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Color name
HEX #BCA561

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA561 it is the complementary color #435A9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA561 shade: #C1A55C, #D2B76F, #E3C982, #F4DB95 and #FFEDA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA561 shade: #BCA561, #AB934E, #9A813B, #896F28 and #785D15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA561 shade: #BBA561, #BB8C61, #BB7461 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA561 shade: #BBA561, #BABB61, #A1BB61, #89BB61 and #71BB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA561 shade matches the following richer shades: #BBA561, #CDAD4F, #DFB63D and #F2BF2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA561 shade: #BBA561, #A99C74, #979386, #858A98 and #7381AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA561 shade: #BB7361, #BB8B61, #BBA361, #BBBB61 and #A3BB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA561 shade: #8E793C, #AB9249, #BBA561, #C8B57E and #D4C69B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA561 shade: #BCA561, #67BB61 and #7F61BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA561 shade: #BCA561, #61BBA3 and #A361BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA561 shade: #BCA561, #67BB61, #6179BB and #B561BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA561 shade: #BCA561, #61BB76, #6179BB and #BB61A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

Complementary color

CMYK 58 / 43 / 0 / 38

HEX #435A9E

RGB 67 90 158

HSL 224.84, 0.4%, 0.44%

LAB 39.54, 12.44, -39.7

 

CMYK 0 / 15 / 52 / 24

HEX #C1A55C

RGB 193 165 92

HSL 43.37, 0.45%, 0.56%

LAB 68.77, 0.95, 41.3

 

CMYK 0 / 13 / 47 / 18

HEX #D2B76F

RGB 210 183 111

HSL 43.64, 0.52%, 0.63%

LAB 75.27, 0.22, 40.01

 

CMYK 0 / 11 / 43 / 11

HEX #E3C982

RGB 227 201 130

HSL 43.92, 0.63%, 0.7%

LAB 81.68, -0.41, 38.77

 

CMYK 0 / 10 / 39 / 4

HEX #F4DB95

RGB 244 219 149

HSL 44.21, 0.81%, 0.77%

LAB 88, -0.94, 37.57

 

CMYK 0 / 7 / 34 / 0

HEX #FFEDA8

RGB 255 237 168

HSL 47.59, 1%, 0.83%

LAB 93.73, -3.69, 35.68

 

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

CMYK 0 / 14 / 54 / 33

HEX #AB934E

RGB 171 147 78

HSL 44.52, 0.37%, 0.49%

LAB 61.72, 0.07, 39.45

 

CMYK 0 / 16 / 62 / 40

HEX #9A813B

RGB 154 129 59

HSL 44.21, 0.45%, 0.42%

LAB 54.96, 1, 40.73

 

CMYK 0 / 19 / 71 / 46

HEX #896F28

RGB 137 111 40

HSL 43.92, 0.55%, 0.35%

LAB 48.06, 2.15, 41.84

 

CMYK 0 / 23 / 83 / 53

HEX #785D15

RGB 120 93 21

HSL 43.64, 0.7%, 0.28%

LAB 41.02, 3.63, 42.39

 

CMYK 0 / 12 / 48 / 27

HEX #BBA561

RGB 187 165 97

HSL 45.33, 0.4%, 0.56%

LAB 68.27, -1.11, 38.01

 

CMYK 0 / 25 / 48 / 27

HEX #BB8C61

RGB 187 140 97

HSL 28.67, 0.4%, 0.56%

LAB 61.81, 12.54, 29.85

 

CMYK 0 / 38 / 48 / 27

HEX #BB7461

RGB 187 116 97

HSL 12.67, 0.4%, 0.56%

LAB 56.01, 25.83, 22.24

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 12 / 48 / 27

HEX #BBA561

RGB 187 165 97

HSL 45.33, 0.4%, 0.56%

LAB 68.27, -1.11, 38.01

 

CMYK 1 / 0 / 48 / 27

HEX #BABB61

RGB 186 187 97

HSL 60.67, 0.4%, 0.56%

LAB 74.09, -13.07, 45.09

 

CMYK 14 / 0 / 48 / 27

HEX #A1BB61

RGB 161 187 97

HSL 77.33, 0.4%, 0.56%

LAB 72.22, -23.14, 42.38

 

CMYK 27 / 0 / 48 / 27

HEX #89BB61

RGB 137 187 97

HSL 93.33, 0.4%, 0.56%

LAB 70.68, -32.26, 40.15

 

CMYK 40 / 0 / 48 / 27

HEX #71BB61

RGB 113 187 97

HSL 109.33, 0.4%, 0.56%

LAB 69.41, -40.52, 38.3

 

CMYK 0 / 12 / 48 / 27

HEX #BBA561

RGB 187 165 97

HSL 45.33, 0.4%, 0.56%

LAB 68.27, -1.11, 38.01

 

CMYK 0 / 16 / 61 / 20

HEX #CDAD4F

RGB 205 173 79

HSL 44.76, 0.56%, 0.56%

LAB 71.85, 0.77, 51.51

 

CMYK 0 / 18 / 73 / 13

HEX #DFB63D

RGB 223 182 61

HSL 44.81, 0.72%, 0.56%

LAB 75.75, 2.71, 63.83

 

CMYK 0 / 21 / 82 / 5

HEX #F2BF2B

RGB 242 191 43

HSL 44.62, 0.88%, 0.56%

LAB 79.79, 5.48, 74.27

 

