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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA05B it is the complementary color #435FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA05B shade: #C1A056, #D2B269, #E3C47C, #F4D68F and #FFE8A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA05B shade: #BCA05B, #AB8E48, #9A7C35, #896A22 and #78580F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA05B shade: #BCA05C, #BC865C, #BC6C5C and #BC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA05B shade: #BCA05C, #BCBA5C, #A4BC5C, #8ABC5C and #70BC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA05B shade matches the following richer shades: #BCA05C, #CFA849, #E1B036 and #F4B824

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA05B shade: #BCA05C, #A9986E, #979081, #848993 and #7281A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA05B shade: #BC6C5C, #BC855C, #BC9F5C, #BCB95C and #A5BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA05B shade: #8C7439, #A98C45, #BCA05C, #C8B179 and #D4C296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA05B shade: #BCA05B, #65BC5C and #785CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA05B shade: #BCA05B, #5CBC9F and #9F5CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA05B shade: #BCA05B, #65BC5C, #5C78BC and #B25CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA05B shade: #BCA05B, #5CBC6F, #5C78BC and #BC5CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

Complementary color

CMYK 59 / 42 / 0 / 36

HEX #435FA4

RGB 67 95 164

HSL 222.68, 0.42%, 0.45%

LAB 41.31, 11.31, -40.45

 

CMYK 0 / 17 / 55 / 24

HEX #C1A056

RGB 193 160 86

HSL 41.5, 0.46%, 0.55%

LAB 67.39, 3.13, 42.68

 

CMYK 0 / 15 / 50 / 18

HEX #D2B269

RGB 210 178 105

HSL 41.71, 0.54%, 0.62%

LAB 73.91, 2.3, 41.37

 

CMYK 0 / 14 / 45 / 11

HEX #E3C47C

RGB 227 196 124

HSL 41.94, 0.65%, 0.69%

LAB 80.33, 1.59, 40.09

 

CMYK 0 / 12 / 41 / 4

HEX #F4D68F

RGB 244 214 143

HSL 42.18, 0.82%, 0.76%

LAB 86.66, 0.97, 38.87

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A2

RGB 255 232 162

HSL 45.16, 1%, 0.82%

LAB 92.39, -1.86, 36.93

 

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

CMYK 0 / 17 / 58 / 33

HEX #AB8E48

RGB 171 142 72

HSL 42.42, 0.41%, 0.48%

LAB 60.31, 2.32, 40.83

 

CMYK 0 / 19 / 66 / 40

HEX #9A7C35

RGB 154 124 53

HSL 42.18, 0.49%, 0.41%

LAB 53.54, 3.38, 42.09

 

CMYK 0 / 23 / 75 / 46

HEX #896A22

RGB 137 106 34

HSL 41.94, 0.6%, 0.34%

LAB 46.63, 4.71, 43.09

 

CMYK 0 / 27 / 88 / 53

HEX #78580F

RGB 120 88 15

HSL 41.71, 0.78%, 0.26%

LAB 39.59, 6.39, 43.26

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 29 / 51 / 26

HEX #BC865C

RGB 188 134 92

HSL 26.25, 0.42%, 0.55%

LAB 60.35, 15.8, 30.73

 

CMYK 0 / 43 / 51 / 26

HEX #BC6C5C

RGB 188 108 92

HSL 10, 0.42%, 0.55%

LAB 54.23, 30.12, 22.77

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 1 / 51 / 26

HEX #BCBA5C

RGB 188 186 92

HSL 58.75, 0.42%, 0.55%

LAB 73.92, -12.18, 47.35

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 27 / 0 / 51 / 26

HEX #8ABC5C

RGB 138 188 92

HSL 91.25, 0.42%, 0.55%

LAB 70.97, -32.94, 42.98

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 19 / 65 / 19

HEX #CFA849

RGB 207 168 73

HSL 42.54, 0.58%, 0.55%

LAB 70.7, 3.89, 53.05

 

CMYK 0 / 22 / 76 / 12

HEX #E1B036

RGB 225 176 54

HSL 42.81, 0.74%, 0.55%

LAB 74.4, 6.42, 65.22

 

CMYK 0 / 25 / 85 / 4

HEX #F4B824

RGB 244 184 36

HSL 42.69, 0.9%, 0.55%

LAB 78.25, 9.81, 74.94

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 10 / 35 / 34

HEX #A9986E

RGB 169 152 110

HSL 42.71, 0.26%, 0.55%

LAB 63.36, -0.1, 24.42

 

