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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F49E it is the complementary color #460B61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F49E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F49E shade: #BEF499, #CFFFAC, #E0FFBF, #F1FFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F49E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F49E shade: #B9F49E, #A8E28B, #97D078, #86BE65 and #75AC52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F49E shade: #B9F49E, #D0F49E, #E7F49E, #F4E99E and #F4D29E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F49E shade: #B9F49E, #A2F49E, #9EF4B1, #9EF4C9 and #9EF4E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F49E shade matches the following richer shades: #B9F49E and #B6FC95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F49E shade: #B9F49E, #BCEBA7, #BFE2AF, #C3DAB8 and #C6D1C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F49E shade: #E7F49E, #D0F49E, #B9F49E, #A2F49E and #9EF4B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F49E shade: #83EC54, #9EF079, #B9F49E, #D4F8C3 and #EFFCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F49E shade: #B9F49E, #9EF4EA and #F49EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F49E shade: #B9F49E, #9EB9F4 and #F49EB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F49E shade: #B9F49E, #9EF4EA, #D99EF4 and #F49EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F49E shade: #B9F49E, #9EE4F4, #D99EF4 and #F4AE9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

Complementary color

CMYK 28 / 89 / 0 / 62

HEX #460B61

RGB 70 11 97

HSL 281.16, 0.8%, 0.21%

LAB 17.48, 40.54, -36.87

 

CMYK 22 / 0 / 37 / 4

HEX #BEF499

RGB 190 244 153

HSL 95.6, 0.81%, 0.78%

LAB 90.76, -32.83, 38.41

 

CMYK 19 / 0 / 33 / 0

HEX #CFFFAC

RGB 207 255 172

HSL 94.7, 1%, 0.84%

LAB 95.06, -29.47, 34.82

 

CMYK 12 / 0 / 25 / 0

HEX #E0FFBF

RGB 224 255 191

HSL 89.06, 1%, 0.87%

LAB 96.46, -20.87, 27.35

 

CMYK 5 / 0 / 18 / 0

HEX #F1FFD2

RGB 241 255 210

HSL 78.67, 1%, 0.91%

LAB 97.98, -12.11, 19.99

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 26 / 0 / 38 / 11

HEX #A8E28B

RGB 168 226 139

HSL 100, 0.6%, 0.72%

LAB 84.27, -34, 36.71

 

CMYK 27 / 0 / 42 / 18

HEX #97D078

RGB 151 208 120

HSL 98.86, 0.48%, 0.64%

LAB 77.9, -34.14, 37.87

 

CMYK 29 / 0 / 47 / 25

HEX #86BE65

RGB 134 190 101

HSL 97.75, 0.41%, 0.57%

LAB 71.44, -34.24, 39.07

 

CMYK 32 / 0 / 52 / 33

HEX #75AC52

RGB 117 172 82

HSL 96.67, 0.35%, 0.5%

LAB 64.88, -34.31, 40.26

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 15 / 0 / 35 / 4

HEX #D0F49E

RGB 208 244 158

HSL 85.12, 0.8%, 0.79%

LAB 91.94, -25.82, 37.69

 

CMYK 5 / 0 / 35 / 4

HEX #E7F49E

RGB 231 244 158

HSL 69.07, 0.8%, 0.79%

LAB 93.52, -17.38, 40.05

 

CMYK 0 / 5 / 35 / 4

HEX #F4E99E

RGB 244 233 158

HSL 52.33, 0.8%, 0.79%

LAB 91.68, -7.02, 37.83

 

CMYK 0 / 14 / 35 / 4

HEX #F4D29E

RGB 244 210 158

HSL 36.28, 0.8%, 0.79%

LAB 85.9, 4.7, 30.19

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 34 / 0 / 35 / 4

HEX #A2F49E

RGB 162 244 158

HSL 117.21, 0.8%, 0.79%

LAB 89.32, -41.35, 33.75

 

CMYK 35 / 0 / 27 / 4

HEX #9EF4B1

RGB 158 244 177

HSL 133.26, 0.8%, 0.79%

LAB 89.46, -39.47, 24.27

 

CMYK 35 / 0 / 18 / 4

HEX #9EF4C9

RGB 158 244 201

HSL 150, 0.8%, 0.79%

LAB 89.95, -35.03, 12.59

 

CMYK 35 / 0 / 8 / 4

HEX #9EF4E0

RGB 158 244 224

HSL 166.05, 0.8%, 0.79%

LAB 90.48, -30.29, 1.41

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 28 / 0 / 41 / 1

HEX #B6FC95

RGB 182 252 149

HSL 100.78, 0.94%, 0.79%

LAB 92.46, -39.7, 42.49

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 20 / 0 / 29 / 8

HEX #BCEBA7

RGB 188 235 167

HSL 101.47, 0.63%, 0.79%

LAB 88.4, -27.31, 28.2

 

