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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB0B6 it is the complementary color #434F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB0B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB0B6 shade: #C1B0B1, #D2C2C4, #E3D4D7, #F4E6EA and #FFF8FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB0B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB0B6 shade: #BCB0B6, #AB9EA3, #9A8C90, #897A7D and #78686A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB0B6 shade: #BAAFB5, #BAAFB1 and #BAAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB0B6 shade: #BAAFB5, #BAAFB8, #BAAFBA, #B7AFBA and #B4AFBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB0B6 shade matches the following richer shades: #BAAFB5, #C6A3B5, #D297B5, #DE8BB5 and #EA7FB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB0B6 shade: #BAAFB5, #AFBBB5, #A3C7B5, #97D3B5 and #8BDEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB0B6 shade: #BAAFBA, #BAAFB8, #BAAFB5, #BAAFB1 and #BAAFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB0B6 shade: #95828B, #A798A0, #BAAFB5, #CDC5C9 and #E0DBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB0B6 shade: #BCB0B6, #BAB7AF and #AFB9BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB0B6 shade: #BCB0B6, #B5BAAF and #AFB5BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB0B6 shade: #BCB0B6, #BAB7AF, #AFBAB5 and #AFB2BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB0B6 shade: #BCB0B6, #BABAAF, #AFBAB5 and #AFAFBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

Complementary color

CMYK 15 / 0 / 8 / 69

HEX #434F49

RGB 67 79 73

HSL 150, 0.08%, 0.29%

LAB 32.41, -6.15, 1.94

 

CMYK 0 / 9 / 8 / 24

HEX #C1B0B1

RGB 193 176 177

HSL 356.47, 0.12%, 0.72%

LAB 73.26, 6.26, 1.69

 

CMYK 0 / 8 / 7 / 18

HEX #D2C2C4

RGB 210 194 196

HSL 352.5, 0.15%, 0.79%

LAB 79.77, 5.96, 1.02

 

CMYK 0 / 7 / 5 / 11

HEX #E3D4D7

RGB 227 212 215

HSL 348, 0.21%, 0.86%

LAB 86.17, 5.69, 0.37

 

CMYK 0 / 6 / 4 / 4

HEX #F4E6EA

RGB 244 230 234

HSL 342.86, 0.39%, 0.93%

LAB 92.47, 5.43, -0.25

 

CMYK 0 / 3 / 1 / 0

HEX #FFF8FD

RGB 255 248 253

HSL 317.14, 1%, 0.99%

LAB 98.23, 3.2, -1.57

 

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

CMYK 0 / 8 / 5 / 33

HEX #AB9EA3

RGB 171 158 163

HSL 336.92, 0.07%, 0.65%

LAB 66.33, 5.64, -0.9

 

CMYK 0 / 9 / 6 / 40

HEX #9A8C90

RGB 154 140 144

HSL 342.86, 0.06%, 0.58%

LAB 59.56, 5.96, -0.24

 

CMYK 0 / 11 / 9 / 46

HEX #897A7D

RGB 137 122 125

HSL 348, 0.06%, 0.51%

LAB 52.64, 6.3, 0.46

 

CMYK 0 / 13 / 12 / 53

HEX #78686A

RGB 120 104 106

HSL 352.5, 0.07%, 0.44%

LAB 45.54, 6.7, 1.21

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 0 / 6 / 5 / 27

HEX #BAAFB1

RGB 186 175 177

HSL 349.09, 0.07%, 0.71%

LAB 72.41, 4.28, 0.38

 

CMYK 0 / 6 / 6 / 27

HEX #BAAFAF

RGB 186 175 175

HSL 0, 0.07%, 0.71%

LAB 72.36, 3.93, 1.4

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 0 / 6 / 1 / 27

HEX #BAAFB8

RGB 186 175 184

HSL 310.91, 0.07%, 0.71%

LAB 72.6, 5.57, -3.19

 

CMYK 0 / 6 / 0 / 27

HEX #BAAFBA

RGB 186 175 186

HSL 300, 0.07%, 0.71%

LAB 72.66, 5.94, -4.2

 

CMYK 2 / 6 / 0 / 27

HEX #B7AFBA

RGB 183 175 186

HSL 283.64, 0.07%, 0.71%

LAB 72.41, 4.89, -4.59

 

CMYK 3 / 6 / 0 / 27

HEX #B4AFBA

RGB 180 175 186

HSL 267.27, 0.07%, 0.71%

LAB 72.17, 3.85, -4.98

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 0 / 18 / 9 / 22

HEX #C6A3B5

RGB 198 163 181

HSL 329.14, 0.23%, 0.71%

LAB 70.55, 15.85, -4.43

 

CMYK 0 / 28 / 14 / 18

HEX #D297B5

RGB 210 151 181

HSL 329.49, 0.4%, 0.71%

LAB 68.87, 26.68, -6.78

 

CMYK 0 / 37 / 18 / 13

HEX #DE8BB5

RGB 222 139 181

HSL 329.64, 0.56%, 0.71%

LAB 67.52, 37.31, -8.64

 

