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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F163 it is the complementary color #460E9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F163 shade: #BEF15E, #CFFF71, #E0FF84, #F1FF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F163 shade: #B9F163, #A8DF50, #97CD3D, #86BB2A and #75A917

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F163 shade: #B9F164, #DFF164, #F1DD64, #F1B664 and #F19064

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F163 shade: #B9F164, #93F164, #6DF164, #64F180 and #64F1A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F163 shade matches the following richer shades: #B9F164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F163 shade: #B9F164, #B6E371, #B4D67F, #B1C88D and #AEBB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F163 shade: #F1DC64, #E1F164, #BBF164, #95F164 and #6FF164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F163 shade: #97EA18, #A8EE3E, #B9F164, #CAF48A and #DBF8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F163 shade: #B9F163, #64F1B6 and #EF64F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F163 shade: #B9F163, #64BBF1 and #F164BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F163 shade: #B9F163, #64F1B6, #9A64F1 and #F1649F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F163 shade: #B9F163, #64F1E1, #9A64F1 and #F16474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

Complementary color

CMYK 55 / 91 / 0 / 39

HEX #460E9C

RGB 70 14 156

HSL 263.66, 0.84%, 0.33%

LAB 23.73, 53.96, -64.16

 

CMYK 21 / 0 / 61 / 5

HEX #BEF15E

RGB 190 241 94

HSL 80.82, 0.84%, 0.66%

LAB 89.24, -37.68, 63.87

 

CMYK 19 / 0 / 56 / 0

HEX #CFFF71

RGB 207 255 113

HSL 80.28, 1%, 0.72%

LAB 94.3, -36.12, 61.76

 

CMYK 12 / 0 / 48 / 0

HEX #E0FF84

RGB 224 255 132

HSL 75.12, 1%, 0.76%

LAB 95.59, -28.05, 55.02

 

CMYK 5 / 0 / 41 / 0

HEX #F1FF97

RGB 241 255 151

HSL 68.08, 1%, 0.8%

LAB 97.01, -19.74, 48.07

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

CMYK 25 / 0 / 64 / 13

HEX #A8DF50

RGB 168 223 80

HSL 83.08, 0.69%, 0.59%

LAB 82.74, -38.87, 62.18

 

CMYK 26 / 0 / 70 / 20

HEX #97CD3D

RGB 151 205 61

HSL 82.5, 0.59%, 0.52%

LAB 76.42, -38.51, 62.64

 

CMYK 28 / 0 / 78 / 27

HEX #86BB2A

RGB 134 187 42

HSL 81.93, 0.63%, 0.45%

LAB 70.02, -38, 62.55

 

CMYK 31 / 0 / 86 / 34

HEX #75A917

RGB 117 169 23

HSL 81.37, 0.76%, 0.38%

LAB 63.52, -37.28, 61.48

 

CMYK 23 / 0 / 59 / 5

HEX #B9F164

RGB 185 241 100

HSL 83.83, 0.83%, 0.67%

LAB 88.99, -39.04, 60.99

 

CMYK 7 / 0 / 59 / 5

HEX #DFF164

RGB 223 241 100

HSL 67.66, 0.83%, 0.67%

LAB 91.47, -24.55, 64.44

 

CMYK 0 / 8 / 59 / 5

HEX #F1DD64

RGB 241 221 100

HSL 51.49, 0.83%, 0.67%

LAB 87.65, -7.52, 60.58

 

CMYK 0 / 24 / 59 / 5

HEX #F1B664

RGB 241 182 100

HSL 34.89, 0.83%, 0.67%

LAB 77.92, 12.59, 49.42

 

CMYK 0 / 40 / 59 / 5

HEX #F19064

RGB 241 144 100

HSL 18.72, 0.83%, 0.67%

LAB 69.16, 32.61, 38.85

 

CMYK 23 / 0 / 59 / 5

HEX #B9F164

RGB 185 241 100

HSL 83.83, 0.83%, 0.67%

LAB 88.99, -39.04, 60.99

 

CMYK 39 / 0 / 59 / 5

HEX #93F164

RGB 147 241 100

HSL 100, 0.83%, 0.67%

LAB 87.01, -52.06, 58.22

 

CMYK 55 / 0 / 59 / 5

HEX #6DF164

RGB 109 241 100

HSL 116.17, 0.83%, 0.67%

LAB 85.55, -62.81, 56.15

 

CMYK 59 / 0 / 47 / 5

HEX #64F180

RGB 100 241 128

HSL 131.91, 0.83%, 0.67%

LAB 85.59, -61.32, 43.24

 

CMYK 59 / 0 / 31 / 5

HEX #64F1A7

RGB 100 241 167

HSL 148.51, 0.83%, 0.67%

LAB 86.21, -54.7, 24.58

 

CMYK 23 / 0 / 59 / 5

HEX #B9F164

RGB 185 241 100

HSL 83.83, 0.83%, 0.67%

LAB 88.99, -39.04, 60.99

 

CMYK 23 / 0 / 59 / 5

HEX #B9F164

RGB 185 241 100

HSL 83.83, 0.83%, 0.67%

LAB 88.99, -39.04, 60.99

 

