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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC0D6 it is the complementary color #433F29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC0D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC0D6 shade: #C1C0D1, #D2D2E4, #E3E4F7 and #F4F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC0D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC0D6 shade: #BCC0D6, #ABAEC3, #9A9CB0, #898A9D and #78788A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC0D6 shade: #BCC0D6, #BFBCD6, #C6BCD6, #CDBCD6 and #D4BCD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC0D6 shade: #BCC0D6 and #BCBCD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC0D6 shade matches the following richer shades: #BCC0D6, #B3BADE, #ABB4E7, #A2AEF0 and #99A8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC0D6 shade: #BCC0D6, #C5C6CD, #CDCCC4, #D6D2BC and #DFD8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC0D6 shade: #BCCED6, #BCC7D6, #BCC0D6, #BFBCD6 and #C6BCD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC0D6 shade: #8990B6, #A3A8C6, #BCC0D6, #D6D8E5 and #EFF0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC0D6 shade: #BCC0D6, #D6BCD5 and #CBD6BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC0D6 shade: #BCC0D6, #D6BCC0 and #C0D6BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC0D6 shade: #BCC0D6, #D6BCD5, #D6D2BC and #BCD6BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC0D6 shade: #BCC0D6, #D6BCCD, #D6D2BC and #BCD6C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

Complementary color

CMYK 0 / 6 / 39 / 74

HEX #433F29

RGB 67 63 41

HSL 50.77, 0.24%, 0.21%

LAB 26.47, -2.29, 14.14

 

CMYK 8 / 8 / 0 / 18

HEX #C1C0D1

RGB 193 192 209

HSL 243.53, 0.16%, 0.79%

LAB 78.25, 3.6, -8.38

 

CMYK 8 / 8 / 0 / 11

HEX #D2D2E4

RGB 210 210 228

HSL 240, 0.25%, 0.86%

LAB 84.69, 3.4, -8.86

 

CMYK 8 / 8 / 0 / 3

HEX #E3E4F7

RGB 227 228 247

HSL 237, 0.56%, 0.93%

LAB 91.02, 3.21, -9.32

 

CMYK 4 / 4 / 0 / 0

HEX #F4F6FF

RGB 244 246 255

HSL 229.09, 1%, 0.98%

LAB 96.97, 0.97, -4.55

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 12 / 11 / 0 / 24

HEX #ABAEC3

RGB 171 174 195

HSL 232.5, 0.17%, 0.72%

LAB 71.47, 3.16, -11.04

 

CMYK 13 / 11 / 0 / 31

HEX #9A9CB0

RGB 154 156 176

HSL 234.55, 0.12%, 0.65%

LAB 64.79, 3.38, -10.62

 

CMYK 13 / 12 / 0 / 38

HEX #898A9D

RGB 137 138 157

HSL 237, 0.09%, 0.58%

LAB 57.97, 3.6, -10.2

 

CMYK 13 / 13 / 0 / 46

HEX #78788A

RGB 120 120 138

HSL 240, 0.07%, 0.51%

LAB 50.99, 3.85, -9.77

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 11 / 12 / 0 / 16

HEX #BFBCD6

RGB 191 188 214

HSL 246.92, 0.24%, 0.79%

LAB 77.22, 6.1, -12.64

 

CMYK 7 / 12 / 0 / 16

HEX #C6BCD6

RGB 198 188 214

HSL 263.08, 0.24%, 0.79%

LAB 77.77, 8.41, -11.75

 

CMYK 4 / 12 / 0 / 16

HEX #CDBCD6

RGB 205 188 214

HSL 279.23, 0.24%, 0.79%

LAB 78.35, 10.75, -10.84

 

CMYK 1 / 12 / 0 / 16

HEX #D4BCD6

RGB 212 188 214

HSL 295.38, 0.24%, 0.79%

LAB 78.94, 13.11, -9.9

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 12 / 12 / 0 / 16

HEX #BCBCD6

RGB 188 188 214

HSL 240, 0.24%, 0.79%

LAB 76.99, 5.11, -13.01

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 19 / 16 / 0 / 13

HEX #B3BADE

RGB 179 186 222

HSL 230.23, 0.39%, 0.79%

LAB 76.05, 5.04, -18.82

 

CMYK 26 / 22 / 0 / 9

HEX #ABB4E7

RGB 171 180 231

HSL 231, 0.56%, 0.79%

LAB 74.23, 7.95, -26.52

 

CMYK 33 / 28 / 0 / 6

HEX #A2AEF0

RGB 162 174 240

HSL 230.77, 0.72%, 0.79%

LAB 72.39, 10.89, -34.3

 

