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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA194 it is the complementary color #435E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA194 shade: #C1A18F, #D2B3A2, #E3C5B5, #F4D7C8 and #FFE9DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA194 shade: #BCA194, #AB8F81, #9A7D6E, #896B5B and #785948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA194 shade: #BCA194, #BC9694 and #BC9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA194 shade: #BCA194, #BCAC94, #BCB694, #B6BC94 and #ACBC94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA194 shade matches the following richer shades: #BCA194, #CA9C86, #D89778, #E6926A and #F48D5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA194 shade: #BCA194, #AEA6A2, #A0ABB0, #92B0BE and #84B4CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA194 shade: #BC949D, #BC9694, #BCA094, #BCAB94 and #BCB694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA194 shade: #9C7461, #AC8B7A, #BCA194, #CCB7AD and #DCCDC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA194 shade: #BCA194, #A7BC94 and #9497BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA194 shade: #BCA194, #94BCA0 and #A094BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA194 shade: #BCA194, #A7BC94, #94AFBC and #A894BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA194 shade: #BCA194, #9BBC94, #94AFBC and #B494BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

Complementary color

CMYK 37 / 12 / 0 / 58

HEX #435E6B

RGB 67 94 107

HSL 199.5, 0.23%, 0.34%

LAB 38.31, -6.42, -10.61

 

CMYK 0 / 17 / 26 / 24

HEX #C1A18F

RGB 193 161 143

HSL 21.6, 0.29%, 0.66%

LAB 68.61, 9.03, 13.77

 

CMYK 0 / 15 / 23 / 18

HEX #D2B3A2

RGB 210 179 162

HSL 21.25, 0.35%, 0.73%

LAB 75.17, 8.54, 12.82

 

CMYK 0 / 13 / 20 / 11

HEX #E3C5B5

RGB 227 197 181

HSL 20.87, 0.45%, 0.8%

LAB 81.62, 8.11, 11.92

 

CMYK 0 / 12 / 18 / 4

HEX #F4D7C8

RGB 244 215 200

HSL 20.45, 0.67%, 0.87%

LAB 87.97, 7.72, 11.08

 

CMYK 0 / 9 / 14 / 0

HEX #FFE9DB

RGB 255 233 219

HSL 23.33, 1%, 0.93%

LAB 93.73, 5.24, 9.5

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 16 / 25 / 33

HEX #AB8F81

RGB 171 143 129

HSL 20, 0.2%, 0.59%

LAB 61.56, 8.31, 11.37

 

CMYK 0 / 19 / 29 / 40

HEX #9A7D6E

RGB 154 125 110

HSL 20.45, 0.18%, 0.52%

LAB 54.72, 8.86, 12.4

 

CMYK 0 / 22 / 34 / 46

HEX #896B5B

RGB 137 107 91

HSL 20.87, 0.2%, 0.45%

LAB 47.74, 9.51, 13.53

 

CMYK 0 / 26 / 40 / 53

HEX #785948

RGB 120 89 72

HSL 21.25, 0.25%, 0.38%

LAB 40.58, 10.3, 14.8

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 20 / 21 / 26

HEX #BC9694

RGB 188 150 148

HSL 3, 0.23%, 0.66%

LAB 65.47, 13.89, 6.46

 

CMYK 0 / 21 / 21 / 26

HEX #BC9494

RGB 188 148 148

HSL 0, 0.23%, 0.66%

LAB 64.97, 15, 5.74

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 9 / 21 / 26

HEX #BCAC94

RGB 188 172 148

HSL 36, 0.23%, 0.66%

LAB 71.1, 1.85, 14.44

 

CMYK 0 / 3 / 21 / 26

HEX #BCB694

RGB 188 182 148

HSL 51, 0.23%, 0.66%

LAB 73.73, -3.49, 18.1

 

CMYK 3 / 0 / 21 / 26

HEX #B6BC94

RGB 182 188 148

HSL 69, 0.23%, 0.66%

LAB 74.86, -8.92, 19.59

 

CMYK 9 / 0 / 21 / 26

HEX #ACBC94

RGB 172 188 148

HSL 84, 0.23%, 0.66%

LAB 74.11, -12.65, 18.44

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 23 / 34 / 21

HEX #CA9C86

RGB 202 156 134

HSL 19.41, 0.39%, 0.66%

LAB 68.06, 14.07, 18.11

 

CMYK 0 / 30 / 44 / 15

HEX #D89778

RGB 216 151 120

HSL 19.38, 0.55%, 0.66%

LAB 68.09, 20.73, 26.09

 

CMYK 0 / 37 / 54 / 10

HEX #E6926A

RGB 230 146 106

HSL 19.35, 0.71%, 0.66%

LAB 68.33, 27.68, 34.32

 