CMYK 0 / 12 / 48 / 27

HEX #BBA561

RGB 187 165 97

HSL 45.33, 0.4%, 0.56%

LAB 68.27, -1.11, 38.01

 

CMYK 0 / 8 / 31 / 34

HEX #A99C74

RGB 169 156 116

HSL 45.28, 0.24%, 0.56%

LAB 64.54, -1.5, 22.71

 

CMYK 0 / 3 / 11 / 41

HEX #979386

RGB 151 147 134

HSL 45.88, 0.08%, 0.56%

LAB 60.93, -0.9, 7.4

 

CMYK 13 / 9 / 0 / 40

HEX #858A98

RGB 133 138 152

HSL 224.21, 0.08%, 0.56%

LAB 57.49, 1.12, -8.07

 

CMYK 32 / 24 / 0 / 33

HEX #7381AA

RGB 115 129 170

HSL 224.73, 0.24%, 0.56%

LAB 54.29, 4.84, -23.42

 

CMYK 0 / 39 / 48 / 27

HEX #BB7361

RGB 187 115 97

HSL 12, 0.4%, 0.56%

LAB 55.78, 26.38, 21.94

 

CMYK 0 / 26 / 48 / 27

HEX #BB8B61

RGB 187 139 97

HSL 28, 0.4%, 0.56%

LAB 61.56, 13.1, 29.53

 

CMYK 0 / 13 / 48 / 27

HEX #BBA361

RGB 187 163 97

HSL 44, 0.4%, 0.56%

LAB 67.74, -0.04, 37.35

 

CMYK 0 / 0 / 48 / 27

HEX #BBBB61

RGB 187 187 97

HSL 60, 0.4%, 0.56%

LAB 74.17, -12.66, 45.2

 

CMYK 13 / 0 / 48 / 27

HEX #A3BB61

RGB 163 187 97

HSL 76, 0.4%, 0.56%

LAB 72.36, -22.35, 42.59

 

CMYK 0 / 15 / 58 / 44

HEX #8E793C

RGB 142 121 60

HSL 44.63, 0.41%, 0.4%

LAB 51.56, 0.18, 35.99

 

CMYK 0 / 15 / 57 / 33

HEX #AB9249

RGB 171 146 73

HSL 44.69, 0.4%, 0.48%

LAB 61.39, 0.2, 41.59

 

CMYK 0 / 12 / 48 / 27

HEX #BBA561

RGB 187 165 97

HSL 45.33, 0.4%, 0.56%

LAB 68.27, -1.11, 38.01

 

CMYK 0 / 10 / 37 / 22

HEX #C8B57E

RGB 200 181 126

HSL 44.59, 0.4%, 0.64%

LAB 74.08, -1.18, 30.52

 

CMYK 0 / 7 / 27 / 17

HEX #D4C69B

RGB 212 198 155

HSL 45.26, 0.4%, 0.72%

LAB 80.04, -1.74, 23.36

 

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

CMYK 45 / 0 / 48 / 27

HEX #67BB61

RGB 103 187 97

HSL 116, 0.4%, 0.56%

LAB 68.96, -43.63, 37.64

 

CMYK 32 / 48 / 0 / 27

HEX #7F61BB

RGB 127 97 187

HSL 260, 0.4%, 0.56%

LAB 47.82, 31.92, -43.31

 

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

CMYK 48 / 0 / 13 / 27

HEX #61BBA3

RGB 97 187 163

HSL 164, 0.4%, 0.56%

LAB 69.98, -32.81, 3.86

 

CMYK 13 / 48 / 0 / 27

HEX #A361BB

RGB 163 97 187

HSL 284, 0.4%, 0.56%

LAB 51.75, 42.04, -36.83

 

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

CMYK 45 / 0 / 48 / 27

HEX #67BB61

RGB 103 187 97

HSL 116, 0.4%, 0.56%

LAB 68.96, -43.63, 37.64

 

CMYK 48 / 35 / 0 / 27

HEX #6179BB

RGB 97 121 187

HSL 224, 0.4%, 0.56%

LAB 51.61, 9.56, -37.46

 

CMYK 3 / 48 / 0 / 27

HEX #B561BB

RGB 181 97 187

HSL 296, 0.4%, 0.56%

LAB 53.99, 47.26, -33.17

 

CMYK 0 / 12 / 48 / 26

HEX #BCA561

RGB 188 165 97

HSL 44.84, 0.4%, 0.56%

LAB 68.36, -0.69, 38.14

 

CMYK 48 / 0 / 37 / 27

HEX #61BB76

RGB 97 187 118

HSL 134, 0.4%, 0.56%

LAB 69.03, -42.07, 26.86

 

CMYK 48 / 35 / 0 / 27

HEX #6179BB

RGB 97 121 187

HSL 224, 0.4%, 0.56%

LAB 51.61, 9.56, -37.46

 

CMYK 0 / 48 / 11 / 27

HEX #BB61A6

RGB 187 97 166

HSL 314, 0.4%, 0.56%

LAB 53.89, 45.33, -21.09

 

Description

Color code: HEX #BCA561 | qconv.com Color code: HEX #BCA561 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 165 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 165 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 26% C M Y K

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Provide designers and agencies with accurate color values.

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