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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB6ED it is the complementary color #434912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB6ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB6ED shade: #C1B6E8, #D2C8FB, #E3DAFF, #F4ECFF and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB6ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB6ED shade: #BCB6ED, #ABA4DA, #9A92C7, #8980B4 and #786EA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB6ED shade: #BBB5EC, #CAB5EC, #D9B5EC, #E8B5EC and #ECB5E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB6ED shade: #BBB5EC and #B5B5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB6ED shade matches the following richer shades: #BBB5EC, #B5AEF4 and #AFA6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB6ED shade: #BBB5EC, #C1BCE5, #C7C4DD, #CCCBD6 and #D2D3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB6ED shade: #B5CDEC, #B5BEEC, #BBB5EC, #C9B5EC and #D8B5EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB6ED shade: #7E73DC, #9D94E4, #BBB5EC, #D9D6F4 and #F8F7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB6ED shade: #BCB6ED, #ECB5DC and #C6ECB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB6ED shade: #BCB6ED, #ECBBB5 and #B5ECBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB6ED shade: #BCB6ED, #ECB5DC, #E7ECB5 and #B5ECC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB6ED shade: #BCB6ED, #ECB5CB, #E7ECB5 and #B5ECD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

Complementary color

CMYK 8 / 0 / 75 / 71

HEX #434912

RGB 67 73 18

HSL 66.55, 0.6%, 0.18%

LAB 29.42, -10.87, 30.6

 

CMYK 17 / 22 / 0 / 9

HEX #C1B6E8

RGB 193 182 232

HSL 253.2, 0.52%, 0.81%

LAB 76.45, 13.8, -23.53

 

CMYK 16 / 20 / 0 / 2

HEX #D2C8FB

RGB 210 200 251

HSL 251.76, 0.86%, 0.88%

LAB 82.9, 13.42, -23.77

 

CMYK 11 / 15 / 0 / 0

HEX #E3DAFF

RGB 227 218 255

HSL 254.59, 1%, 0.93%

LAB 88.78, 10, -16.87

 

CMYK 4 / 7 / 0 / 0

HEX #F4ECFF

RGB 244 236 255

HSL 265.26, 1%, 0.96%

LAB 94.5, 6.09, -8.19

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

CMYK 22 / 25 / 0 / 15

HEX #ABA4DA

RGB 171 164 218

HSL 247.78, 0.42%, 0.75%

LAB 69.66, 13.78, -26.43

 

CMYK 23 / 27 / 0 / 22

HEX #9A92C7

RGB 154 146 199

HSL 249.06, 0.32%, 0.68%

LAB 62.97, 14.25, -26.28

 

CMYK 24 / 29 / 0 / 29

HEX #8980B4

RGB 137 128 180

HSL 250.38, 0.26%, 0.6%

LAB 56.14, 14.76, -26.17

 

CMYK 25 / 32 / 0 / 37

HEX #786EA1

RGB 120 110 161

HSL 251.76, 0.21%, 0.53%

LAB 49.15, 15.34, -26.09

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 14 / 23 / 0 / 7

HEX #CAB5EC

RGB 202 181 236

HSL 262.91, 0.59%, 0.82%

LAB 77.08, 18.02, -24.66

 

CMYK 8 / 23 / 0 / 7

HEX #D9B5EC

RGB 217 181 236

HSL 279.27, 0.59%, 0.82%

LAB 78.38, 22.78, -22.57

 

CMYK 2 / 23 / 0 / 7

HEX #E8B5EC

RGB 232 181 236

HSL 295.64, 0.59%, 0.82%

LAB 79.76, 27.62, -20.33

 

CMYK 0 / 23 / 4 / 7

HEX #ECB5E2

RGB 236 181 226

HSL 310.91, 0.59%, 0.82%

LAB 79.82, 27.12, -14.81

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 23 / 23 / 0 / 7

HEX #B5B5EC

RGB 181 181 236

HSL 240, 0.59%, 0.82%

LAB 75.41, 11.56, -27.37

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 26 / 29 / 0 / 4

HEX #B5AEF4

RGB 181 174 244

HSL 246, 0.76%, 0.82%

LAB 73.95, 17.31, -33.94

 

CMYK 30 / 34 / 0 / 2

HEX #AFA6FB

RGB 175 166 251

HSL 246.35, 0.91%, 0.82%

LAB 71.79, 21.76, -41.12

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 16 / 18 / 0 / 10

HEX #C1BCE5

RGB 193 188 229

HSL 247.32, 0.44%, 0.82%

LAB 77.85, 9.88, -19.78

 