CMYK 0 / 46 / 23 / 8

HEX #EA7FB5

RGB 234 127 181

HSL 329.72, 0.72%, 0.71%

LAB 66.53, 47.54, -9.97

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 6 / 0 / 3 / 27

HEX #AFBBB5

RGB 175 187 181

HSL 150, 0.08%, 0.71%

LAB 74.82, -5.29, 1.6

 

CMYK 18 / 0 / 9 / 22

HEX #A3C7B5

RGB 163 199 181

HSL 150, 0.24%, 0.71%

LAB 77.26, -15.59, 5.04

 

CMYK 28 / 0 / 14 / 17

HEX #97D3B5

RGB 151 211 181

HSL 150, 0.41%, 0.71%

LAB 79.9, -25.41, 8.73

 

CMYK 37 / 0 / 18 / 13

HEX #8BDEB5

RGB 139 222 181

HSL 150.36, 0.56%, 0.71%

LAB 82.42, -34.19, 12.23

 

CMYK 0 / 6 / 0 / 27

HEX #BAAFBA

RGB 186 175 186

HSL 300, 0.07%, 0.71%

LAB 72.66, 5.94, -4.2

 

CMYK 0 / 6 / 1 / 27

HEX #BAAFB8

RGB 186 175 184

HSL 310.91, 0.07%, 0.71%

LAB 72.6, 5.57, -3.19

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 0 / 6 / 5 / 27

HEX #BAAFB1

RGB 186 175 177

HSL 349.09, 0.07%, 0.71%

LAB 72.41, 4.28, 0.38

 

CMYK 0 / 6 / 6 / 27

HEX #BAAFAF

RGB 186 175 175

HSL 0, 0.07%, 0.71%

LAB 72.36, 3.93, 1.4

 

CMYK 0 / 13 / 7 / 42

HEX #95828B

RGB 149 130 139

HSL 331.58, 0.08%, 0.55%

LAB 56.31, 8.85, -2.18

 

CMYK 0 / 9 / 4 / 35

HEX #A798A0

RGB 167 152 160

HSL 328, 0.08%, 0.63%

LAB 64.33, 6.97, -2.19

 

CMYK 0 / 6 / 3 / 27

HEX #BAAFB5

RGB 186 175 181

HSL 327.27, 0.07%, 0.71%

LAB 72.52, 5.01, -1.66

 

CMYK 0 / 4 / 2 / 20

HEX #CDC5C9

RGB 205 197 201

HSL 330, 0.07%, 0.79%

LAB 80.25, 3.5, -1.01

 

CMYK 0 / 2 / 1 / 12

HEX #E0DBDE

RGB 224 219 222

HSL 324, 0.07%, 0.87%

LAB 87.86, 2.24, -0.88

 

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

CMYK 0 / 2 / 6 / 27

HEX #BAB7AF

RGB 186 183 175

HSL 43.64, 0.07%, 0.71%

LAB 74.45, -0.38, 4.43

 

CMYK 6 / 1 / 0 / 27

HEX #AFB9BA

RGB 175 185 186

HSL 185.45, 0.07%, 0.71%

LAB 74.42, -3.26, -1.71

 

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

CMYK 3 / 0 / 6 / 27

HEX #B5BAAF

RGB 181 186 175

HSL 87.27, 0.07%, 0.71%

LAB 74.85, -3.77, 4.96

 

CMYK 6 / 3 / 0 / 27

HEX #AFB5BA

RGB 175 181 186

HSL 207.27, 0.07%, 0.71%

LAB 73.35, -1.12, -3.27

 

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

CMYK 0 / 2 / 6 / 27

HEX #BAB7AF

RGB 186 183 175

HSL 43.64, 0.07%, 0.71%

LAB 74.45, -0.38, 4.43

 

CMYK 6 / 0 / 3 / 27

HEX #AFBAB5

RGB 175 186 181

HSL 152.73, 0.07%, 0.71%

LAB 74.55, -4.76, 1.21

 

CMYK 6 / 4 / 0 / 27

HEX #AFB2BA

RGB 175 178 186

HSL 223.64, 0.07%, 0.71%

LAB 72.56, 0.5, -4.44

 

CMYK 0 / 6 / 3 / 26

HEX #BCB0B6

RGB 188 176 182

HSL 330, 0.08%, 0.71%

LAB 72.97, 5.36, -1.53

 

CMYK 0 / 0 / 6 / 27

HEX #BABAAF

RGB 186 186 175

HSL 60, 0.07%, 0.71%

LAB 75.23, -1.98, 5.57

 

CMYK 6 / 0 / 3 / 27

HEX #AFBAB5

RGB 175 186 181

HSL 152.73, 0.07%, 0.71%

LAB 74.55, -4.76, 1.21

 

CMYK 6 / 6 / 0 / 27

HEX #AFAFBA

RGB 175 175 186

HSL 240, 0.07%, 0.71%

LAB 71.77, 2.13, -5.61

 

Description

Color code: HEX #BCB0B6 | qconv.com Color code: HEX #BCB0B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 176 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 176 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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