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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB5CD it is the complementary color #434A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB5CD shade: #C1B5C8, #D2C7DB, #E3D9EE, #F4EBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB5CD shade: #BCB5CD, #ABA3BA, #9A91A7, #897F94 and #786D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB5CD shade: #BCB6CD, #C3B6CD, #C9B6CD, #CDB6CB and #CDB6C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB5CD shade: #BCB6CD, #B6B6CD and #B6B6CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB5CD shade matches the following richer shades: #BCB6CD, #B8ACD7, #B4A2E1, #B098EB and #AC8EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB5CD shade: #BCB6CD, #C1C0C3, #C5C9B9, #C9D3AF and #CDDDA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB5CD shade: #B6BBCD, #B6B6CD, #BCB6CD, #C2B6CD and #C9B6CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB5CD shade: #9085AC, #A69DBC, #BCB6CD, #D3CEDE and #E9E7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB5CD shade: #BCB5CD, #CDB6C2 and #B8CDB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB5CD shade: #BCB5CD, #CDBCB6 and #B6CDBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB5CD shade: #BCB5CD, #CDB6C2, #C6CDB6 and #B6CDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB5CD shade: #BCB5CD, #CDB6BB, #C6CDB6 and #B6CDC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

Complementary color

CMYK 9 / 0 / 32 / 71

HEX #434A32

RGB 67 74 50

HSL 77.5, 0.19%, 0.24%

LAB 30.21, -7.68, 13.43

 

CMYK 4 / 10 / 0 / 22

HEX #C1B5C8

RGB 193 181 200

HSL 277.89, 0.15%, 0.75%

LAB 75.17, 7.77, -8.07

 

CMYK 4 / 9 / 0 / 14

HEX #D2C7DB

RGB 210 199 219

HSL 273, 0.22%, 0.82%

LAB 81.65, 7.49, -8.56

 

CMYK 5 / 9 / 0 / 7

HEX #E3D9EE

RGB 227 217 238

HSL 268.57, 0.38%, 0.89%

LAB 88.03, 7.22, -9.04

 

CMYK 4 / 8 / 0 / 0

HEX #F4EBFF

RGB 244 235 255

HSL 267, 1%, 0.96%

LAB 94.26, 6.6, -8.56

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

CMYK 8 / 12 / 0 / 27

HEX #ABA3BA

RGB 171 163 186

HSL 260.87, 0.14%, 0.68%

LAB 68.31, 7.35, -10.79

 

CMYK 8 / 13 / 0 / 35

HEX #9A91A7

RGB 154 145 167

HSL 264.55, 0.11%, 0.61%

LAB 61.58, 7.65, -10.35

 

CMYK 7 / 14 / 0 / 42

HEX #897F94

RGB 137 127 148

HSL 268.57, 0.09%, 0.54%

LAB 54.69, 7.99, -9.91

 

CMYK 7 / 16 / 0 / 49

HEX #786D81

RGB 120 109 129

HSL 273, 0.08%, 0.47%

LAB 47.64, 8.36, -9.47

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 5 / 11 / 0 / 20

HEX #C3B6CD

RGB 195 182 205

HSL 273.91, 0.19%, 0.76%

LAB 75.74, 8.88, -9.93

 

CMYK 2 / 11 / 0 / 20

HEX #C9B6CD

RGB 201 182 205

HSL 289.57, 0.19%, 0.76%

LAB 76.24, 10.91, -9.13

 

CMYK 0 / 11 / 1 / 20

HEX #CDB6CB

RGB 205 182 203

HSL 305.22, 0.19%, 0.76%

LAB 76.53, 11.91, -7.59

 

CMYK 0 / 11 / 4 / 20

HEX #CDB6C4

RGB 205 182 196

HSL 323.48, 0.19%, 0.76%

LAB 76.33, 10.63, -4.07

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 11 / 11 / 0 / 20

HEX #B6B6CD

RGB 182 182 205

HSL 240, 0.19%, 0.76%

LAB 74.7, 4.53, -11.59

 

CMYK 11 / 11 / 0 / 20

HEX #B6B6CD

RGB 182 182 205

HSL 240, 0.19%, 0.76%

LAB 74.7, 4.53, -11.59

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 14 / 20 / 0 / 16

HEX #B8ACD7

RGB 184 172 215

HSL 256.74, 0.35%, 0.76%

LAB 72.63, 12.76, -20.16

 

CMYK 20 / 28 / 0 / 12

HEX #B4A2E1

RGB 180 162 225

HSL 257.14, 0.51%, 0.76%

LAB 70.16, 19.27, -29.44

 

CMYK 25 / 35 / 0 / 8

HEX #B098EB

RGB 176 152 235

HSL 257.35, 0.67%, 0.76%

LAB 67.79, 26.01, -38.64

 

