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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC6E6 it is the complementary color #433919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC6E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC6E6 shade: #C1C6E1, #D2D8F4, #E3EAFF and #F4FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC6E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC6E6 shade: #BCC6E6, #ABB4D3, #9AA2C0, #8990AD and #787E9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC6E6 shade: #BBC6E6, #BDBBE6, #C8BBE6, #D4BBE6 and #DFBBE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC6E6 shade: #BBC6E6 and #BBBBE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC6E6 shade matches the following richer shades: #BBC6E6, #B4C2ED, #ADBEF5 and #A5BAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC6E6 shade: #BBC6E6, #C3C9DE, #CACDD7, #D2D1CF and #D9D5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC6E6 shade: #BBDDE6, #BBD1E6, #BBC6E6, #BCBBE6 and #C7BBE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC6E6 shade: #7F92CF, #9DACDB, #BBC6E6, #DADFF1 and #F8F9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC6E6 shade: #BCC6E6, #E4BBE6 and #D7E6BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC6E6 shade: #BCC6E6, #E6BBC6 and #C6E6BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC6E6 shade: #BCC6E6, #E4BBE6, #E6DBBB and #BEE6BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC6E6 shade: #BCC6E6, #E6BBDB, #E6DBBB and #BBE6C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

Complementary color

CMYK 0 / 15 / 63 / 74

HEX #433919

RGB 67 57 25

HSL 45.71, 0.46%, 0.18%

LAB 24.29, -0.42, 21.31

 

CMYK 14 / 12 / 0 / 12

HEX #C1C6E1

RGB 193 198 225

HSL 230.63, 0.35%, 0.82%

LAB 80.27, 3.65, -13.98

 

CMYK 14 / 11 / 0 / 4

HEX #D2D8F4

RGB 210 216 244

HSL 229.41, 0.61%, 0.89%

LAB 86.67, 3.45, -14.36

 

CMYK 11 / 8 / 0 / 0

HEX #E3EAFF

RGB 227 234 255

HSL 225, 1%, 0.95%

LAB 92.75, 1.66, -10.93

 

CMYK 4 / 1 / 0 / 0

HEX #F4FCFF

RGB 244 252 255

HSL 196.36, 1%, 0.98%

LAB 98.46, -2.07, -2.36

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 19 / 15 / 0 / 17

HEX #ABB4D3

RGB 171 180 211

HSL 226.5, 0.31%, 0.75%

LAB 73.55, 3.35, -16.68

 

CMYK 20 / 16 / 0 / 25

HEX #9AA2C0

RGB 154 162 192

HSL 227.37, 0.23%, 0.68%

LAB 66.91, 3.58, -16.36

 

CMYK 21 / 17 / 0 / 32

HEX #8990AD

RGB 137 144 173

HSL 228.33, 0.18%, 0.61%

LAB 60.14, 3.83, -16.05

 

CMYK 22 / 18 / 0 / 40

HEX #787E9A

RGB 120 126 154

HSL 229.41, 0.14%, 0.54%

LAB 53.22, 4.1, -15.76

 

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

 

CMYK 18 / 19 / 0 / 10

HEX #BDBBE6

RGB 189 187 230

HSL 242.79, 0.46%, 0.82%

LAB 77.32, 9.39, -21.15

 

CMYK 13 / 19 / 0 / 10

HEX #C8BBE6

RGB 200 187 230

HSL 258.14, 0.46%, 0.82%

LAB 78.19, 12.86, -19.75

 

CMYK 8 / 19 / 0 / 10

HEX #D4BBE6

RGB 212 187 230

HSL 274.88, 0.46%, 0.82%

LAB 79.19, 16.73, -18.15

 

CMYK 3 / 19 / 0 / 10

HEX #DFBBE6

RGB 223 187 230

HSL 290.23, 0.46%, 0.82%

LAB 80.15, 20.33, -16.61

 

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

 

CMYK 19 / 19 / 0 / 10

HEX #BBBBE6

RGB 187 187 230

HSL 240, 0.46%, 0.82%

LAB 77.17, 8.76, -21.39

 

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

 

CMYK 24 / 18 / 0 / 7

HEX #B4C2ED

RGB 180 194 237

HSL 225.26, 0.61%, 0.82%

LAB 78.7, 4.41, -22.89

 

CMYK 29 / 22 / 0 / 4

HEX #ADBEF5

RGB 173 190 245

HSL 225.83, 0.78%, 0.82%

LAB 77.46, 6.42, -29.12

 

CMYK 35 / 26 / 0 / 1

HEX #A5BAFC

RGB 165 186 252

HSL 225.52, 0.94%, 0.82%

LAB 76.16, 8.13, -34.93

 

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

 

