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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC718 it is the complementary color #4338E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC718 shade: #C1C713, #D2D926, #E3EB39, #F4FD4C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC718 shade: #BCC718, #ABB505, #9AA300, #899100 and #787F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC718 shade: #BCC718, #C7A318, #C77418, #C74518 and #C71818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC718 shade: #BCC718, #8DC718, #5EC718, #2FC718 and #18C731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC718 shade matches the following richer shades: #BCC718 and #CCD906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC718 shade: #BCC718, #ACB52A, #9CA33C, #8D914F and #7D7F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC718 shade: #C77318, #C7A118, #BEC718, #90C718 and #61C718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC718 shade: #777E0F, #9AA214, #BCC718, #D8E425 and #DEE84A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC718 shade: #BCC718, #18C744 and #8A18C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC718 shade: #BCC718, #18BEC7 and #C718BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC718 shade: #BCC718, #18C744, #2118C7 and #C7189B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC718 shade: #BCC718, #18C778, #2118C7 and #C71867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

Complementary color

CMYK 71 / 76 / 0 / 9

HEX #4338E7

RGB 67 56 231

HSL 243.77, 0.78%, 0.56%

LAB 37.46, 57.49, -85.65

 

CMYK 3 / 0 / 90 / 22

HEX #C1C713

RGB 193 199 19

HSL 62, 0.83%, 0.43%

LAB 77.42, -20.22, 75.74

 

CMYK 3 / 0 / 82 / 15

HEX #D2D926

RGB 210 217 38

HSL 62.35, 0.7%, 0.5%

LAB 83.69, -21.43, 77.73

 

CMYK 3 / 0 / 76 / 8

HEX #E3EB39

RGB 227 235 57

HSL 62.7, 0.82%, 0.57%

LAB 89.88, -22.45, 78.63

 

CMYK 4 / 0 / 70 / 1

HEX #F4FD4C

RGB 244 253 76

HSL 63.05, 0.98%, 0.65%

LAB 96, -23.32, 78.8

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 6 / 0 / 97 / 29

HEX #ABB505

RGB 171 181 5

HSL 63.41, 0.95%, 0.36%

LAB 70.68, -20.95, 71.52

 

CMYK 6 / 0 / 100 / 36

HEX #9AA300

RGB 154 163 0

HSL 63.31, 1%, 0.32%

LAB 64.21, -19.42, 66.73

 

CMYK 6 / 0 / 100 / 43

HEX #899100

RGB 137 145 0

HSL 63.31, 1%, 0.28%

LAB 57.63, -17.78, 61.25

 

CMYK 6 / 0 / 100 / 50

HEX #787F00

RGB 120 127 0

HSL 63.31, 1%, 0.25%

LAB 50.89, -16.11, 55.65

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 0 / 18 / 88 / 22

HEX #C7A318

RGB 199 163 24

HSL 47.66, 0.78%, 0.44%

LAB 68.32, 1.04, 67.87

 

CMYK 0 / 42 / 88 / 22

HEX #C77418

RGB 199 116 24

HSL 31.54, 0.78%, 0.44%

LAB 56.78, 26.58, 58.71

 

CMYK 0 / 65 / 88 / 22

HEX #C74518

RGB 199 69 24

HSL 15.43, 0.78%, 0.44%

LAB 47.58, 49.89, 51.44

 

CMYK 0 / 88 / 88 / 22

HEX #C71818

RGB 199 24 24

HSL 0, 0.78%, 0.44%

LAB 42.55, 63.84, 47.5

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 29 / 0 / 88 / 22

HEX #8DC718

RGB 141 199 24

HSL 79.89, 0.78%, 0.44%

LAB 73.92, -41.29, 70.6

 

CMYK 53 / 0 / 88 / 22

HEX #5EC718

RGB 94 199 24

HSL 96, 0.78%, 0.44%

LAB 71.75, -57.02, 67.91

 

CMYK 76 / 0 / 88 / 22

HEX #2FC718

RGB 47 199 24

HSL 112.11, 0.78%, 0.44%

LAB 70.54, -67.13, 66.38

 

CMYK 88 / 0 / 75 / 22

HEX #18C731

RGB 24 199 49

HSL 128.57, 0.78%, 0.44%

LAB 70.36, -68.28, 59.43

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 6 / 0 / 97 / 15

HEX #CCD906

RGB 204 217 6

HSL 63.7, 0.95%, 0.44%

LAB 83.17, -24.49, 81.93

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 5 / 0 / 77 / 29

HEX #ACB52A

RGB 172 181 42

HSL 63.88, 0.62%, 0.44%

LAB 70.86, -19.62, 64.27

 