CMYK 0 / 5 / 15 / 41

HEX #979081

RGB 151 144 129

HSL 40.91, 0.1%, 0.55%

LAB 59.99, -0.08, 8.89

 

CMYK 10 / 7 / 0 / 42

HEX #848993

RGB 132 137 147

HSL 220, 0.06%, 0.55%

LAB 56.98, 0.26, -5.97

 

CMYK 31 / 22 / 0 / 35

HEX #7281A6

RGB 114 129 166

HSL 222.69, 0.23%, 0.55%

LAB 54.06, 3.48, -21.47

 

CMYK 0 / 43 / 51 / 26

HEX #BC6C5C

RGB 188 108 92

HSL 10, 0.42%, 0.55%

LAB 54.23, 30.12, 22.77

 

CMYK 0 / 29 / 51 / 26

HEX #BC855C

RGB 188 133 92

HSL 25.63, 0.42%, 0.55%

LAB 60.1, 16.35, 30.42

 

CMYK 0 / 15 / 51 / 26

HEX #BC9F5C

RGB 188 159 92

HSL 41.88, 0.42%, 0.55%

LAB 66.72, 2.07, 38.69

 

CMYK 0 / 2 / 51 / 26

HEX #BCB95C

RGB 188 185 92

HSL 58.13, 0.42%, 0.55%

LAB 73.65, -11.67, 47.03

 

CMYK 12 / 0 / 51 / 26

HEX #A5BC5C

RGB 165 188 92

HSL 74.38, 0.42%, 0.55%

LAB 72.72, -22.56, 45.5

 

CMYK 0 / 17 / 59 / 45

HEX #8C7439

RGB 140 116 57

HSL 42.65, 0.42%, 0.39%

LAB 49.93, 1.87, 35.6

 

CMYK 0 / 17 / 59 / 34

HEX #A98C45

RGB 169 140 69

HSL 42.6, 0.42%, 0.47%

LAB 59.54, 2.31, 41.39

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 12 / 40 / 22

HEX #C8B179

RGB 200 177 121

HSL 42.53, 0.42%, 0.63%

LAB 72.96, 0.37, 31.69

 

CMYK 0 / 8 / 29 / 17

HEX #D4C296

RGB 212 194 150

HSL 42.58, 0.42%, 0.71%

LAB 78.92, -0.32, 24.47

 

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

CMYK 46 / 0 / 51 / 26

HEX #65BC5C

RGB 101 188 92

HSL 114.38, 0.42%, 0.55%

LAB 69.12, -45.32, 40.3

 

CMYK 36 / 51 / 0 / 26

HEX #785CBC

RGB 120 92 188

HSL 257.5, 0.42%, 0.55%

LAB 46.01, 33.29, -46.8

 

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

CMYK 51 / 0 / 15 / 26

HEX #5CBC9F

RGB 92 188 159

HSL 161.88, 0.42%, 0.55%

LAB 70, -35.41, 6.05

 

CMYK 15 / 51 / 0 / 26

HEX #9F5CBC

RGB 159 92 188

HSL 281.88, 0.42%, 0.55%

LAB 50.28, 43.8, -39.76

 

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

CMYK 46 / 0 / 51 / 26

HEX #65BC5C

RGB 101 188 92

HSL 114.38, 0.42%, 0.55%

LAB 69.12, -45.32, 40.3

 

CMYK 51 / 36 / 0 / 26

HEX #5C78BC

RGB 92 120 188

HSL 222.5, 0.42%, 0.55%

LAB 51.08, 9.27, -38.89

 

CMYK 5 / 51 / 0 / 26

HEX #B25CBC

RGB 178 92 188

HSL 293.75, 0.42%, 0.55%

LAB 52.67, 49.14, -35.83

 

CMYK 0 / 15 / 52 / 26

HEX #BCA05B

RGB 188 160 91

HSL 42.68, 0.42%, 0.55%

LAB 66.97, 1.44, 39.51

 

CMYK 51 / 0 / 41 / 26

HEX #5CBC6F

RGB 92 188 111

HSL 131.88, 0.42%, 0.55%

LAB 69.03, -45.03, 30.49

 

CMYK 51 / 36 / 0 / 26

HEX #5C78BC

RGB 92 120 188

HSL 222.5, 0.42%, 0.55%

LAB 51.08, 9.27, -38.89

 

CMYK 0 / 51 / 10 / 26

HEX #BC5CA9

RGB 188 92 169

HSL 311.88, 0.42%, 0.55%

LAB 53.18, 48.66, -23.92

 

Description

Color code: HEX #BCA05B | qconv.com Color code: HEX #BCA05B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 160 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 160 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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