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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB1CD it is the complementary color #434E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB1CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB1CD shade: #C1B1C8, #D2C3DB, #E3D5EE, #F4E7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB1CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB1CD shade: #BCB1CD, #AB9FBA, #9A8DA7, #897B94 and #786981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB1CD shade: #BCB1CD, #C3B1CD, #CBB1CD, #CDB1C7 and #CDB1C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB1CD shade: #BCB1CD, #B4B1CD and #B1B1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB1CD shade matches the following richer shades: #BCB1CD, #BAA6D7, #B79CE1, #B592EC and #B387F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB1CD shade: #BCB1CD, #BEBBC2, #C0C5B8, #C2D0AE and #C5DAA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB1CD shade: #B1B5CD, #B4B1CD, #BBB1CD, #C3B1CD and #CAB1CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB1CD shade: #917EAD, #A698BD, #BCB1CD, #D1CADD and #E7E3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB1CD shade: #BCB1CD, #CDB1BC and #B1CDB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB1CD shade: #BCB1CD, #CDBBB1 and #B1CDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB1CD shade: #BCB1CD, #CDB1BC, #C2CDB1 and #B1CDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB1CD shade: #BCB1CD, #CDB1B4, #C2CDB1 and #B1CDCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

Complementary color

CMYK 14 / 0 / 36 / 69

HEX #434E32

RGB 67 78 50

HSL 83.57, 0.22%, 0.25%

LAB 31.51, -10.07, 15.17

 

CMYK 4 / 12 / 0 / 22

HEX #C1B1C8

RGB 193 177 200

HSL 281.74, 0.17%, 0.74%

LAB 74.16, 9.94, -9.58

 

CMYK 4 / 11 / 0 / 14

HEX #D2C3DB

RGB 210 195 219

HSL 277.5, 0.25%, 0.81%

LAB 80.65, 9.62, -10.05

 

CMYK 5 / 11 / 0 / 7

HEX #E3D5EE

RGB 227 213 238

HSL 273.6, 0.42%, 0.88%

LAB 87.04, 9.32, -10.51

 

CMYK 4 / 9 / 0 / 0

HEX #F4E7FF

RGB 244 231 255

HSL 272.5, 1%, 0.95%

LAB 93.28, 8.67, -10.01

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 8 / 15 / 0 / 27

HEX #AB9FBA

RGB 171 159 186

HSL 266.67, 0.16%, 0.68%

LAB 67.28, 9.57, -12.34

 

CMYK 8 / 16 / 0 / 35

HEX #9A8DA7

RGB 154 141 167

HSL 270, 0.13%, 0.6%

LAB 60.52, 9.93, -11.93

 

CMYK 7 / 17 / 0 / 42

HEX #897B94

RGB 137 123 148

HSL 273.6, 0.1%, 0.53%

LAB 53.62, 10.32, -11.52

 

CMYK 7 / 19 / 0 / 49

HEX #786981

RGB 120 105 129

HSL 277.5, 0.1%, 0.46%

LAB 46.55, 10.75, -11.11

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 5 / 14 / 0 / 20

HEX #C3B1CD

RGB 195 177 205

HSL 278.57, 0.22%, 0.75%

LAB 74.48, 11.59, -11.82

 

CMYK 1 / 14 / 0 / 20

HEX #CBB1CD

RGB 203 177 205

HSL 295.71, 0.22%, 0.75%

LAB 75.17, 14.31, -10.71

 

CMYK 0 / 14 / 3 / 20

HEX #CDB1C7

RGB 205 177 199

HSL 312.86, 0.22%, 0.75%

LAB 75.17, 13.88, -7.42

 

CMYK 0 / 14 / 6 / 20

HEX #CDB1C0

RGB 205 177 192

HSL 327.86, 0.22%, 0.75%

LAB 74.97, 12.63, -3.89

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 12 / 14 / 0 / 20

HEX #B4B1CD

RGB 180 177 205

HSL 246.43, 0.22%, 0.75%

LAB 73.26, 6.59, -13.77

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 13 / 23 / 0 / 16

HEX #BAA6D7

RGB 186 166 215

HSL 264.49, 0.38%, 0.75%

LAB 71.29, 16.72, -22.17

 

CMYK 19 / 31 / 0 / 12

HEX #B79CE1

RGB 183 156 225

HSL 263.48, 0.53%, 0.75%

LAB 68.95, 23.54, -31.28

 

CMYK 23 / 38 / 0 / 7

HEX #B592EC

RGB 181 146 236

HSL 263.33, 0.7%, 0.75%

LAB 66.85, 31.05, -40.61

 

CMYK 27 / 45 / 0 / 4

HEX #B387F6

RGB 179 135 246

HSL 263.78, 0.86%, 0.75%

LAB 64.62, 38.98, -49.64

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 2 / 4 / 0 / 24

HEX #BEBBC2

RGB 190 187 194

HSL 265.71, 0.05%, 0.75%

LAB 76.3, 2.36, -3.16

 