CMYK 4 / 0 / 63 / 36

HEX #9CA33C

RGB 156 163 60

HSL 64.08, 0.46%, 0.44%

LAB 64.63, -16.37, 50.94

 

CMYK 3 / 0 / 46 / 43

HEX #8D914F

RGB 141 145 79

HSL 63.64, 0.29%, 0.44%

LAB 58.49, -11.67, 34.38

 

CMYK 2 / 0 / 24 / 50

HEX #7D7F61

RGB 125 127 97

HSL 64, 0.13%, 0.44%

LAB 52.29, -6.13, 16.11

 

CMYK 0 / 42 / 88 / 22

HEX #C77318

RGB 199 115 24

HSL 31.2, 0.78%, 0.44%

LAB 56.55, 27.12, 58.53

 

CMYK 0 / 19 / 88 / 22

HEX #C7A118

RGB 199 161 24

HSL 46.97, 0.78%, 0.44%

LAB 67.8, 2.11, 67.46

 

CMYK 5 / 0 / 88 / 22

HEX #BEC718

RGB 190 199 24

HSL 63.09, 0.78%, 0.44%

LAB 77.2, -21.41, 74.64

 

CMYK 28 / 0 / 88 / 22

HEX #90C718

RGB 144 199 24

HSL 78.86, 0.78%, 0.44%

LAB 74.09, -40.15, 70.82

 

CMYK 51 / 0 / 88 / 22

HEX #61C718

RGB 97 199 24

HSL 94.97, 0.78%, 0.44%

LAB 71.86, -56.16, 68.05

 

CMYK 6 / 0 / 88 / 51

HEX #777E0F

RGB 119 126 15

HSL 63.78, 0.79%, 0.28%

LAB 50.54, -15.7, 52.39

 

CMYK 5 / 0 / 88 / 36

HEX #9AA214

RGB 154 162 20

HSL 63.38, 0.78%, 0.36%

LAB 63.97, -18.57, 63.52

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 5 / 0 / 84 / 11

HEX #D8E425

RGB 216 228 37

HSL 63.77, 0.78%, 0.52%

LAB 87.1, -24.26, 81

 

CMYK 4 / 0 / 68 / 9

HEX #DEE84A

RGB 222 232 74

HSL 63.8, 0.77%, 0.6%

LAB 88.8, -22.28, 71.87

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 88 / 0 / 66 / 22

HEX #18C744

RGB 24 199 68

HSL 135.09, 0.78%, 0.44%

LAB 70.5, -66.56, 52.4

 

CMYK 31 / 88 / 0 / 22

HEX #8A18C7

RGB 138 24 199

HSL 279.09, 0.78%, 0.44%

LAB 38.16, 69.37, -65.78

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 88 / 5 / 0 / 22

HEX #18BEC7

RGB 24 190 199

HSL 183.09, 0.78%, 0.44%

LAB 70.28, -34.89, -15.62

 

CMYK 0 / 88 / 5 / 22

HEX #C718BE

RGB 199 24 190

HSL 303.09, 0.78%, 0.44%

LAB 47.64, 77.73, -44.73

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 88 / 0 / 66 / 22

HEX #18C744

RGB 24 199 68

HSL 135.09, 0.78%, 0.44%

LAB 70.5, -66.56, 52.4

 

CMYK 83 / 88 / 0 / 22

HEX #2118C7

RGB 33 24 199

HSL 243.09, 0.78%, 0.44%

LAB 27.02, 60.16, -84.55

 

CMYK 0 / 88 / 22 / 22

HEX #C7189B

RGB 199 24 155

HSL 315.09, 0.78%, 0.44%

LAB 45.86, 73.04, -26.83

 

CMYK 6 / 0 / 88 / 22

HEX #BCC718

RGB 188 199 24

HSL 63.77, 0.78%, 0.44%

LAB 77.04, -22.26, 74.45

 

CMYK 88 / 0 / 40 / 22

HEX #18C778

RGB 24 199 120

HSL 152.91, 0.78%, 0.44%

LAB 71.14, -58.76, 28.31

 

CMYK 83 / 88 / 0 / 22

HEX #2118C7

RGB 33 24 199

HSL 243.09, 0.78%, 0.44%

LAB 27.02, 60.16, -84.55

 

CMYK 0 / 88 / 48 / 22

HEX #C71867

RGB 199 24 103

HSL 332.91, 0.78%, 0.44%

LAB 43.91, 67.71, 2.1

 

Description

Color code: HEX #BCC718 | qconv.com Color code: HEX #BCC718 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 199 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 199 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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