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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9FD62 it is the complementary color #46029D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9FD62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9FD62 shade: #BEFD5D, #CFFF70, #E0FF83, #F1FF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9FD62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9FD62 shade: #B9FD62, #A8EB4F, #97D93C, #86C729 and #75B516

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9FD62 shade: #B9FC63, #E2FC63, #FCED63, #FCC363 and #FC9A63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9FD62 shade: #B9FC63, #90FC63, #66FC63, #63FC89 and #63FCB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9FD62 shade matches the following richer shades: #B9FC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9FD62 shade: #B9FC63, #B7EF70, #B6E37C, #B4D689 and #B3C996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9FD62 shade: #FCED63, #E3FC63, #BAFC63, #91FC63 and #68FC63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9FD62 shade: #95FB11, #A7FC3A, #B9FC63, #CBFD8B and #DDFDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9FD62 shade: #B9FD62, #63FCC4 and #FC63F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9FD62 shade: #B9FD62, #63BAFC and #FC63BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9FD62 shade: #B9FD62, #63FCC4, #A563FC and #FC639B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9FD62 shade: #B9FD62, #63FCF2, #A563FC and #FC636D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

Complementary color

CMYK 55 / 99 / 0 / 38

HEX #46029D

RGB 70 2 157

HSL 266.32, 0.97%, 0.31%

LAB 22.93, 56.96, -66.09

 

CMYK 25 / 0 / 63 / 1

HEX #BEFD5D

RGB 190 253 93

HSL 83.63, 0.98%, 0.68%

LAB 92.57, -43.06, 67.89

 

CMYK 19 / 0 / 56 / 0

HEX #CFFF70

RGB 207 255 112

HSL 80.14, 1%, 0.72%

LAB 94.29, -36.21, 62.19

 

CMYK 12 / 0 / 49 / 0

HEX #E0FF83

RGB 224 255 131

HSL 75, 1%, 0.76%

LAB 95.58, -28.15, 55.47

 

CMYK 5 / 0 / 41 / 0

HEX #F1FF96

RGB 241 255 150

HSL 68, 1%, 0.79%

LAB 96.99, -19.84, 48.53

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

CMYK 29 / 0 / 66 / 8

HEX #A8EB4F

RGB 168 235 79

HSL 85.77, 0.8%, 0.62%

LAB 86.16, -44.2, 66.19

 

CMYK 30 / 0 / 72 / 15

HEX #97D93C

RGB 151 217 60

HSL 85.22, 0.67%, 0.54%

LAB 79.92, -43.83, 66.48

 

CMYK 33 / 0 / 79 / 22

HEX #86C729

RGB 134 199 41

HSL 84.68, 0.66%, 0.47%

LAB 73.59, -43.29, 66.16

 

CMYK 35 / 0 / 88 / 29

HEX #75B516

RGB 117 181 22

HSL 84.15, 0.78%, 0.4%

LAB 67.19, -42.54, 64.82

 

CMYK 27 / 0 / 61 / 1

HEX #B9FC63

RGB 185 252 99

HSL 86.27, 0.96%, 0.69%

LAB 92.06, -43.95, 64.83

 

CMYK 10 / 0 / 61 / 1

HEX #E2FC63

RGB 226 252 99

HSL 70.2, 0.96%, 0.69%

LAB 94.61, -28.63, 68.35

 

CMYK 0 / 6 / 61 / 1

HEX #FCED63

RGB 252 237 99

HSL 54.12, 0.96%, 0.69%

LAB 92.65, -11.08, 66.79

 

CMYK 0 / 23 / 61 / 1

HEX #FCC363

RGB 252 195 99

HSL 37.65, 0.96%, 0.69%

LAB 82.18, 10.25, 55.12

 

CMYK 0 / 39 / 61 / 1

HEX #FC9A63

RGB 252 154 99

HSL 21.57, 0.96%, 0.69%

LAB 72.7, 31.67, 44

 

CMYK 27 / 0 / 61 / 1

HEX #B9FC63

RGB 185 252 99

HSL 86.27, 0.96%, 0.69%

LAB 92.06, -43.95, 64.83

 

CMYK 43 / 0 / 61 / 1

HEX #90FC63

RGB 144 252 99

HSL 102.35, 0.96%, 0.69%

LAB 90.07, -57.46, 62.06

 

CMYK 60 / 0 / 61 / 1

HEX #66FC63

RGB 102 252 99

HSL 118.82, 0.96%, 0.69%

LAB 88.61, -68.45, 60.03

 

CMYK 61 / 0 / 46 / 1

HEX #63FC89

RGB 99 252 137

HSL 134.9, 0.96%, 0.69%

LAB 88.96, -64.25, 43.16

 

CMYK 61 / 0 / 29 / 1

HEX #63FCB2

RGB 99 252 178

HSL 150.98, 0.96%, 0.69%

LAB 89.62, -57.11, 23.64

 

CMYK 27 / 0 / 61 / 1

HEX #B9FC63

RGB 185 252 99

HSL 86.27, 0.96%, 0.69%

LAB 92.06, -43.95, 64.83

 

