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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9ECAB it is the complementary color #461354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9ECAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9ECAB shade: #BEECA6, #CFFEB9, #E0FFCC, #F1FFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9ECAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9ECAB shade: #B9ECAB, #A8DA98, #97C885, #86B672 and #75A45F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9ECAB shade: #B9ECAB, #CBECAB, #DCECAB, #ECEAAB and #ECD9AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9ECAB shade: #B9ECAB, #ABECAF, #ABECC0, #ABECD2 and #ABECE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9ECAB shade matches the following richer shades: #B9ECAB, #B5F4A3 and #B0FC9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9ECAB shade: #B9ECAB, #BEE3B4, #C3DBBC, #C7D3C4 and #CCCBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9ECAB shade: #DCECAB, #CAECAB, #B9ECAB, #ABECAF and #ABECC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9ECAB shade: #81DC68, #9DE48A, #B9ECAB, #D5F3CD and #F1FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9ECAB shade: #B9ECAB, #ABECEB and #ECABD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9ECAB shade: #B9ECAB, #ABB9EC and #ECABB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9ECAB shade: #B9ECAB, #ABECEB, #DEABEC and #ECABAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9ECAB shade: #B9ECAB, #ABD9EC, #DEABEC and #ECBEAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

Complementary color

CMYK 17 / 77 / 0 / 67

HEX #461354

RGB 70 19 84

HSL 287.08, 0.63%, 0.2%

LAB 17.5, 34.59, -28.13

 

CMYK 19 / 0 / 30 / 7

HEX #BEECA6

RGB 190 236 166

HSL 99.43, 0.65%, 0.79%

LAB 88.78, -27.25, 29.24

 

CMYK 19 / 0 / 27 / 0

HEX #CFFEB9

RGB 207 254 185

HSL 100.87, 0.97%, 0.86%

LAB 95.01, -27.12, 28.23

 

CMYK 12 / 0 / 20 / 0

HEX #E0FFCC

RGB 224 255 204

HSL 96.47, 1%, 0.9%

LAB 96.71, -18.9, 21.09

 

CMYK 5 / 0 / 13 / 0

HEX #F1FFDF

RGB 241 255 223

HSL 86.25, 1%, 0.94%

LAB 98.25, -10.08, 13.74

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 23 / 0 / 30 / 15

HEX #A8DA98

RGB 168 218 152

HSL 105.45, 0.47%, 0.73%

LAB 82.24, -28.36, 27.39

 

CMYK 25 / 0 / 34 / 22

HEX #97C885

RGB 151 200 133

HSL 103.88, 0.38%, 0.65%

LAB 75.81, -28.53, 28.48

 

CMYK 26 / 0 / 37 / 29

HEX #86B672

RGB 134 182 114

HSL 102.35, 0.32%, 0.58%

LAB 69.28, -28.7, 29.63

 

CMYK 29 / 0 / 42 / 36

HEX #75A45F

RGB 117 164 95

HSL 100.87, 0.27%, 0.51%

LAB 62.64, -28.86, 30.83

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 14 / 0 / 28 / 7

HEX #CBECAB

RGB 203 236 171

HSL 90.46, 0.63%, 0.8%

LAB 89.69, -21.97, 28.06

 

CMYK 7 / 0 / 28 / 7

HEX #DCECAB

RGB 220 236 171

HSL 74.77, 0.63%, 0.8%

LAB 90.85, -15.87, 29.83

 

CMYK 0 / 1 / 28 / 7

HEX #ECEAAB

RGB 236 234 171

HSL 58.15, 0.63%, 0.8%

LAB 91.51, -8.97, 30.93

 

CMYK 0 / 8 / 28 / 7

HEX #ECD9AB

RGB 236 217 171

HSL 42.46, 0.63%, 0.8%

LAB 87.19, -0.35, 25.07

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 0 / 26 / 7

HEX #ABECAF

RGB 171 236 175

HSL 123.69, 0.63%, 0.8%

LAB 87.85, -32.15, 23.18

 

CMYK 28 / 0 / 19 / 7

HEX #ABECC0

RGB 171 236 192

HSL 139.38, 0.63%, 0.8%

LAB 88.19, -29.16, 14.86

 

CMYK 28 / 0 / 11 / 7

HEX #ABECD2

RGB 171 236 210

HSL 156, 0.63%, 0.8%

LAB 88.59, -25.7, 6.05

 

CMYK 28 / 0 / 4 / 7

HEX #ABECE3

RGB 171 236 227

HSL 171.69, 0.63%, 0.8%

LAB 89.01, -22.18, -2.22

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 26 / 0 / 33 / 4

HEX #B5F4A3

RGB 181 244 163

HSL 106.67, 0.79%, 0.8%

LAB 90.4, -34.48, 32.85

 

