74.24, -2.41, -25.57

 

CMYK 0 / 35 / 19 / 10

HEX #E594BA

RGB 229 148 186

HSL 331.85, 0.61%, 0.74%

LAB 70.44, 35.72, -7

 

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

CMYK 35 / 0 / 10 / 10

HEX #94E5CF

RGB 148 229 207

HSL 163.7, 0.61%, 0.74%

LAB 85.42, -29.56, 2.9

 

CMYK 17 / 35 / 0 / 10

HEX #BF94E5

RGB 191 148 229

HSL 271.85, 0.61%, 0.74%

LAB 67.96, 31.3, -34.97

 

CMYK 0 / 35 / 26 / 10

HEX #E594A9

RGB 229 148 169

HSL 344.44, 0.61%, 0.74%

LAB 69.97, 33.25, 1.76

 

CMYK 19 / 0 / 36 / 10

HEX #B9E593

RGB 185 229 147

HSL 92.2, 0.61%, 0.74%

LAB 86.24, -28.37, 35.45

 

CMYK 35 / 1 / 0 / 10

HEX #94E2E5

RGB 148 226 229

HSL 182.22, 0.61%, 0.74%

LAB 85.17, -23.12, -9.08

 

CMYK 17 / 35 / 0 / 10

HEX #BF94E5

RGB 191 148 229

HSL 271.85, 0.61%, 0.74%

LAB 67.96, 31.3, -34.97

 

CMYK 0 / 34 / 35 / 10

HEX #E59694

RGB 229 150 148

HSL 1.48, 0.61%, 0.74%

LAB 69.9, 29.46, 13.36

 

Description

Color code: HEX #B9E593 | qconv.com Color code: HEX #B9E593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 229 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 229 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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