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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA59E it is the complementary color #435A61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA59E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA59E shade: #C1A599, #D2B7AC, #E3C9BF, #F4DBD2 and #FFEDE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA59E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA59E shade: #BCA59E, #AB938B, #9A8178, #896F65 and #785D52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA59E shade: #BCA59E and #BC9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA59E shade: #BCA59E, #BCAD9E, #BCB59E, #BABC9E and #B2BC9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA59E shade matches the following richer shades: #BCA59E, #C99E91, #D69784, #E39077 and #F08969

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA59E shade: #BCA59E, #AEACAB, #A1B3B9, #94BAC6 and #87C1D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA59E shade: #BC9EA7, #BC9E9F, #BCA59E, #BCAD9E and #BCB59E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA59E shade: #9A786E, #AB8E86, #BCA59E, #CDBCB7 and #DDD2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA59E shade: #BCA59E, #AFBC9E and #9EA3BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA59E shade: #BCA59E, #9EBCA5 and #A59EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA59E shade: #BCA59E, #AFBC9E, #9EB5BC and #AB9EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA59E shade: #BCA59E, #A6BC9E, #9EB5BC and #B49EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

Complementary color

CMYK 31 / 7 / 0 / 62

HEX #435A61

RGB 67 90 97

HSL 194, 0.18%, 0.32%

LAB 36.68, -6.8, -6.86

 

CMYK 0 / 15 / 21 / 24

HEX #C1A599

RGB 193 165 153

HSL 18, 0.24%, 0.68%

LAB 69.86, 8.32, 10

 

CMYK 0 / 13 / 18 / 18

HEX #D2B7AC

RGB 210 183 172

HSL 17.37, 0.3%, 0.75%

LAB 76.4, 7.9, 9.14

 

CMYK 0 / 11 / 16 / 11

HEX #E3C9BF

RGB 227 201 191

HSL 16.67, 0.39%, 0.82%

LAB 82.84, 7.52, 8.32

 

CMYK 0 / 10 / 14 / 4

HEX #F4DBD2

RGB 244 219 210

HSL 15.88, 0.61%, 0.89%

LAB 89.18, 7.17, 7.55

 

CMYK 0 / 7 / 10 / 0

HEX #FFEDE5

RGB 255 237 229

HSL 18.46, 1%, 0.95%

LAB 94.94, 4.77, 6.05

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 14 / 19 / 33

HEX #AB938B

RGB 171 147 139

HSL 15, 0.16%, 0.61%

LAB 62.84, 7.62, 7.53

 

CMYK 0 / 16 / 22 / 40

HEX #9A8178

RGB 154 129 120

HSL 15.88, 0.14%, 0.54%

LAB 56.01, 8.09, 8.44

 

CMYK 0 / 19 / 26 / 46

HEX #896F65

RGB 137 111 101

HSL 16.67, 0.15%, 0.47%

LAB 49.04, 8.63, 9.43

 

CMYK 0 / 23 / 32 / 53

HEX #785D52

RGB 120 93 82

HSL 17.37, 0.19%, 0.4%

LAB 41.89, 9.28, 10.53

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 16 / 16 / 26

HEX #BC9E9E

RGB 188 158 158

HSL 0, 0.18%, 0.68%

LAB 67.73, 11.06, 4.12

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 8 / 16 / 26

HEX #BCAD9E

RGB 188 173 158

HSL 30, 0.18%, 0.68%

LAB 71.59, 2.87, 9.65

 

CMYK 0 / 4 / 16 / 26

HEX #BCB59E

RGB 188 181 158

HSL 46, 0.18%, 0.68%

LAB 73.68, -1.43, 12.61

 

CMYK 1 / 0 / 16 / 26

HEX #BABC9E

RGB 186 188 158

HSL 64, 0.18%, 0.68%

LAB 75.37, -5.88, 14.97

 

CMYK 5 / 0 / 16 / 26

HEX #B2BC9E

RGB 178 188 158

HSL 80, 0.18%, 0.68%

LAB 74.76, -8.83, 14.02

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 21 / 28 / 21

HEX #C99E91

RGB 201 158 145

HSL 13.93, 0.34%, 0.68%

LAB 68.69, 14.05, 12.88

 

CMYK 0 / 29 / 38 / 16

HEX #D69784

RGB 214 151 132

HSL 13.9, 0.5%, 0.68%

LAB 68.09, 21.27, 19.46

 

CMYK 0 / 37 / 48 / 11

HEX #E39077

RGB 227 144 119

HSL 13.89, 0.66%, 0.68%

LAB 67.73, 28.73, 26.4

 