CMYK 20 / 0 / 50 / 11

HEX #B6E371

RGB 182 227 113

HSL 83.68, 0.67%, 0.67%

LAB 85.03, -32.57, 50.51

 

CMYK 16 / 0 / 41 / 16

HEX #B4D67F

RGB 180 214 127

HSL 83.45, 0.51%, 0.67%

LAB 81.47, -25.59, 39.27

 

CMYK 12 / 0 / 30 / 22

HEX #B1C88D

RGB 177 200 141

HSL 83.39, 0.35%, 0.67%

LAB 77.63, -17.96, 27.01

 

CMYK 7 / 0 / 18 / 27

HEX #AEBB9A

RGB 174 187 154

HSL 83.64, 0.2%, 0.67%

LAB 74.11, -10.43, 15.22

 

CMYK 0 / 9 / 59 / 5

HEX #F1DC64

RGB 241 220 100

HSL 51.06, 0.83%, 0.67%

LAB 87.39, -7.02, 60.3

 

CMYK 7 / 0 / 59 / 5

HEX #E1F164

RGB 225 241 100

HSL 66.81, 0.83%, 0.67%

LAB 91.61, -23.77, 64.64

 

CMYK 22 / 0 / 59 / 5

HEX #BBF164

RGB 187 241 100

HSL 82.98, 0.83%, 0.67%

LAB 89.11, -38.3, 61.16

 

CMYK 38 / 0 / 59 / 5

HEX #95F164

RGB 149 241 100

HSL 99.15, 0.83%, 0.67%

LAB 87.1, -51.43, 58.35

 

CMYK 54 / 0 / 59 / 5

HEX #6FF164

RGB 111 241 100

HSL 115.32, 0.83%, 0.67%

LAB 85.61, -62.31, 56.24

 

CMYK 35 / 0 / 90 / 8

HEX #97EA18

RGB 151 234 24

HSL 83.71, 0.83%, 0.51%

LAB 84.74, -52.31, 79.77

 

CMYK 29 / 0 / 74 / 7

HEX #A8EE3E

RGB 168 238 62

HSL 83.86, 0.84%, 0.59%

LAB 86.91, -46.53, 72.94

 

CMYK 23 / 0 / 59 / 5

HEX #B9F164

RGB 185 241 100

HSL 83.83, 0.83%, 0.67%

LAB 88.99, -39.04, 60.99

 

CMYK 17 / 0 / 43 / 4

HEX #CAF48A

RGB 202 244 138

HSL 83.77, 0.83%, 0.75%

LAB 91.28, -30.42, 46.56

 

CMYK 12 / 0 / 29 / 3

HEX #DBF8B0

RGB 219 248 176

HSL 84.17, 0.84%, 0.83%

LAB 94.02, -21.39, 31.56

 

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

CMYK 59 / 0 / 24 / 5

HEX #64F1B6

RGB 100 241 182

HSL 154.89, 0.83%, 0.67%

LAB 86.5, -51.68, 17.26

 

CMYK 1 / 59 / 0 / 5

HEX #EF64F1

RGB 239 100 241

HSL 299.15, 0.83%, 0.67%

LAB 64.82, 70.9, -46.1

 

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

CMYK 59 / 22 / 0 / 5

HEX #64BBF1

RGB 100 187 241

HSL 202.98, 0.83%, 0.67%

LAB 72.63, -10.78, -34.73

 

CMYK 0 / 59 / 22 / 5

HEX #F164BB

RGB 241 100 187

HSL 322.98, 0.83%, 0.67%

LAB 62.85, 63.24, -18.82

 

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

CMYK 59 / 0 / 24 / 5

HEX #64F1B6

RGB 100 241 182

HSL 154.89, 0.83%, 0.67%

LAB 86.5, -51.68, 17.26

 

CMYK 36 / 59 / 0 / 5

HEX #9A64F1

RGB 154 100 241

HSL 262.98, 0.83%, 0.67%

LAB 54.38, 50.74, -63.35

 

CMYK 0 / 59 / 34 / 5

HEX #F1649F

RGB 241 100 159

HSL 334.89, 0.83%, 0.67%

LAB 61.93, 59.75, -4.16

 

CMYK 23 / 0 / 59 / 5

HEX #B9F163

RGB 185 241 99

HSL 83.66, 0.84%, 0.67%

LAB 88.98, -39.12, 61.41

 

CMYK 59 / 0 / 7 / 5

HEX #64F1E1

RGB 100 241 225

HSL 173.19, 0.83%, 0.67%

LAB 87.51, -41.74, -3.71

 

CMYK 36 / 59 / 0 / 5

HEX #9A64F1

RGB 154 100 241

HSL 262.98, 0.83%, 0.67%

LAB 54.38, 50.74, -63.35

 

CMYK 0 / 59 / 52 / 5

HEX #F16474

RGB 241 100 116

HSL 353.19, 0.83%, 0.67%

LAB 60.85, 55.5, 19.16

 

Description

Color code: HEX #B9F163 | qconv.com Color code: HEX #B9F163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 241 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 241 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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