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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCABE8 it is the complementary color #435417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCABE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCABE8 shade: #C1ABE3, #D2BDF6, #E3CFFF, #F4E1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCABE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCABE8 shade: #BCABE8, #AB99D5, #9A87C2, #8975AF and #78639C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCABE8 shade: #BBAAE7, #CCAAE7, #DCAAE7, #E7AAE2 and #E7AAD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCABE8 shade: #BBAAE7, #ABAAE7 and #AAAAE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCABE8 shade matches the following richer shades: #BBAAE7, #B8A2F0 and #B499F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCABE8 shade: #BBAAE7, #BFB3DF, #C3BCD6, #C7C4CD and #CBCDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCABE8 shade: #AABBE7, #AAAAE7, #BBAAE7, #CBAAE7 and #DBAAE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCABE8 shade: #886AD6, #A28ADF, #BBAAE7, #D5CBF0 and #EFEBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCABE8 shade: #BCABE8, #E7AACB and #B3E7AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCABE8 shade: #BCABE8, #E7BBAA and #AAE7BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCABE8 shade: #BCABE8, #E7AACB, #D7E7AA and #AAE7C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCABE8 shade: #BCABE8, #E7AAB9, #D7E7AA and #AAE7D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

Complementary color

CMYK 20 / 0 / 73 / 67

HEX #435417

RGB 67 84 23

HSL 76.72, 0.57%, 0.21%

LAB 33.13, -16.73, 32.11

 

CMYK 15 / 25 / 0 / 11

HEX #C1ABE3

RGB 193 171 227

HSL 263.57, 0.5%, 0.78%

LAB 73.55, 18.76, -25.24

 

CMYK 15 / 23 / 0 / 4

HEX #D2BDF6

RGB 210 189 246

HSL 262.11, 0.76%, 0.85%

LAB 80.04, 18.29, -25.46

 

CMYK 11 / 19 / 0 / 0

HEX #E3CFFF

RGB 227 207 255

HSL 265, 1%, 0.91%

LAB 86.09, 15.82, -20.92

 

CMYK 4 / 12 / 0 / 0

HEX #F4E1FF

RGB 244 225 255

HSL 278, 1%, 0.94%

LAB 91.82, 11.79, -12.18

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

CMYK 20 / 28 / 0 / 16

HEX #AB99D5

RGB 171 153 213

HSL 258, 0.42%, 0.72%

LAB 66.71, 18.81, -28.21

 

CMYK 21 / 30 / 0 / 24

HEX #9A87C2

RGB 154 135 194

HSL 259.32, 0.33%, 0.65%

LAB 59.97, 19.38, -28.09

 

CMYK 22 / 33 / 0 / 31

HEX #8975AF

RGB 137 117 175

HSL 260.69, 0.27%, 0.57%

LAB 53.1, 20.01, -28

 

CMYK 23 / 37 / 0 / 39

HEX #78639C

RGB 120 99 156

HSL 262.11, 0.22%, 0.5%

LAB 46.07, 20.71, -27.94

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 12 / 26 / 0 / 9

HEX #CCAAE7

RGB 204 170 231

HSL 273.44, 0.56%, 0.79%

LAB 74.42, 23.62, -26.01

 

CMYK 5 / 26 / 0 / 9

HEX #DCAAE7

RGB 220 170 231

HSL 289.18, 0.56%, 0.79%

LAB 75.91, 28.71, -23.6

 

CMYK 0 / 26 / 2 / 9

HEX #E7AAE2

RGB 231 170 226

HSL 304.92, 0.56%, 0.79%

LAB 76.82, 31.35, -19.4

 

CMYK 0 / 26 / 9 / 9

HEX #E7AAD2

RGB 231 170 210

HSL 320.66, 0.56%, 0.79%

LAB 76.31, 28.55, -11.46

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 26 / 26 / 0 / 9

HEX #ABAAE7

RGB 171 170 231

HSL 240.98, 0.56%, 0.79%

LAB 71.67, 13.49, -30.45

 

CMYK 26 / 26 / 0 / 9

HEX #AAAAE7

RGB 170 170 231

HSL 240, 0.56%, 0.79%

LAB 71.6, 13.2, -30.58

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 23 / 33 / 0 / 6

HEX #B8A2F0

RGB 184 162 240

HSL 256.92, 0.72%, 0.79%

LAB 71.09, 23.92, -36.18

 

CMYK 28 / 39 / 0 / 2

HEX #B499F9

RGB 180 153 249

HSL 256.88, 0.89%, 0.79%

LAB 68.99, 29.94, -44.39

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 14 / 20 / 0 / 13

HEX #BFB3DF

RGB 191 179 223

HSL 256.36, 0.41%, 0.79%

LAB 75.23, 12.87, -20.52

 