CMYK 0 / 43 / 56 / 6

HEX #F08969

RGB 240 137 105

HSL 14.22, 0.82%, 0.68%

LAB 67.6, 36.23, 34.19

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 1 / 2 / 32

HEX #AEACAB

RGB 174 172 171

HSL 20, 0.02%, 0.68%

LAB 70.49, 0.53, 0.76

 

CMYK 13 / 3 / 0 / 27

HEX #A1B3B9

RGB 161 179 185

HSL 195, 0.15%, 0.68%

LAB 71.77, -4.96, -5.18

 

CMYK 25 / 6 / 0 / 22

HEX #94BAC6

RGB 148 186 198

HSL 194.4, 0.3%, 0.68%

LAB 73.21, -9.96, -10.24

 

CMYK 36 / 9 / 0 / 17

HEX #87C1D3

RGB 135 193 211

HSL 194.21, 0.46%, 0.68%

LAB 74.82, -14.23, -14.98

 

CMYK 0 / 16 / 11 / 26

HEX #BC9EA7

RGB 188 158 167

HSL 342, 0.18%, 0.68%

LAB 67.97, 12.56, -0.55

 

CMYK 0 / 16 / 15 / 26

HEX #BC9E9F

RGB 188 158 159

HSL 358, 0.18%, 0.68%

LAB 67.76, 11.22, 3.6

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 8 / 16 / 26

HEX #BCAD9E

RGB 188 173 158

HSL 30, 0.18%, 0.68%

LAB 71.59, 2.87, 9.65

 

CMYK 0 / 4 / 16 / 26

HEX #BCB59E

RGB 188 181 158

HSL 46, 0.18%, 0.68%

LAB 73.68, -1.43, 12.61

 

CMYK 0 / 22 / 29 / 40

HEX #9A786E

RGB 154 120 110

HSL 13.64, 0.18%, 0.52%

LAB 53.42, 11.73, 10.56

 

CMYK 0 / 17 / 22 / 33

HEX #AB8E86

RGB 171 142 134

HSL 12.97, 0.18%, 0.6%

LAB 61.42, 9.63, 8.34

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 0 / 8 / 11 / 20

HEX #CDBCB7

RGB 205 188 183

HSL 13.64, 0.18%, 0.76%

LAB 77.5, 5.16, 4.69

 

CMYK 0 / 5 / 6 / 13

HEX #DDD2CF

RGB 221 210 207

HSL 12.86, 0.17%, 0.84%

LAB 84.98, 3.27, 2.83

HEX #DDD2CF

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 7 / 0 / 16 / 26

HEX #AFBC9E

RGB 175 188 158

HSL 86, 0.18%, 0.68%

LAB 74.54, -9.92, 13.68

 

CMYK 16 / 13 / 0 / 26

HEX #9EA3BC

RGB 158 163 188

HSL 230, 0.18%, 0.68%

LAB 67.35, 3.42, -13.45

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 16 / 0 / 12 / 26

HEX #9EBCA5

RGB 158 188 165

HSL 134, 0.18%, 0.68%

LAB 73.51, -14.69, 8.27

 

CMYK 12 / 16 / 0 / 26

HEX #A59EBC

RGB 165 158 188

HSL 254, 0.18%, 0.68%

LAB 66.58, 8.53, -14.54

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 7 / 0 / 16 / 26

HEX #AFBC9E

RGB 175 188 158

HSL 86, 0.18%, 0.68%

LAB 74.54, -9.92, 13.68

 

CMYK 16 / 4 / 0 / 26

HEX #9EB5BC

RGB 158 181 188

HSL 194, 0.18%, 0.68%

LAB 72.19, -6.38, -6.22

 

CMYK 9 / 16 / 0 / 26

HEX #AB9EBC

RGB 171 158 188

HSL 266, 0.18%, 0.68%

LAB 67.08, 10.54, -13.74

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59E

RGB 188 165 158

HSL 14, 0.18%, 0.68%

LAB 69.52, 7.21, 6.69

 

CMYK 12 / 0 / 16 / 26

HEX #A6BC9E

RGB 166 188 158

HSL 104, 0.18%, 0.68%

LAB 73.9, -13.16, 12.68

 

CMYK 16 / 4 / 0 / 26

HEX #9EB5BC

RGB 158 181 188

HSL 194, 0.18%, 0.68%

LAB 72.19, -6.38, -6.22

 

CMYK 4 / 16 / 0 / 26

HEX #B49EBC

RGB 180 158 188

HSL 284, 0.18%, 0.68%

LAB 67.86, 13.61, -12.49

 

Description

Color code: HEX #BCA59E | qconv.com Color code: HEX #BCA59E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 165 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 165 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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