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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E15A it is the complementary color #461EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E15A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E15A shade: #BEE155, #CFF368, #E0FF7B, #F1FF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E15A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E15A shade: #B9E15A, #A8CF47, #97BD34, #86AB21 and #75990E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E15A shade: #B9E05B, #DDE05B, #E0C05B, #E09C5B and #E0785B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E15A shade: #B9E05B, #95E05B, #71E05B, #5BE069 and #5BE08D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E15A shade matches the following richer shades: #B9E05B and #BFF04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E15A shade: #B9E05B, #B2D16A, #ACC17A, #A6B18A and #9FA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E15A shade: #E0BF5B, #DEE05B, #BBE05B, #97E05B and #73E05B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E15A shade: #95C524, #AADA38, #B9E05B, #C8E77E and #D6EDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E15A shade: #B9E15A, #5BE09B and #D15BE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E15A shade: #B9E15A, #5BBBE0 and #E05BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E15A shade: #B9E15A, #5BE09B, #815BE0 and #E05BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E15A shade: #B9E15A, #5BE0C3, #815BE0 and #E05B78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

Complementary color

CMYK 58 / 82 / 0 / 35

HEX #461EA5

RGB 70 30 165

HSL 257.78, 0.69%, 0.38%

LAB 26.58, 50.76, -64.92

 

CMYK 16 / 0 / 62 / 12

HEX #BEE155

RGB 190 225 85

HSL 75, 0.7%, 0.61%

LAB 84.72, -31.04, 62.67

 

CMYK 15 / 0 / 57 / 5

HEX #CFF368

RGB 207 243 104

HSL 75.54, 0.85%, 0.68%

LAB 90.95, -31.39, 61.85

 

CMYK 12 / 0 / 52 / 0

HEX #E0FF7B

RGB 224 255 123

HSL 74.09, 1%, 0.74%

LAB 95.5, -28.89, 59.01

 

CMYK 5 / 0 / 44 / 0

HEX #F1FF8E

RGB 241 255 142

HSL 67.43, 1%, 0.78%

LAB 96.89, -20.66, 52.21

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

CMYK 19 / 0 / 66 / 19

HEX #A8CF47

RGB 168 207 71

HSL 77.21, 0.59%, 0.55%

LAB 78.11, -32.23, 60.88

 

CMYK 20 / 0 / 72 / 26

HEX #97BD34

RGB 151 189 52

HSL 76.64, 0.57%, 0.47%

LAB 71.71, -31.74, 61.2

 

CMYK 22 / 0 / 81 / 33

HEX #86AB21

RGB 134 171 33

HSL 76.09, 0.68%, 0.4%

LAB 65.2, -31.07, 60.81

 

CMYK 24 / 0 / 91 / 40

HEX #75990E

RGB 117 153 14

HSL 75.54, 0.83%, 0.33%

LAB 58.6, -30.19, 59.18

 

CMYK 17 / 0 / 59 / 12

HEX #B9E05B

RGB 185 224 91

HSL 77.59, 0.68%, 0.62%

LAB 84.16, -32.05, 59.45

 

CMYK 1 / 0 / 59 / 12

HEX #DDE05B

RGB 221 224 91

HSL 61.35, 0.68%, 0.62%

LAB 86.72, -17.78, 62.99

 

CMYK 0 / 14 / 59 / 12

HEX #E0C05B

RGB 224 192 91

HSL 45.56, 0.68%, 0.62%

LAB 78.64, -0.35, 54.09

 

CMYK 0 / 30 / 59 / 12

HEX #E09C5B

RGB 224 156 91

HSL 29.32, 0.68%, 0.62%

LAB 69.74, 18.73, 43.75

 

CMYK 0 / 46 / 59 / 12

HEX #E0785B

RGB 224 120 91

HSL 13.08, 0.68%, 0.62%

LAB 61.68, 37.79, 33.91

 

CMYK 17 / 0 / 59 / 12

HEX #B9E05B

RGB 185 224 91

HSL 77.59, 0.68%, 0.62%

LAB 84.16, -32.05, 59.45

 

CMYK 33 / 0 / 59 / 12

HEX #95E05B

RGB 149 224 91

HSL 93.83, 0.68%, 0.62%

LAB 82.09, -45.18, 56.55

 

CMYK 50 / 0 / 59 / 12

HEX #71E05B

RGB 113 224 91

HSL 110.08, 0.68%, 0.62%

LAB 80.5, -56.38, 54.33

 

CMYK 59 / 0 / 53 / 12

HEX #5BE069

RGB 91 224 105

HSL 126.32, 0.68%, 0.62%

LAB 79.93, -60.23, 47.13

 

CMYK 59 / 0 / 37 / 12

HEX #5BE08D

RGB 91 224 141

HSL 142.56, 0.68%, 0.62%

LAB 80.44, -54.66, 30.05

 

CMYK 17 / 0 / 59 / 12

HEX #B9E05B

RGB 185 224 91

HSL 77.59, 0.68%, 0.62%

LAB 84.16, -32.05, 59.45

 

CMYK 20 / 0 / 69 / 6

HEX #BFF04B

RGB 191 240 75

HSL 77.82, 0.85%, 0.62%

LAB 88.88, -38.16, 70.89

 