CMYK 15 / 0 / 23 / 11

HEX #BFE2AF

RGB 191 226 175

HSL 101.18, 0.47%, 0.79%

LAB 86.29, -20.68, 21.22

 

CMYK 11 / 0 / 16 / 15

HEX #C3DAB8

RGB 195 218 184

HSL 100.59, 0.31%, 0.79%

LAB 84.59, -13.84, 14.18

 

CMYK 5 / 0 / 8 / 18

HEX #C6D1C1

RGB 198 209 193

HSL 101.25, 0.15%, 0.79%

LAB 82.62, -6.65, 6.64

 

CMYK 5 / 0 / 35 / 4

HEX #E7F49E

RGB 231 244 158

HSL 69.07, 0.8%, 0.79%

LAB 93.52, -17.38, 40.05

 

CMYK 15 / 0 / 35 / 4

HEX #D0F49E

RGB 208 244 158

HSL 85.12, 0.8%, 0.79%

LAB 91.94, -25.82, 37.69

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 34 / 0 / 35 / 4

HEX #A2F49E

RGB 162 244 158

HSL 117.21, 0.8%, 0.79%

LAB 89.32, -41.35, 33.75

 

CMYK 35 / 0 / 27 / 4

HEX #9EF4B1

RGB 158 244 177

HSL 133.26, 0.8%, 0.79%

LAB 89.46, -39.47, 24.27

 

CMYK 44 / 0 / 64 / 7

HEX #83EC54

RGB 131 236 84

HSL 101.45, 0.8%, 0.63%

LAB 84.72, -56.48, 62.16

 

CMYK 34 / 0 / 50 / 6

HEX #9EF079

RGB 158 240 121

HSL 101.34, 0.8%, 0.71%

LAB 87.47, -45.86, 49.39

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 15 / 0 / 21 / 3

HEX #D4F8C3

RGB 212 248 195

HSL 100.75, 0.79%, 0.87%

LAB 93.91, -21.01, 21.68

 

CMYK 5 / 0 / 8 / 1

HEX #EFFCE8

RGB 239 252 232

HSL 99, 0.77%, 0.95%

LAB 97.55, -7.77, 8.1

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 35 / 0 / 4 / 4

HEX #9EF4EA

RGB 158 244 234

HSL 173.02, 0.8%, 0.79%

LAB 90.74, -28.08, -3.42

 

CMYK 0 / 35 / 10 / 4

HEX #F49EDC

RGB 244 158 220

HSL 316.74, 0.8%, 0.79%

LAB 75.36, 40.89, -18.2

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 35 / 24 / 0 / 4

HEX #9EB9F4

RGB 158 185 244

HSL 221.16, 0.8%, 0.79%

LAB 75.14, 4.72, -32.24

 

CMYK 0 / 35 / 24 / 4

HEX #F49EB9

RGB 244 158 185

HSL 341.16, 0.8%, 0.79%

LAB 74.31, 35.54, -0.56

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 35 / 0 / 4 / 4

HEX #9EF4EA

RGB 158 244 234

HSL 173.02, 0.8%, 0.79%

LAB 90.74, -28.08, -3.42

 

CMYK 11 / 35 / 0 / 4

HEX #D99EF4

RGB 217 158 244

HSL 281.16, 0.8%, 0.79%

LAB 73.37, 36.83, -34.57

 

CMYK 0 / 35 / 31 / 4

HEX #F49EA8

RGB 244 158 168

HSL 353.02, 0.8%, 0.79%

LAB 73.88, 33.26, 8.18

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49E

RGB 185 244 158

HSL 101.16, 0.8%, 0.79%

LAB 90.54, -33.86, 35.59

 

CMYK 35 / 7 / 0 / 4

HEX #9EE4F4

RGB 158 228 244

HSL 191.16, 0.8%, 0.79%

LAB 86.65, -17.92, -14.73

 

CMYK 11 / 35 / 0 / 4

HEX #D99EF4

RGB 217 158 244

HSL 281.16, 0.8%, 0.79%

LAB 73.37, 36.83, -34.57

 

CMYK 0 / 29 / 35 / 4

HEX #F4AE9E

RGB 244 174 158

HSL 11.16, 0.8%, 0.79%

LAB 77.27, 23.59, 18.41

 

Description

Color code: HEX #B9F49E | qconv.com Color code: HEX #B9F49E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 244 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 244 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 35 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 35% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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