CMYK 30 / 42 / 0 / 4

HEX #AC8EF5

RGB 172 142 245

HSL 257.48, 0.84%, 0.76%

LAB 65.52, 32.95, -47.7

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 1 / 2 / 0 / 24

HEX #C1C0C3

RGB 193 192 195

HSL 260, 0.02%, 0.76%

LAB 77.86, 0.91, -1.39

 

CMYK 2 / 0 / 8 / 21

HEX #C5C9B9

RGB 197 201 185

HSL 75, 0.13%, 0.76%

LAB 80.26, -4.24, 7.51

 

CMYK 5 / 0 / 17 / 17

HEX #C9D3AF

RGB 201 211 175

HSL 76.67, 0.29%, 0.76%

LAB 82.97, -9.62, 16.71

 

CMYK 7 / 0 / 25 / 13

HEX #CDDDA5

RGB 205 221 165

HSL 77.14, 0.45%, 0.76%

LAB 85.71, -14.73, 25.77

 

CMYK 11 / 9 / 0 / 20

HEX #B6BBCD

RGB 182 187 205

HSL 226.96, 0.19%, 0.76%

LAB 76, 1.83, -9.65

 

CMYK 11 / 11 / 0 / 20

HEX #B6B6CD

RGB 182 182 205

HSL 240, 0.19%, 0.76%

LAB 74.7, 4.53, -11.59

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 5 / 11 / 0 / 20

HEX #C2B6CD

RGB 194 182 205

HSL 271.3, 0.19%, 0.76%

LAB 75.66, 8.54, -10.06

 

CMYK 2 / 11 / 0 / 20

HEX #C9B6CD

RGB 201 182 205

HSL 289.57, 0.19%, 0.76%

LAB 76.24, 10.91, -9.13

 

CMYK 16 / 23 / 0 / 33

HEX #9085AC

RGB 144 133 172

HSL 256.92, 0.19%, 0.6%

LAB 57.73, 12.22, -19.09

 

CMYK 12 / 16 / 0 / 26

HEX #A69DBC

RGB 166 157 188

HSL 257.42, 0.19%, 0.68%

LAB 66.41, 9.42, -14.8

 

CMYK 8 / 11 / 0 / 20

HEX #BCB6CD

RGB 188 182 205

HSL 255.65, 0.19%, 0.76%

LAB 75.17, 6.52, -10.84

 

CMYK 5 / 7 / 0 / 13

HEX #D3CEDE

RGB 211 206 222

HSL 258.75, 0.2%, 0.84%

LAB 83.58, 4.68, -7.3

 

CMYK 2 / 3 / 0 / 7

HEX #E9E7EE

RGB 233 231 238

HSL 257.14, 0.17%, 0.92%

LAB 91.98, 1.93, -3.16

 

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

CMYK 0 / 11 / 5 / 20

HEX #CDB6C2

RGB 205 182 194

HSL 328.7, 0.19%, 0.76%

LAB 76.27, 10.28, -3.07

 

CMYK 10 / 0 / 11 / 20

HEX #B8CDB6

RGB 184 205 182

HSL 114.78, 0.19%, 0.76%

LAB 80.31, -11.38, 9.06

 

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

CMYK 0 / 8 / 11 / 20

HEX #CDBCB6

RGB 205 188 182

HSL 15.65, 0.19%, 0.76%

LAB 77.47, 4.99, 5.2

 

CMYK 11 / 0 / 8 / 20

HEX #B6CDBC

RGB 182 205 188

HSL 135.65, 0.19%, 0.76%

LAB 80.31, -10.98, 5.84

 

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

CMYK 0 / 11 / 5 / 20

HEX #CDB6C2

RGB 205 182 194

HSL 328.7, 0.19%, 0.76%

LAB 76.27, 10.28, -3.07

 

CMYK 3 / 0 / 11 / 20

HEX #C6CDB6

RGB 198 205 182

HSL 78.26, 0.19%, 0.76%

LAB 81.32, -6.47, 10.63

 

CMYK 11 / 0 / 6 / 20

HEX #B6CDC1

RGB 182 205 193

HSL 148.7, 0.19%, 0.76%

LAB 80.44, -10.04, 3.34

 

CMYK 8 / 12 / 0 / 20

HEX #BCB5CD

RGB 188 181 205

HSL 257.5, 0.19%, 0.76%

LAB 74.92, 7.07, -11.22

 

CMYK 0 / 11 / 9 / 20

HEX #CDB6BB

RGB 205 182 187

HSL 346.96, 0.19%, 0.76%

LAB 76.08, 9.06, 0.47

 

CMYK 3 / 0 / 11 / 20

HEX #C6CDB6

RGB 198 205 182

HSL 78.26, 0.19%, 0.76%

LAB 81.32, -6.47, 10.63

 

CMYK 11 / 0 / 2 / 20

HEX #B6CDC8

RGB 182 205 200

HSL 166.96, 0.19%, 0.76%

LAB 80.62, -8.69, -0.15

 

Description

Color code: HEX #BCB5CD | qconv.com Color code: HEX #BCB5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 181 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 181 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 12 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 12% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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