CMYK 10 / 11 / 0 / 13

HEX #C7C4DD

RGB 199 196 221

HSL 247.2, 0.27%, 0.82%

LAB 80.09, 5.84, -12.05

 

CMYK 5 / 5 / 0 / 16

HEX #CCCBD6

RGB 204 203 214

HSL 245.45, 0.12%, 0.82%

LAB 82.06, 2.4, -5.34

 

CMYK 0 / 0 / 2 / 17

HEX #D2D3CE

RGB 210 211 206

HSL 72, 0.05%, 0.82%

LAB 84.35, -1.24, 2.34

 

CMYK 23 / 13 / 0 / 7

HEX #B5CDEC

RGB 181 205 236

HSL 213.82, 0.59%, 0.82%

LAB 81.59, -1.41, -17.97

 

CMYK 23 / 19 / 0 / 7

HEX #B5BEEC

RGB 181 190 236

HSL 230.18, 0.59%, 0.82%

LAB 77.7, 6.65, -23.86

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 15 / 23 / 0 / 7

HEX #C9B5EC

RGB 201 181 236

HSL 261.82, 0.59%, 0.82%

LAB 76.99, 17.71, -24.8

 

CMYK 8 / 23 / 0 / 7

HEX #D8B5EC

RGB 216 181 236

HSL 278.18, 0.59%, 0.82%

LAB 78.29, 22.46, -22.71

 

CMYK 43 / 48 / 0 / 14

HEX #7E73DC

RGB 126 115 220

HSL 246.29, 0.6%, 0.66%

LAB 53.88, 30.09, -52.51

 

CMYK 31 / 35 / 0 / 11

HEX #9D94E4

RGB 157 148 228

HSL 246.75, 0.6%, 0.74%

LAB 64.92, 21.14, -39.37

 

CMYK 21 / 23 / 0 / 7

HEX #BBB5EC

RGB 187 181 236

HSL 246.55, 0.59%, 0.82%

LAB 75.87, 13.38, -26.62

 

CMYK 11 / 12 / 0 / 4

HEX #D9D6F4

RGB 217 214 244

HSL 246, 0.58%, 0.9%

LAB 86.69, 6.72, -14.29

 

CMYK 2 / 2 / 0 / 1

HEX #F8F7FD

RGB 248 247 253

HSL 250, 0.6%, 0.98%

LAB 97.46, 1.4, -2.76

 

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

CMYK 0 / 23 / 7 / 7

HEX #ECB5DC

RGB 236 181 220

HSL 317.45, 0.59%, 0.82%

LAB 79.64, 26.08, -11.85

 

CMYK 16 / 0 / 23 / 7

HEX #C6ECB5

RGB 198 236 181

HSL 101.45, 0.59%, 0.82%

LAB 89.55, -22.2, 22.69

 

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

CMYK 0 / 21 / 23 / 7

HEX #ECBBB5

RGB 236 187 181

HSL 6.55, 0.59%, 0.82%

LAB 80.02, 16.72, 9.75

 

CMYK 23 / 0 / 21 / 7

HEX #B5ECBB

RGB 181 236 187

HSL 126.55, 0.59%, 0.82%

LAB 88.64, -26.88, 18.17

 

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

CMYK 0 / 23 / 7 / 7

HEX #ECB5DC

RGB 236 181 220

HSL 317.45, 0.59%, 0.82%

LAB 79.64, 26.08, -11.85

 

CMYK 2 / 0 / 23 / 7

HEX #E7ECB5

RGB 231 236 181

HSL 65.45, 0.59%, 0.82%

LAB 91.83, -10.48, 26.18

 

CMYK 23 / 0 / 16 / 7

HEX #B5ECC6

RGB 181 236 198

HSL 138.55, 0.59%, 0.82%

LAB 88.87, -24.92, 12.79

 

CMYK 21 / 23 / 0 / 7

HEX #BCB6ED

RGB 188 182 237

HSL 246.55, 0.6%, 0.82%

LAB 76.23, 13.36, -26.6

 

CMYK 0 / 23 / 14 / 7

HEX #ECB5CB

RGB 236 181 203

HSL 336, 0.59%, 0.82%

LAB 79.15, 23.25, -3.38

 

CMYK 2 / 0 / 23 / 7

HEX #E7ECB5

RGB 231 236 181

HSL 65.45, 0.59%, 0.82%

LAB 91.83, -10.48, 26.18

 

CMYK 23 / 0 / 9 / 7

HEX #B5ECD6

RGB 181 236 214

HSL 156, 0.59%, 0.82%

LAB 89.24, -21.88, 4.97

 

Description

Color code: HEX #BCB6ED | qconv.com Color code: HEX #BCB6ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 182 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 182 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 23 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 23% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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