CMYK 30 / 0 / 38 / 1

HEX #B0FC9B

RGB 176 252 155

HSL 107.01, 0.94%, 0.8%

LAB 92.23, -40.87, 39.19

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 16 / 0 / 21 / 11

HEX #BEE3B4

RGB 190 227 180

HSL 107.23, 0.46%, 0.8%

LAB 86.59, -20.71, 19.03

 

CMYK 11 / 0 / 14 / 14

HEX #C3DBBC

RGB 195 219 188

HSL 106.45, 0.3%, 0.8%

LAB 84.94, -13.67, 12.57

 

CMYK 6 / 0 / 7 / 17

HEX #C7D3C4

RGB 199 211 196

HSL 108, 0.15%, 0.8%

LAB 83.29, -6.81, 6.02

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCC

RGB 204 203 204

HSL 300, 0.01%, 0.8%

LAB 81.79, 0.53, -0.38

 

CMYK 7 / 0 / 28 / 7

HEX #DCECAB

RGB 220 236 171

HSL 74.77, 0.63%, 0.8%

LAB 90.85, -15.87, 29.83

 

CMYK 14 / 0 / 28 / 7

HEX #CAECAB

RGB 202 236 171

HSL 91.38, 0.63%, 0.8%

LAB 89.62, -22.32, 27.96

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 0 / 26 / 7

HEX #ABECAF

RGB 171 236 175

HSL 123.69, 0.63%, 0.8%

LAB 87.85, -32.15, 23.18

 

CMYK 28 / 0 / 19 / 7

HEX #ABECC0

RGB 171 236 192

HSL 139.38, 0.63%, 0.8%

LAB 88.19, -29.16, 14.86

 

CMYK 41 / 0 / 53 / 14

HEX #81DC68

RGB 129 220 104

HSL 107.07, 0.62%, 0.64%

LAB 80.1, -48.65, 48.12

 

CMYK 31 / 0 / 39 / 11

HEX #9DE48A

RGB 157 228 138

HSL 107.33, 0.63%, 0.72%

LAB 84.22, -38.75, 37.03

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 12 / 0 / 16 / 5

HEX #D5F3CD

RGB 213 243 205

HSL 107.37, 0.61%, 0.88%

LAB 92.86, -16.61, 15.09

 

CMYK 4 / 0 / 5 / 2

HEX #F1FBEF

RGB 241 251 239

HSL 110, 0.6%, 0.96%

LAB 97.6, -5.4, 4.6

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 0 / 0 / 7

HEX #ABECEB

RGB 171 236 235

HSL 179.08, 0.63%, 0.8%

LAB 89.23, -20.44, -6.1

 

CMYK 0 / 28 / 11 / 7

HEX #ECABD3

RGB 236 171 211

HSL 323.08, 0.63%, 0.8%

LAB 77.08, 29.88, -10.8

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 22 / 0 / 7

HEX #ABB9EC

RGB 171 185 236

HSL 227.08, 0.63%, 0.8%

LAB 75.71, 6.4, -26.97

 

CMYK 0 / 28 / 22 / 7

HEX #ECABB9

RGB 236 171 185

HSL 347.08, 0.63%, 0.8%

LAB 76.35, 25.82, 2.31

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 0 / 0 / 7

HEX #ABECEB

RGB 171 236 235

HSL 179.08, 0.63%, 0.8%

LAB 89.23, -20.44, -6.1

 

CMYK 6 / 28 / 0 / 7

HEX #DEABEC

RGB 222 171 236

HSL 287.08, 0.63%, 0.8%

LAB 76.5, 29.78, -25.38

 

CMYK 0 / 28 / 27 / 7

HEX #ECABAC

RGB 236 171 172

HSL 359.08, 0.63%, 0.8%

LAB 76.03, 23.98, 8.95

 

CMYK 22 / 0 / 28 / 7

HEX #B9ECAB

RGB 185 236 171

HSL 107.08, 0.63%, 0.8%

LAB 88.56, -28.19, 26.35

 

CMYK 28 / 8 / 0 / 7

HEX #ABD9EC

RGB 171 217 236

HSL 197.54, 0.63%, 0.8%

LAB 84.14, -10.62, -14.19

 

CMYK 6 / 28 / 0 / 7

HEX #DEABEC

RGB 222 171 236

HSL 287.08, 0.63%, 0.8%

LAB 76.5, 29.78, -25.38

 

CMYK 0 / 19 / 28 / 7

HEX #ECBEAB

RGB 236 190 171

HSL 17.54, 0.63%, 0.8%

LAB 80.52, 13.75, 15.83

 

Description

Color code: HEX #B9ECAB | qconv.com Color code: HEX #B9ECAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 236 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 236 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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