CMYK 3 / 0 / 7 / 23

HEX #C0C5B8

RGB 192 197 184

HSL 83.08, 0.1%, 0.75%

LAB 78.81, -4.08, 5.91

 

CMYK 7 / 0 / 16 / 18

HEX #C2D0AE

RGB 194 208 174

HSL 84.71, 0.27%, 0.75%

LAB 81.64, -10.76, 15.3

 

CMYK 10 / 0 / 25 / 15

HEX #C5DAA4

RGB 197 218 164

HSL 83.33, 0.42%, 0.75%

LAB 84.33, -16.29, 24.31

 

CMYK 14 / 12 / 0 / 20

HEX #B1B5CD

RGB 177 181 205

HSL 231.43, 0.22%, 0.75%

LAB 74.06, 3.43, -12.59

 

CMYK 12 / 14 / 0 / 20

HEX #B4B1CD

RGB 180 177 205

HSL 246.43, 0.22%, 0.75%

LAB 73.26, 6.59, -13.77

 

CMYK 9 / 14 / 0 / 20

HEX #BBB1CD

RGB 187 177 205

HSL 261.43, 0.22%, 0.75%

LAB 73.82, 8.91, -12.88

 

CMYK 5 / 14 / 0 / 20

HEX #C3B1CD

RGB 195 177 205

HSL 278.57, 0.22%, 0.75%

LAB 74.48, 11.59, -11.82

 

CMYK 1 / 14 / 0 / 20

HEX #CAB1CD

RGB 202 177 205

HSL 293.57, 0.22%, 0.75%

LAB 75.08, 13.97, -10.85

 

CMYK 16 / 27 / 0 / 32

HEX #917EAD

RGB 145 126 173

HSL 264.26, 0.22%, 0.59%

LAB 56.05, 16.84, -22.24

 

CMYK 12 / 20 / 0 / 26

HEX #A698BD

RGB 166 152 189

HSL 262.7, 0.22%, 0.67%

LAB 65.15, 12.44, -17.26

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 5 / 9 / 0 / 13

HEX #D1CADD

RGB 209 202 221

HSL 262.11, 0.22%, 0.83%

LAB 82.39, 5.94, -8.55

 

CMYK 3 / 4 / 0 / 7

HEX #E7E3ED

RGB 231 227 237

HSL 264, 0.22%, 0.91%

LAB 90.8, 3.15, -4.39

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 0 / 14 / 8 / 20

HEX #CDB1BC

RGB 205 177 188

HSL 336.43, 0.22%, 0.75%

LAB 74.86, 11.93, -1.87

 

CMYK 14 / 0 / 14 / 20

HEX #B1CDB1

RGB 177 205 177

HSL 120, 0.22%, 0.75%

LAB 79.72, -14.69, 10.82

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 0 / 9 / 14 / 20

HEX #CDBBB1

RGB 205 187 177

HSL 21.43, 0.22%, 0.75%

LAB 77.1, 4.71, 7.36

 

CMYK 14 / 0 / 9 / 20

HEX #B1CDBB

RGB 177 205 187

HSL 141.43, 0.22%, 0.75%

LAB 79.95, -12.86, 5.81

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 0 / 14 / 8 / 20

HEX #CDB1BC

RGB 205 177 188

HSL 336.43, 0.22%, 0.75%

LAB 74.86, 11.93, -1.87

 

CMYK 5 / 0 / 14 / 20

HEX #C2CDB1

RGB 194 205 177

HSL 83.57, 0.22%, 0.75%

LAB 80.91, -8.73, 12.67

 

CMYK 14 / 0 / 6 / 20

HEX #B1CDC1

RGB 177 205 193

HSL 154.29, 0.22%, 0.75%

LAB 80.1, -11.71, 2.81

 

CMYK 8 / 14 / 0 / 20

HEX #BCB1CD

RGB 188 177 205

HSL 263.57, 0.22%, 0.75%

LAB 73.9, 9.24, -12.75

 

CMYK 0 / 14 / 12 / 20

HEX #CDB1B4

RGB 205 177 180

HSL 353.57, 0.22%, 0.75%

LAB 74.65, 10.57, 2.19

 

CMYK 5 / 0 / 14 / 20

HEX #C2CDB1

RGB 194 205 177

HSL 83.57, 0.22%, 0.75%

LAB 80.91, -8.73, 12.67

 

CMYK 14 / 0 / 1 / 20

HEX #B1CDCA

RGB 177 205 202

HSL 173.57, 0.22%, 0.75%

LAB 80.33, -9.93, -1.67

 

Description

Color code: HEX #BCB1CD | qconv.com Color code: HEX #BCB1CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 177 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 177 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 14% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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