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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCAA98 it is the complementary color #435567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCAA98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCAA98 shade: #C1AA93, #D2BCA6, #E3CEB9, #F4E0CC and #FFF2DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCAA98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCAA98 shade: #BCAA98, #AB9885, #9A8672, #89745F and #78624C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCAA98 shade: #BCAA99, #BCA199 and #BC9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCAA98 shade: #BCAA99, #BCB499, #BBBC99, #B1BC99 and #A8BC99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCAA98 shade matches the following richer shades: #BCAA99, #CAAA8B, #D7AA7D, #E5AA70 and #F2AA62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCAA98 shade: #BCAA99, #AEAAA6, #A1AAB4, #93AAC2 and #86AACF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCAA98 shade: #BC999A, #BCA199, #BCAA99, #BCB499 and #BBBC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCAA98 shade: #9B8167, #AC9680, #BCAA99, #CCBFB2 and #DDD4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCAA98 shade: #BCAA98, #A3BC99 and #9C99BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCAA98 shade: #BCAA98, #99BCAA and #AA99BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCAA98 shade: #BCAA98, #A3BC99, #99AABC and #B199BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCAA98 shade: #BCAA98, #99BC99, #99AABC and #BC99BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

Complementary color

CMYK 35 / 17 / 0 / 60

HEX #435567

RGB 67 85 103

HSL 210, 0.21%, 0.33%

LAB 35.34, -2.07, -12.63

 

CMYK 0 / 12 / 24 / 24

HEX #C1AA93

RGB 193 170 147

HSL 30, 0.27%, 0.67%

LAB 71, 4.71, 14.92

 

CMYK 0 / 10 / 21 / 18

HEX #D2BCA6

RGB 210 188 166

HSL 30, 0.33%, 0.74%

LAB 77.53, 4.32, 13.98

 

CMYK 0 / 9 / 19 / 11

HEX #E3CEB9

RGB 227 206 185

HSL 30, 0.43%, 0.81%

LAB 83.95, 3.98, 13.1

 

CMYK 0 / 8 / 16 / 4

HEX #F4E0CC

RGB 244 224 204

HSL 30, 0.65%, 0.88%

LAB 90.28, 3.66, 12.26

 

CMYK 0 / 5 / 13 / 0

HEX #FFF2DF

RGB 255 242 223

HSL 35.63, 1%, 0.94%

LAB 96.03, 1.28, 10.72

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

CMYK 0 / 11 / 22 / 33

HEX #AB9885

RGB 171 152 133

HSL 30, 0.18%, 0.6%

LAB 64.01, 3.91, 12.56

 

CMYK 0 / 13 / 26 / 40

HEX #9A8672

RGB 154 134 114

HSL 30, 0.17%, 0.53%

LAB 57.21, 4.34, 13.56

 

CMYK 0 / 15 / 31 / 46

HEX #89745F

RGB 137 116 95

HSL 30, 0.18%, 0.45%

LAB 50.26, 4.84, 14.65

 

CMYK 0 / 18 / 37 / 53

HEX #78624C

RGB 120 98 76

HSL 30, 0.22%, 0.38%

LAB 43.14, 5.44, 15.86

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 14 / 19 / 26

HEX #BCA199

RGB 188 161 153

HSL 13.71, 0.21%, 0.67%

LAB 68.37, 8.61, 7.82

 

CMYK 0 / 19 / 19 / 26

HEX #BC9999

RGB 188 153 153

HSL 0, 0.21%, 0.67%

LAB 66.35, 13.01, 4.91

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 4 / 19 / 26

HEX #BCB499

RGB 188 180 153

HSL 46.29, 0.21%, 0.67%

LAB 73.31, -1.67, 14.81

 

CMYK 1 / 0 / 19 / 26

HEX #BBBC99

RGB 187 188 153

HSL 61.71, 0.21%, 0.67%

LAB 75.35, -6.28, 17.64

 

CMYK 6 / 0 / 19 / 26

HEX #B1BC99

RGB 177 188 153

HSL 78.86, 0.21%, 0.67%

LAB 74.58, -10.01, 16.46

 

CMYK 11 / 0 / 19 / 26

HEX #A8BC99

RGB 168 188 153

HSL 94.29, 0.21%, 0.67%

LAB 73.93, -13.29, 15.45

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 16 / 31 / 21

HEX #CAAA8B

RGB 202 170 139

HSL 29.52, 0.37%, 0.67%

LAB 71.67, 7.11, 20.34

 

CMYK 0 / 21 / 42 / 16

HEX #D7AA7D

RGB 215 170 125

HSL 30, 0.53%, 0.67%

LAB 72.68, 10.61, 29.46

 

CMYK 0 / 26 / 51 / 10

HEX #E5AA70

RGB 229 170 112

HSL 29.74, 0.69%, 0.67%

LAB 73.92, 15, 38.2

 