CMYK 12 / 9 / 0 / 13

HEX #C3C9DE

RGB 195 201 222

HSL 226.67, 0.29%, 0.82%

LAB 81.1, 2.07, -11.12

 

CMYK 6 / 5 / 0 / 16

HEX #CACDD7

RGB 202 205 215

HSL 226.15, 0.14%, 0.82%

LAB 82.45, 0.87, -5.32

 

CMYK 0 / 0 / 1 / 18

HEX #D2D1CF

RGB 210 209 207

HSL 40, 0.03%, 0.82%

LAB 83.87, -0.01, 1.1

 

CMYK 0 / 2 / 8 / 15

HEX #D9D5C8

RGB 217 213 200

HSL 45.88, 0.18%, 0.82%

LAB 85.26, -0.88, 6.9

 

CMYK 19 / 4 / 0 / 10

HEX #BBDDE6

RGB 187 221 230

HSL 192.56, 0.46%, 0.82%

LAB 86, -9.24, -8.14

HEX #BBDDE6

CMYK 19 / 9 / 0 / 10

HEX #BBD1E6

RGB 187 209 230

HSL 209.3, 0.46%, 0.82%

LAB 82.85, -3.01, -12.83

HEX #BBD1E6

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

HEX #BBC6E6

CMYK 18 / 19 / 0 / 10

HEX #BCBBE6

RGB 188 187 230

HSL 241.4, 0.46%, 0.82%

LAB 77.25, 9.07, -21.27

HEX #BCBBE6

CMYK 13 / 19 / 0 / 10

HEX #C7BBE6

RGB 199 187 230

HSL 256.74, 0.46%, 0.82%

LAB 78.11, 12.54, -19.88

HEX #C7BBE6

CMYK 39 / 29 / 0 / 19

HEX #7F92CF

RGB 127 146 207

HSL 225.75, 0.45%, 0.65%

LAB 61.29, 8.41, -33.53

 

CMYK 28 / 21 / 0 / 14

HEX #9DACDB

RGB 157 172 219

HSL 225.48, 0.46%, 0.74%

LAB 70.72, 5.34, -25.44

 

CMYK 19 / 14 / 0 / 10

HEX #BBC6E6

RGB 187 198 230

HSL 224.65, 0.46%, 0.82%

LAB 79.99, 2.83, -17.13

 

CMYK 10 / 7 / 0 / 5

HEX #DADFF1

RGB 218 223 241

HSL 226.96, 0.45%, 0.9%

LAB 88.94, 1.74, -9.35

 

CMYK 2 / 1 / 0 / 1

HEX #F8F9FC

RGB 248 249 252

HSL 225, 0.4%, 0.98%

LAB 97.93, 0.21, -1.56

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 1 / 19 / 0 / 10

HEX #E4BBE6

RGB 228 187 230

HSL 297.21, 0.46%, 0.82%

LAB 80.6, 21.98, -15.88

 

CMYK 7 / 0 / 19 / 10

HEX #D7E6BB

RGB 215 230 187

HSL 80.93, 0.46%, 0.82%

LAB 89.22, -12.36, 19.31

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 0 / 19 / 14 / 10

HEX #E6BBC6

RGB 230 187 198

HSL 344.65, 0.46%, 0.82%

LAB 79.86, 17.13, 0.29

 

CMYK 14 / 0 / 19 / 10

HEX #C6E6BB

RGB 198 230 187

HSL 104.65, 0.46%, 0.82%

LAB 88.06, -18.29, 17.51

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 1 / 19 / 0 / 10

HEX #E4BBE6

RGB 228 187 230

HSL 297.21, 0.46%, 0.82%

LAB 80.6, 21.98, -15.88

 

CMYK 0 / 5 / 19 / 10

HEX #E6DBBB

RGB 230 219 187

HSL 44.65, 0.46%, 0.82%

LAB 87.52, -1.37, 17.1

 

CMYK 17 / 0 / 19 / 10

HEX #BEE6BB

RGB 190 230 187

HSL 115.81, 0.46%, 0.82%

LAB 87.55, -21.01, 16.72

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 0 / 19 / 5 / 10

HEX #E6BBDB

RGB 230 187 219

HSL 315.35, 0.46%, 0.82%

LAB 80.45, 20.66, -10.17

 

CMYK 0 / 5 / 19 / 10

HEX #E6DBBB

RGB 230 219 187

HSL 44.65, 0.46%, 0.82%

LAB 87.52, -1.37, 17.1

 

CMYK 19 / 0 / 14 / 10

HEX #BBE6C6

RGB 187 230 198

HSL 135.35, 0.46%, 0.82%

LAB 87.6, -20.07, 11.03

 

Description

Color code: HEX #BCC6E6 | qconv.com Color code: HEX #BCC6E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 198 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 198 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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