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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCBD0E it is the complementary color #4342F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCBD0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCBD0E shade: #C1BD09, #D2CF1C, #E3E12F, #F4F342 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCBD0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCBD0E shade: #BCBD0E, #ABAB00, #9A9900, #898700 and #787500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCBD0E shade: #BCBD0E, #BD8F0E, #BD600E, #BD300E and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCBD0E shade: #BCBD0E, #8DBD0E, #5EBD0E, #2EBD0E and #0EBD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCBD0E shade matches the following richer shades: #BCBD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCBD0E shade: #BCBD0E, #ACAD1E, #9C9C2F, #8B8C3F and #7B7B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCBD0E shade: #BD600E, #BD8E0E, #BDBD0E, #8EBD0E and #60BD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCBD0E shade: #707008, #96970B, #BCBD0E, #E2E411 and #EEEF2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCBD0E shade: #BCBD0E, #0EBD31 and #770EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCBD0E shade: #BCBD0E, #0EBDBD and #BD0EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCBD0E shade: #BCBD0E, #0EBD31, #0E0EBD and #BD0E9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCBD0E shade: #BCBD0E, #0EBD66, #0E0EBD and #BD0E66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

Complementary color

CMYK 72 / 73 / 0 / 5

HEX #4342F1

RGB 67 66 241

HSL 240.34, 0.86%, 0.6%

LAB 40.31, 55.36, -86.6

 

CMYK 0 / 2 / 95 / 24

HEX #C1BD09

RGB 193 189 9

HSL 58.7, 0.91%, 0.4%

LAB 74.67, -15.37, 74.87

 

CMYK 0 / 1 / 87 / 18

HEX #D2CF1C

RGB 210 207 28

HSL 59.01, 0.76%, 0.47%

LAB 80.97, -16.77, 77.6

 

CMYK 0 / 1 / 79 / 11

HEX #E3E12F

RGB 227 225 47

HSL 59.33, 0.76%, 0.54%

LAB 87.19, -17.96, 79.02

 

CMYK 0 / 0 / 73 / 4

HEX #F4F342

RGB 244 243 66

HSL 59.66, 0.89%, 0.61%

LAB 93.33, -18.99, 79.54

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 0 / 0 / 100 / 33

HEX #ABAB00

RGB 171 171 0

HSL 60, 1%, 0.34%

LAB 67.86, -15.98, 70.03

 

CMYK 0 / 1 / 100 / 40

HEX #9A9900

RGB 154 153 0

HSL 59.61, 1%, 0.3%

LAB 61.35, -14.27, 64.63

 

CMYK 0 / 1 / 100 / 46

HEX #898700

RGB 137 135 0

HSL 59.12, 1%, 0.27%

LAB 54.71, -12.51, 59.11

 

CMYK 0 / 3 / 100 / 53

HEX #787500

RGB 120 117 0

HSL 58.5, 1%, 0.24%

LAB 47.9, -10.7, 53.46

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 0 / 24 / 93 / 26

HEX #BD8F0E

RGB 189 143 14

HSL 44.23, 0.86%, 0.4%

LAB 62.08, 7.21, 64.59

 

CMYK 0 / 49 / 93 / 26

HEX #BD600E

RGB 189 96 14

HSL 28.11, 0.86%, 0.4%

LAB 50.94, 32.89, 56.42

 

CMYK 0 / 75 / 93 / 26

HEX #BD300E

RGB 189 48 14

HSL 11.66, 0.86%, 0.4%

LAB 42.71, 54.51, 50.73

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 25 / 0 / 93 / 26

HEX #8DBD0E

RGB 141 189 14

HSL 76.46, 0.86%, 0.4%

LAB 70.93, -37.09, 69.77

 

CMYK 50 / 0 / 93 / 26

HEX #5EBD0E

RGB 94 189 14

HSL 92.57, 0.86%, 0.4%

LAB 68.61, -53.61, 66.92

 

CMYK 76 / 0 / 93 / 26

HEX #2EBD0E

RGB 46 189 14

HSL 109.03, 0.86%, 0.4%

LAB 67.28, -64.57, 65.28

 

CMYK 93 / 0 / 85 / 26

HEX #0EBD1D

RGB 14 189 29

HSL 125.14, 0.86%, 0.4%

LAB 66.96, -67.29, 62

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 1 / 0 / 83 / 32

HEX #ACAD1E

RGB 172 173 30

HSL 60.42, 0.7%, 0.4%

LAB 68.57, -16, 65.65

 