CMYK 0 / 30 / 60 / 5

HEX #F2AA62

RGB 242 170 98

HSL 30, 0.85%, 0.67%

LAB 75.14, 19.19, 47.15

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 2 / 5 / 32

HEX #AEAAA6

RGB 174 170 166

HSL 30, 0.05%, 0.67%

LAB 69.83, 0.7, 2.56

 

CMYK 11 / 6 / 0 / 29

HEX #A1AAB4

RGB 161 170 180

HSL 211.58, 0.11%, 0.67%

LAB 69.2, -1.14, -6.22

 

CMYK 24 / 12 / 0 / 24

HEX #93AAC2

RGB 147 170 194

HSL 210.64, 0.28%, 0.67%

LAB 68.64, -2.58, -14.91

 

CMYK 35 / 18 / 0 / 19

HEX #86AACF

RGB 134 170 207

HSL 210.41, 0.43%, 0.67%

LAB 68.26, -3.21, -22.75

 

CMYK 0 / 19 / 18 / 26

HEX #BC999A

RGB 188 153 154

HSL 358.29, 0.21%, 0.67%

LAB 66.37, 13.17, 4.39

 

CMYK 0 / 14 / 19 / 26

HEX #BCA199

RGB 188 161 153

HSL 13.71, 0.21%, 0.67%

LAB 68.37, 8.61, 7.82

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 4 / 19 / 26

HEX #BCB499

RGB 188 180 153

HSL 46.29, 0.21%, 0.67%

LAB 73.31, -1.67, 14.81

 

CMYK 1 / 0 / 19 / 26

HEX #BBBC99

RGB 187 188 153

HSL 61.71, 0.21%, 0.67%

LAB 75.35, -6.28, 17.64

 

CMYK 0 / 17 / 34 / 39

HEX #9B8167

RGB 155 129 103

HSL 30, 0.21%, 0.51%

LAB 55.73, 6.02, 17.83

 

CMYK 0 / 13 / 26 / 33

HEX #AC9680

RGB 172 150 128

HSL 30, 0.21%, 0.59%

LAB 63.46, 4.67, 14.61

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 6 / 13 / 20

HEX #CCBFB2

RGB 204 191 178

HSL 30, 0.2%, 0.75%

LAB 78.06, 2.38, 8.19

 

CMYK 0 / 4 / 8 / 13

HEX #DDD4CB

RGB 221 212 203

HSL 30, 0.21%, 0.83%

LAB 85.39, 1.55, 5.54

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

CMYK 13 / 0 / 19 / 26

HEX #A3BC99

RGB 163 188 153

HSL 102.86, 0.21%, 0.67%

LAB 73.58, -15.09, 14.91

 

CMYK 17 / 19 / 0 / 26

HEX #9C99BC

RGB 156 153 188

HSL 245.14, 0.21%, 0.67%

LAB 64.55, 8.36, -17.69

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

CMYK 19 / 0 / 10 / 26

HEX #99BCAA

RGB 153 188 170

HSL 149.14, 0.21%, 0.67%

LAB 73.31, -15.41, 5.21

 

CMYK 10 / 19 / 0 / 26

HEX #AA99BC

RGB 170 153 188

HSL 269.14, 0.21%, 0.67%

LAB 65.72, 13, -15.81

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

CMYK 13 / 0 / 19 / 26

HEX #A3BC99

RGB 163 188 153

HSL 102.86, 0.21%, 0.67%

LAB 73.58, -15.09, 14.91

 

CMYK 19 / 10 / 0 / 26

HEX #99AABC

RGB 153 170 188

HSL 210.86, 0.21%, 0.67%

LAB 68.86, -2.06, -11.22

 

CMYK 6 / 19 / 0 / 26

HEX #B199BC

RGB 177 153 188

HSL 281.14, 0.21%, 0.67%

LAB 66.34, 15.37, -14.82

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA98

RGB 188 170 152

HSL 30, 0.21%, 0.67%

LAB 70.67, 3.54, 11.64

 

CMYK 19 / 0 / 19 / 26

HEX #99BC99

RGB 153 188 153

HSL 120, 0.21%, 0.67%

LAB 72.92, -18.61, 13.88

 

CMYK 19 / 10 / 0 / 26

HEX #99AABC

RGB 153 170 188

HSL 210.86, 0.21%, 0.67%

LAB 68.86, -2.06, -11.22

 

CMYK 0 / 19 / 0 / 26

HEX #BC99BC

RGB 188 153 188

HSL 300, 0.21%, 0.67%

LAB 67.36, 19.14, -13.18

 

Description

Color code: HEX #BCAA98 | qconv.com Color code: HEX #BCAA98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 170 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 170 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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