CMYK 27 / 0 / 61 / 1

HEX #B9FC63

RGB 185 252 99

HSL 86.27, 0.96%, 0.69%

LAB 92.06, -43.95, 64.83

 

CMYK 23 / 0 / 53 / 6

HEX #B7EF70

RGB 183 239 112

HSL 86.46, 0.8%, 0.69%

LAB 88.43, -37.78, 55.02

 

CMYK 20 / 0 / 45 / 11

HEX #B6E37C

RGB 182 227 124

HSL 86.21, 0.65%, 0.69%

LAB 85.17, -31.38, 45.43

 

CMYK 16 / 0 / 36 / 16

HEX #B4D689

RGB 180 214 137

HSL 86.49, 0.48%, 0.69%

LAB 81.62, -24.32, 34.41

 

CMYK 11 / 0 / 25 / 21

HEX #B3C996

RGB 179 201 150

HSL 85.88, 0.32%, 0.69%

LAB 78.2, -16.41, 23.08

 

CMYK 0 / 6 / 61 / 1

HEX #FCED63

RGB 252 237 99

HSL 54.12, 0.96%, 0.69%

LAB 92.65, -11.08, 66.79

 

CMYK 10 / 0 / 61 / 1

HEX #E3FC63

RGB 227 252 99

HSL 69.8, 0.96%, 0.69%

LAB 94.68, -28.24, 68.44

 

CMYK 26 / 0 / 61 / 1

HEX #BAFC63

RGB 186 252 99

HSL 85.88, 0.96%, 0.69%

LAB 92.11, -43.59, 64.91

 

CMYK 42 / 0 / 61 / 1

HEX #91FC63

RGB 145 252 99

HSL 101.96, 0.96%, 0.69%

LAB 90.11, -57.16, 62.12

 

CMYK 59 / 0 / 61 / 1

HEX #68FC63

RGB 104 252 99

HSL 118.04, 0.96%, 0.69%

LAB 88.67, -68, 60.1

 

CMYK 41 / 0 / 93 / 2

HEX #95FB11

RGB 149 251 17

HSL 86.15, 0.97%, 0.53%

LAB 89.59, -59.77, 84.56

 

CMYK 34 / 0 / 77 / 1

HEX #A7FC3A

RGB 167 252 58

HSL 86.29, 0.97%, 0.61%

LAB 90.84, -52.89, 77.87

 

CMYK 27 / 0 / 61 / 1

HEX #B9FC63

RGB 185 252 99

HSL 86.27, 0.96%, 0.69%

LAB 92.06, -43.95, 64.83

 

CMYK 20 / 0 / 45 / 1

HEX #CBFD8B

RGB 203 253 139

HSL 86.32, 0.97%, 0.77%

LAB 93.8, -34.09, 49.25

 

CMYK 13 / 0 / 29 / 1

HEX #DDFDB4

RGB 221 253 180

HSL 86.3, 0.95%, 0.85%

LAB 95.55, -22.53, 31.62

 

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

CMYK 61 / 0 / 22 / 1

HEX #63FCC4

RGB 99 252 196

HSL 158.04, 0.96%, 0.69%

LAB 89.98, -53.4, 14.92

 

CMYK 0 / 61 / 2 / 1

HEX #FC63F7

RGB 252 99 247

HSL 301.96, 0.96%, 0.69%

LAB 66.77, 75.43, -46.21

 

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

CMYK 61 / 26 / 0 / 1

HEX #63BAFC

RGB 99 186 252

HSL 205.88, 0.96%, 0.69%

LAB 72.76, -7.03, -40.47

 

CMYK 0 / 61 / 26 / 1

HEX #FC63BA

RGB 252 99 186

HSL 325.88, 0.96%, 0.69%

LAB 64.29, 66.66, -15.9

 

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

CMYK 61 / 0 / 22 / 1

HEX #63FCC4

RGB 99 252 196

HSL 158.04, 0.96%, 0.69%

LAB 89.98, -53.4, 14.92

 

CMYK 35 / 61 / 0 / 1

HEX #A563FC

RGB 165 99 252

HSL 265.88, 0.96%, 0.69%

LAB 56.04, 56.37, -66.73

 

CMYK 0 / 61 / 38 / 1

HEX #FC639B

RGB 252 99 155

HSL 338.04, 0.96%, 0.69%

LAB 63.33, 63.09, 0.4

 

CMYK 27 / 0 / 61 / 1

HEX #B9FD62

RGB 185 253 98

HSL 86.32, 0.97%, 0.69%

LAB 92.33, -44.46, 65.54

 

CMYK 61 / 0 / 4 / 1

HEX #63FCF2

RGB 99 252 242

HSL 176.08, 0.96%, 0.69%

LAB 91.09, -42.48, -7.3

 

CMYK 35 / 61 / 0 / 1

HEX #A563FC

RGB 165 99 252

HSL 265.88, 0.96%, 0.69%

LAB 56.04, 56.37, -66.73

 

CMYK 0 / 61 / 57 / 1

HEX #FC636D

RGB 252 99 109

HSL 356.08, 0.96%, 0.69%

LAB 62.27, 59.03, 25.39

 

Description

Color code: HEX #B9FD62 | qconv.com Color code: HEX #B9FD62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 253 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 253 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 61 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 61% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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