CMYK 17 / 0 / 59 / 12

HEX #B9E05B

RGB 185 224 91

HSL 77.59, 0.68%, 0.62%

LAB 84.16, -32.05, 59.45

 

CMYK 15 / 0 / 49 / 18

HEX #B2D16A

RGB 178 209 106

HSL 78.06, 0.53%, 0.62%

LAB 79.67, -26.3, 47.31

 

CMYK 11 / 0 / 37 / 24

HEX #ACC17A

RGB 172 193 122

HSL 77.75, 0.36%, 0.62%

LAB 75.02, -18.91, 33.41

 

CMYK 6 / 0 / 22 / 31

HEX #A6B18A

RGB 166 177 138

HSL 76.92, 0.2%, 0.62%

LAB 70.45, -10.73, 18.71

 

CMYK 2 / 0 / 6 / 36

HEX #9FA299

RGB 159 162 153

HSL 80, 0.05%, 0.62%

LAB 66.14, -2.76, 4.3

 

CMYK 0 / 15 / 59 / 12

HEX #E0BF5B

RGB 224 191 91

HSL 45.11, 0.68%, 0.62%

LAB 78.38, 0.17, 53.8

 

CMYK 1 / 0 / 59 / 12

HEX #DEE05B

RGB 222 224 91

HSL 60.9, 0.68%, 0.62%

LAB 86.8, -17.38, 63.1

 

CMYK 17 / 0 / 59 / 12

HEX #BBE05B

RGB 187 224 91

HSL 76.69, 0.68%, 0.62%

LAB 84.29, -31.28, 59.63

 

CMYK 33 / 0 / 59 / 12

HEX #97E05B

RGB 151 224 91

HSL 92.93, 0.68%, 0.62%

LAB 82.19, -44.49, 56.7

 

CMYK 49 / 0 / 59 / 12

HEX #73E05B

RGB 115 224 91

HSL 109.17, 0.68%, 0.62%

LAB 80.58, -55.82, 54.44

 

CMYK 24 / 0 / 82 / 23

HEX #95C524

RGB 149 197 36

HSL 77.89, 0.69%, 0.46%

LAB 73.84, -36.95, 68.05

 

CMYK 22 / 0 / 74 / 15

HEX #AADA38

RGB 170 218 56

HSL 77.78, 0.69%, 0.54%

LAB 81.28, -37.37, 69.51

 

CMYK 17 / 0 / 59 / 12

HEX #B9E05B

RGB 185 224 91

HSL 77.59, 0.68%, 0.62%

LAB 84.16, -32.05, 59.45

 

CMYK 13 / 0 / 45 / 9

HEX #C8E77E

RGB 200 231 126

HSL 77.71, 0.69%, 0.7%

LAB 87.45, -26.36, 47.55

 

CMYK 10 / 0 / 32 / 7

HEX #D6EDA0

RGB 214 237 160

HSL 77.92, 0.68%, 0.78%

LAB 90.51, -20.01, 34.87

 

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

CMYK 59 / 0 / 31 / 12

HEX #5BE09B

RGB 91 224 155

HSL 148.87, 0.68%, 0.62%

LAB 80.68, -52.03, 23.17

 

CMYK 7 / 59 / 0 / 12

HEX #D15BE0

RGB 209 91 224

HSL 293.23, 0.68%, 0.62%

LAB 58.43, 64.46, -46.97

 

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

CMYK 59 / 17 / 0 / 12

HEX #5BBBE0

RGB 91 187 224

HSL 196.69, 0.68%, 0.62%

LAB 71.65, -17.61, -27.04

 

CMYK 0 / 59 / 17 / 12

HEX #E05BBB

RGB 224 91 187

HSL 316.69, 0.68%, 0.62%

LAB 58.9, 62.34, -25.08

 

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

CMYK 59 / 0 / 31 / 12

HEX #5BE09B

RGB 91 224 155

HSL 148.87, 0.68%, 0.62%

LAB 80.68, -52.03, 23.17

 

CMYK 42 / 59 / 0 / 12

HEX #815BE0

RGB 129 91 224

HSL 257.14, 0.68%, 0.62%

LAB 48.92, 45.77, -62.73

 

CMYK 0 / 59 / 29 / 12

HEX #E05BA0

RGB 224 91 160

HSL 328.87, 0.68%, 0.62%

LAB 57.91, 58.68, -10.99

 

CMYK 18 / 0 / 60 / 12

HEX #B9E15A

RGB 185 225 90

HSL 77.78, 0.69%, 0.62%

LAB 84.43, -32.59, 60.18

 

CMYK 59 / 0 / 13 / 12

HEX #5BE0C3

RGB 91 224 195

HSL 166.92, 0.68%, 0.62%

LAB 81.55, -43.25, 3.36

 

CMYK 42 / 59 / 0 / 12

HEX #815BE0

RGB 129 91 224

HSL 257.14, 0.68%, 0.62%

LAB 48.92, 45.77, -62.73

 

CMYK 0 / 59 / 46 / 12

HEX #E05B78

RGB 224 91 120

HSL 346.92, 0.68%, 0.62%

LAB 56.77, 54.27, 10.76

 

Description

Color code: HEX #B9E15A | qconv.com Color code: HEX #B9E15A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 225 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 225 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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