CMYK 0 / 42 / 62 / 4

HEX #F48D5C

RGB 244 141 92

HSL 19.34, 0.87%, 0.66%

LAB 68.79, 34.8, 42.68

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 5 / 7 / 32

HEX #AEA6A2

RGB 174 166 162

HSL 20, 0.07%, 0.66%

LAB 68.66, 2.16, 3.09

 

CMYK 9 / 3 / 0 / 31

HEX #A0ABB0

RGB 160 171 176

HSL 198.75, 0.09%, 0.66%

LAB 69.28, -2.84, -3.9

 

CMYK 23 / 7 / 0 / 25

HEX #92B0BE

RGB 146 176 190

HSL 199.09, 0.25%, 0.66%

LAB 70.09, -7.08, -10.53

 

CMYK 35 / 12 / 0 / 20

HEX #84B4CC

RGB 132 180 204

HSL 200, 0.41%, 0.66%

LAB 70.81, -9.96, -17.24

 

CMYK 0 / 21 / 16 / 26

HEX #BC949D

RGB 188 148 157

HSL 346.5, 0.23%, 0.66%

LAB 65.2, 16.42, 1.01

 

CMYK 0 / 20 / 21 / 26

HEX #BC9694

RGB 188 150 148

HSL 3, 0.23%, 0.66%

LAB 65.47, 13.89, 6.46

 

CMYK 0 / 15 / 21 / 26

HEX #BCA094

RGB 188 160 148

HSL 18, 0.23%, 0.66%

LAB 68, 8.38, 10.07

 

CMYK 0 / 9 / 21 / 26

HEX #BCAB94

RGB 188 171 148

HSL 34.5, 0.23%, 0.66%

LAB 70.84, 2.39, 14.07

 

CMYK 0 / 3 / 21 / 26

HEX #BCB694

RGB 188 182 148

HSL 51, 0.23%, 0.66%

LAB 73.73, -3.49, 18.1

 

CMYK 0 / 26 / 38 / 39

HEX #9C7461

RGB 156 116 97

HSL 19.32, 0.23%, 0.5%

LAB 52.31, 13.08, 16.63

 

CMYK 0 / 19 / 29 / 33

HEX #AC8B7A

RGB 172 139 122

HSL 20.4, 0.23%, 0.58%

LAB 60.46, 9.93, 13.82

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 0 / 10 / 15 / 20

HEX #CCB7AD

RGB 204 183 173

HSL 19.35, 0.23%, 0.74%

LAB 75.9, 5.84, 7.8

 

CMYK 0 / 7 / 10 / 14

HEX #DCCDC7

RGB 220 205 199

HSL 17.14, 0.23%, 0.82%

LAB 83.44, 4.19, 4.85

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 11 / 0 / 21 / 26

HEX #A7BC94

RGB 167 188 148

HSL 91.5, 0.23%, 0.66%

LAB 73.75, -14.48, 17.89

 

CMYK 21 / 20 / 0 / 26

HEX #9497BC

RGB 148 151 188

HSL 235.5, 0.23%, 0.66%

LAB 63.39, 6.91, -19.51

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 21 / 0 / 15 / 26

HEX #94BCA0

RGB 148 188 160

HSL 138, 0.23%, 0.66%

LAB 72.76, -19.02, 9.82

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 11 / 0 / 21 / 26

HEX #A7BC94

RGB 167 188 148

HSL 91.5, 0.23%, 0.66%

LAB 73.75, -14.48, 17.89

 

CMYK 21 / 7 / 0 / 26

HEX #94AFBC

RGB 148 175 188

HSL 199.5, 0.23%, 0.66%

LAB 69.89, -6.37, -9.72

 

CMYK 11 / 21 / 0 / 26

HEX #A894BC

RGB 168 148 188

HSL 270, 0.23%, 0.66%

LAB 64.27, 15.15, -18.02

 

CMYK 0 / 14 / 21 / 26

HEX #BCA194

RGB 188 161 148

HSL 19.5, 0.23%, 0.66%

LAB 68.26, 7.83, 10.43

 

CMYK 18 / 0 / 21 / 26

HEX #9BBC94

RGB 155 188 148

HSL 109.5, 0.23%, 0.66%

LAB 72.94, -18.79, 16.64

 

CMYK 21 / 7 / 0 / 26

HEX #94AFBC

RGB 148 175 188

HSL 199.5, 0.23%, 0.66%

LAB 69.89, -6.37, -9.72

 

CMYK 4 / 21 / 0 / 26

HEX #B494BC

RGB 180 148 188

HSL 288, 0.23%, 0.66%

LAB 65.37, 19.19, -16.25

 

Description

Color code: HEX #BCA194 | qconv.com Color code: HEX #BCA194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 161 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 161 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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