CMYK 0 / 0 / 70 / 39

HEX #9C9C2F

RGB 156 156 47

HSL 60, 0.54%, 0.4%

LAB 62.55, -13.54, 54.16

 

CMYK 1 / 0 / 55 / 45

HEX #8B8C3F

RGB 139 140 63

HSL 60.78, 0.38%, 0.4%

LAB 56.69, -11.41, 40.36

 

CMYK 0 / 0 / 35 / 52

HEX #7B7B50

RGB 123 123 80

HSL 60, 0.21%, 0.4%

LAB 50.64, -7.18, 23.56

 

CMYK 0 / 49 / 93 / 26

HEX #BD600E

RGB 189 96 14

HSL 28.11, 0.86%, 0.4%

LAB 50.94, 32.89, 56.42

 

CMYK 0 / 25 / 93 / 26

HEX #BD8E0E

RGB 189 142 14

HSL 43.89, 0.86%, 0.4%

LAB 61.82, 7.76, 64.4

 

CMYK 0 / 0 / 93 / 26

HEX #BDBD0E

RGB 189 189 14

HSL 60, 0.86%, 0.4%

LAB 74.35, -17.05, 73.91

 

CMYK 25 / 0 / 93 / 26

HEX #8EBD0E

RGB 142 189 14

HSL 76.11, 0.86%, 0.4%

LAB 70.99, -36.7, 69.85

 

CMYK 49 / 0 / 93 / 26

HEX #60BD0E

RGB 96 189 14

HSL 91.89, 0.86%, 0.4%

LAB 68.69, -53.01, 67.02

 

CMYK 0 / 0 / 93 / 56

HEX #707008

RGB 112 112 8

HSL 60, 0.87%, 0.24%

LAB 45.7, -11.56, 49.73

 

CMYK 1 / 0 / 93 / 41

HEX #96970B

RGB 150 151 11

HSL 60.43, 0.86%, 0.32%

LAB 60.46, -14.86, 62.2

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 1 / 0 / 93 / 11

HEX #E2E411

RGB 226 228 17

HSL 60.57, 0.86%, 0.48%

LAB 87.82, -20.49, 85.16

 

CMYK 0 / 0 / 80 / 6

HEX #EEEF2F

RGB 238 239 47

HSL 60.31, 0.86%, 0.56%

LAB 91.74, -20.19, 83.29

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 93 / 0 / 74 / 26

HEX #0EBD31

RGB 14 189 49

HSL 132, 0.86%, 0.4%

LAB 67.06, -66, 56.1

 

CMYK 37 / 93 / 0 / 26

HEX #770EBD

RGB 119 14 189

HSL 276, 0.86%, 0.4%

LAB 33.8, 66.8, -67.18

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 93 / 0 / 0 / 26

HEX #0EBDBD

RGB 14 189 189

HSL 180, 0.86%, 0.4%

LAB 69.59, -37.95, -11.18

 

CMYK 0 / 93 / 0 / 26

HEX #BD0EBD

RGB 189 14 189

HSL 300, 0.86%, 0.4%

LAB 45.37, 77.15, -47.88

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 93 / 0 / 74 / 26

HEX #0EBD31

RGB 14 189 49

HSL 132, 0.86%, 0.4%

LAB 67.06, -66, 56.1

 

CMYK 93 / 93 / 0 / 26

HEX #0E0EBD

RGB 14 14 189

HSL 240, 0.86%, 0.4%

LAB 23.94, 60.08, -83.81

 

CMYK 0 / 93 / 19 / 26

HEX #BD0E9A

RGB 189 14 154

HSL 312, 0.86%, 0.4%

LAB 43.46, 72.31, -30.11

 

CMYK 1 / 0 / 93 / 26

HEX #BCBD0E

RGB 188 189 14

HSL 60.34, 0.86%, 0.4%

LAB 74.27, -17.48, 73.81

 

CMYK 93 / 0 / 46 / 26

HEX #0EBD66

RGB 14 189 102

HSL 150.17, 0.86%, 0.4%

LAB 67.61, -59.2, 32.98

 

CMYK 93 / 93 / 0 / 26

HEX #0E0EBD

RGB 14 14 189

HSL 240, 0.86%, 0.4%

LAB 23.94, 60.08, -83.81

 

CMYK 0 / 93 / 46 / 26

HEX #BD0E66

RGB 189 14 102

HSL 329.83, 0.86%, 0.4%

LAB 41.36, 66.75, -1.23

 

Description

Color code: HEX #BCBD0E | qconv.com Color code: HEX #BCBD0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 189 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 189 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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