CMYK 9 / 12 / 0 / 16

HEX #C3BCD6

RGB 195 188 214

HSL 256.15, 0.24%, 0.79%

LAB 77.53, 7.41, -12.14

 

CMYK 3 / 4 / 0 / 20

HEX #C7C4CD

RGB 199 196 205

HSL 260, 0.08%, 0.79%

LAB 79.63, 2.71, -4.13

 

CMYK 1 / 0 / 4 / 20

HEX #CBCDC5

RGB 203 205 197

HSL 75, 0.07%, 0.79%

LAB 82.05, -2.12, 3.73

 

CMYK 26 / 19 / 0 / 9

HEX #AABBE7

RGB 170 187 231

HSL 223.28, 0.56%, 0.79%

LAB 75.98, 3.83, -23.86

 

CMYK 26 / 26 / 0 / 9

HEX #AAAAE7

RGB 170 170 231

HSL 240, 0.56%, 0.79%

LAB 71.6, 13.2, -30.58

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 12 / 26 / 0 / 9

HEX #CBAAE7

RGB 203 170 231

HSL 272.46, 0.56%, 0.79%

LAB 74.33, 23.3, -26.15

 

CMYK 5 / 26 / 0 / 9

HEX #DBAAE7

RGB 219 170 231

HSL 288.2, 0.56%, 0.79%

LAB 75.81, 28.39, -23.75

 

CMYK 36 / 50 / 0 / 16

HEX #886AD6

RGB 136 106 214

HSL 256.67, 0.57%, 0.63%

LAB 52.28, 36.15, -51.62

 

CMYK 27 / 38 / 0 / 13

HEX #A28ADF

RGB 162 138 223

HSL 256.94, 0.57%, 0.71%

LAB 62.66, 27.02, -40.11

 

CMYK 19 / 26 / 0 / 9

HEX #BBAAE7

RGB 187 170 231

HSL 256.72, 0.56%, 0.79%

LAB 72.95, 18.32, -28.39

 

CMYK 11 / 15 / 0 / 6

HEX #D5CBF0

RGB 213 203 240

HSL 256.22, 0.55%, 0.87%

LAB 83.52, 10.47, -16.96

 

CMYK 4 / 6 / 0 / 2

HEX #EFEBF9

RGB 239 235 249

HSL 257.14, 0.54%, 0.95%

LAB 93.71, 3.86, -6.28

 

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

CMYK 0 / 26 / 12 / 9

HEX #E7AACB

RGB 231 170 203

HSL 327.54, 0.56%, 0.79%

LAB 76.1, 27.38, -7.95

 

CMYK 23 / 0 / 26 / 9

HEX #B3E7AA

RGB 179 231 170

HSL 111.15, 0.56%, 0.79%

LAB 86.82, -27.99, 24.42

 

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

CMYK 0 / 19 / 26 / 9

HEX #E7BBAA

RGB 231 187 170

HSL 16.72, 0.56%, 0.79%

LAB 79.29, 13.32, 14.58

 

CMYK 26 / 0 / 19 / 9

HEX #AAE7BB

RGB 170 231 187

HSL 136.72, 0.56%, 0.79%

LAB 86.65, -28.01, 15.28

 

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

CMYK 0 / 26 / 12 / 9

HEX #E7AACB

RGB 231 170 203

HSL 327.54, 0.56%, 0.79%

LAB 76.1, 27.38, -7.95

 

CMYK 7 / 0 / 26 / 9

HEX #D7E7AA

RGB 215 231 170

HSL 75.74, 0.56%, 0.79%

LAB 89.16, -15.35, 28

 

CMYK 26 / 0 / 14 / 9

HEX #AAE7C7

RGB 170 231 199

HSL 148.52, 0.56%, 0.79%

LAB 86.91, -25.75, 9.39

 

CMYK 19 / 26 / 0 / 9

HEX #BCABE8

RGB 188 171 232

HSL 256.72, 0.57%, 0.79%

LAB 73.31, 18.3, -28.36

 

CMYK 0 / 26 / 20 / 9

HEX #E7AAB9

RGB 231 170 185

HSL 345.25, 0.56%, 0.79%

LAB 75.6, 24.55, 1.16

 

CMYK 7 / 0 / 26 / 9

HEX #D7E7AA

RGB 215 231 170

HSL 75.74, 0.56%, 0.79%

LAB 89.16, -15.35, 28

 

CMYK 26 / 0 / 6 / 9

HEX #AAE7D9

RGB 170 231 217

HSL 166.23, 0.56%, 0.79%

LAB 87.34, -22.13, 0.57

 

Description

Color code: HEX #BCABE8 | qconv.com Color code: HEX #BCABE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 171 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 171 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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