CMYK 38 / 32 / 0 / 3

HEX #99A8F8

RGB 153 168 248

HSL 230.53, 0.87%, 0.79%

LAB 70.56, 13.92, -41.53

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 4 / 3 / 0 / 20

HEX #C5C6CD

RGB 197 198 205

HSL 232.5, 0.07%, 0.79%

LAB 79.99, 0.97, -3.62

 

CMYK 0 / 0 / 4 / 20

HEX #CDCCC4

RGB 205 204 196

HSL 53.33, 0.08%, 0.79%

LAB 81.92, -1.08, 4.09

 

CMYK 0 / 2 / 12 / 16

HEX #D6D2BC

RGB 214 210 188

HSL 50.77, 0.24%, 0.79%

LAB 83.98, -2.36, 11.39

 

CMYK 0 / 3 / 20 / 13

HEX #DFD8B3

RGB 223 216 179

HSL 50.45, 0.41%, 0.79%

LAB 86.03, -3.56, 19.13

 

CMYK 12 / 4 / 0 / 16

HEX #BCCED6

RGB 188 206 214

HSL 198.46, 0.24%, 0.79%

LAB 81.67, -4.46, -6.04

 

CMYK 12 / 7 / 0 / 16

HEX #BCC7D6

RGB 188 199 214

HSL 214.62, 0.24%, 0.79%

LAB 79.84, -0.77, -8.76

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 11 / 12 / 0 / 16

HEX #BFBCD6

RGB 191 188 214

HSL 246.92, 0.24%, 0.79%

LAB 77.22, 6.1, -12.64

 

CMYK 7 / 12 / 0 / 16

HEX #C6BCD6

RGB 198 188 214

HSL 263.08, 0.24%, 0.79%

LAB 77.77, 8.41, -11.75

 

CMYK 25 / 21 / 0 / 29

HEX #8990B6

RGB 137 144 182

HSL 230.67, 0.24%, 0.63%

LAB 60.46, 5.98, -20.66

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 7 / 6 / 0 / 10

HEX #D6D8E5

RGB 214 216 229

HSL 232, 0.22%, 0.87%

LAB 86.54, 1.76, -6.61

 

CMYK 2 / 2 / 0 / 4

HEX #EFF0F5

RGB 239 240 245

HSL 230, 0.23%, 0.95%

LAB 94.85, 0.57, -2.53

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 0 / 12 / 0 / 16

HEX #D6BCD5

RGB 214 188 213

HSL 302.31, 0.24%, 0.79%

LAB 79.08, 13.6, -9.12

 

CMYK 5 / 0 / 12 / 16

HEX #CBD6BC

RGB 203 214 188

HSL 85.38, 0.24%, 0.79%

LAB 84.18, -8.33, 11.57

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 0 / 12 / 10 / 16

HEX #D6BCC0

RGB 214 188 192

HSL 350.77, 0.24%, 0.79%

LAB 78.5, 9.9, 1.37

 

CMYK 10 / 0 / 12 / 16

HEX #C0D6BC

RGB 192 214 188

HSL 110.77, 0.24%, 0.79%

LAB 83.41, -12.17, 10.36

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 0 / 12 / 0 / 16

HEX #D6BCD5

RGB 214 188 213

HSL 302.31, 0.24%, 0.79%

LAB 79.08, 13.6, -9.12

 

CMYK 0 / 2 / 12 / 16

HEX #D6D2BC

RGB 214 210 188

HSL 50.77, 0.24%, 0.79%

LAB 83.98, -2.36, 11.39

 

CMYK 12 / 0 / 12 / 16

HEX #BCD6BD

RGB 188 214 189

HSL 122.31, 0.24%, 0.79%

LAB 83.16, -13.36, 9.44

 

CMYK 12 / 10 / 0 / 16

HEX #BCC0D6

RGB 188 192 214

HSL 230.77, 0.24%, 0.79%

LAB 78.02, 2.96, -11.47

 

CMYK 0 / 12 / 4 / 16

HEX #D6BCCD

RGB 214 188 205

HSL 320.77, 0.24%, 0.79%

LAB 78.85, 12.15, -5.14

 

CMYK 0 / 2 / 12 / 16

HEX #D6D2BC

RGB 214 210 188

HSL 50.77, 0.24%, 0.79%

LAB 83.98, -2.36, 11.39

 

CMYK 12 / 0 / 8 / 16

HEX #BCD6C5

RGB 188 214 197

HSL 140.77, 0.24%, 0.79%

LAB 83.35, -11.9, 5.46

 

Description

Color code: HEX #BCC0D6 | qconv.com Color code: HEX #BCC0D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 192 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 192 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 10 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 10% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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