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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCCF5D it is the complementary color #4330A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCCF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCCF5D shade: #C1CF58, #D2E16B, #E3F37E, #F4FF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCCF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCCF5D shade: #BCCF5D, #ABBD4A, #9AAB37, #899924 and #788711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCCF5D shade: #BCCE5D, #CEC35D, #CEA45D, #CE865D and #CE675D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCCF5D shade: #BCCE5D, #9DCE5D, #7FCE5D, #60CE5D and #5DCE79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCCF5D shade matches the following richer shades: #BCCE5D, #C7DF4D and #D2F03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCCF5D shade: #BCCE5D, #B0BD6E, #A5AD7F, #9A9C90 and #8E8BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCCF5D shade: #CEA55D, #CEC35D, #BCCE5D, #9DCE5D and #7FCE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCCF5D shade: #94A832, #AEC53E, #BCCE5D, #C9D87D and #D6E19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCCF5D shade: #BCCF5D, #5DCE87 and #B45DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCCF5D shade: #BCCF5D, #5DBCCE and #CE5DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCCF5D shade: #BCCF5D, #5DCE87, #705DCE and #CE5DA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCCF5D shade: #BCCF5D, #5DCEA9, #705DCE and #CE5D83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

Complementary color

CMYK 59 / 70 / 0 / 36

HEX #4330A2

RGB 67 48 162

HSL 250, 0.54%, 0.41%

LAB 29.2, 40.38, -58.82

 

CMYK 7 / 0 / 57 / 19

HEX #C1CF58

RGB 193 207 88

HSL 67.06, 0.55%, 0.58%

LAB 79.99, -21.01, 56.26

 

CMYK 7 / 0 / 52 / 12

HEX #D2E16B

RGB 210 225 107

HSL 67.63, 0.66%, 0.65%

LAB 86.31, -21.44, 55.26

 

CMYK 7 / 0 / 48 / 5

HEX #E3F37E

RGB 227 243 126

HSL 68.21, 0.83%, 0.72%

LAB 92.55, -21.8, 54.18

 

CMYK 4 / 0 / 43 / 0

HEX #F4FF91

RGB 244 255 145

HSL 66, 1%, 0.78%

LAB 97.15, -19.22, 51.15

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

CMYK 10 / 0 / 61 / 26

HEX #ABBD4A

RGB 171 189 74

HSL 69.39, 0.47%, 0.52%

LAB 73.25, -22.18, 54.5

 

CMYK 10 / 0 / 68 / 33

HEX #9AAB37

RGB 154 171 55

HSL 68.79, 0.51%, 0.44%

LAB 66.73, -21.61, 55.16

 

CMYK 10 / 0 / 76 / 40

HEX #899924

RGB 137 153 36

HSL 68.21, 0.62%, 0.37%

LAB 60.09, -20.88, 55.27

 

CMYK 11 / 0 / 87 / 47

HEX #788711

RGB 120 135 17

HSL 67.63, 0.78%, 0.3%

LAB 53.34, -19.91, 54.29

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 0 / 5 / 55 / 19

HEX #CEC35D

RGB 206 195 93

HSL 54.16, 0.54%, 0.59%

LAB 77.84, -9.25, 51.82

 

CMYK 0 / 20 / 55 / 19

HEX #CEA45D

RGB 206 164 93

HSL 37.7, 0.54%, 0.59%

LAB 69.8, 7.06, 42.34

 

CMYK 0 / 35 / 55 / 19

HEX #CE865D

RGB 206 134 93

HSL 21.77, 0.54%, 0.59%

LAB 62.48, 23.35, 33.32

 

CMYK 0 / 50 / 55 / 19

HEX #CE675D

RGB 206 103 93

HSL 5.31, 0.54%, 0.59%

LAB 55.7, 39.8, 24.6

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 24 / 0 / 55 / 19

HEX #9DCE5D

RGB 157 206 93

HSL 86.02, 0.54%, 0.59%

LAB 77.34, -34.15, 50.34

 

CMYK 38 / 0 / 55 / 19

HEX #7FCE5D

RGB 127 206 93

HSL 101.95, 0.54%, 0.59%

LAB 75.73, -44.67, 48.04

 

CMYK 53 / 0 / 55 / 19

HEX #60CE5D

RGB 96 206 93

HSL 118.41, 0.54%, 0.59%

LAB 74.46, -53.8, 46.22

 

CMYK 55 / 0 / 41 / 19

HEX #5DCE79

RGB 93 206 121

HSL 134.87, 0.54%, 0.59%

LAB 74.73, -50.51, 32.76

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 11 / 0 / 65 / 13

HEX #C7DF4D

RGB 199 223 77

HSL 69.86, 0.7%, 0.59%

LAB 84.72, -27.08, 66.06

 

CMYK 13 / 0 / 75 / 6

HEX #D2F03C

RGB 210 240 60

HSL 70, 0.86%, 0.59%

LAB 90.02, -31.54, 77.42

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 7 / 0 / 42 / 26

HEX #B0BD6E

RGB 176 189 110

HSL 69.87, 0.37%, 0.59%

LAB 74.03, -16.78, 38.36

 

CMYK 5 / 0 / 27 / 32

HEX #A5AD7F

RGB 165 173 127

HSL 70.43, 0.22%, 0.59%

LAB 69.05, -10.66, 22.76

 

CMYK 1 / 0 / 8 / 39

HEX #9A9C90

RGB 154 156 144

HSL 70, 0.06%, 0.59%

LAB 63.89, -2.96, 6.03

 

CMYK 12 / 14 / 0 / 37

HEX #8E8BA1

RGB 142 139 161

HSL 248.18, 0.1%, 0.59%

LAB 58.78, 5.63, -11.23

 

CMYK 0 / 20 / 55 / 19

HEX #CEA55D

RGB 206 165 93

HSL 38.23, 0.54%, 0.59%

LAB 70.05, 6.53, 42.65

 

CMYK 0 / 5 / 55 / 19

HEX #CEC35D

RGB 206 195 93

HSL 54.16, 0.54%, 0.59%

LAB 77.84, -9.25, 51.82

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 24 / 0 / 55 / 19

HEX #9DCE5D

RGB 157 206 93

HSL 86.02, 0.54%, 0.59%

LAB 77.34, -34.15, 50.34

 

CMYK 38 / 0 / 55 / 19

HEX #7FCE5D

RGB 127 206 93

HSL 101.95, 0.54%, 0.59%

LAB 75.73, -44.67, 48.04

 

CMYK 12 / 0 / 70 / 34

HEX #94A832

RGB 148 168 50

HSL 70.17, 0.54%, 0.43%

LAB 65.38, -22.95, 55.61

 

CMYK 12 / 0 / 69 / 23

HEX #AEC53E

RGB 174 197 62

HSL 70.22, 0.54%, 0.51%

LAB 75.62, -25.65, 61.95

 

CMYK 9 / 0 / 55 / 19

HEX #BCCE5D

RGB 188 206 93

HSL 69.56, 0.54%, 0.59%

LAB 79.4, -22.13, 53.25

 

CMYK 7 / 0 / 42 / 15

HEX #C9D87D

RGB 201 216 125

HSL 69.89, 0.54%, 0.67%

LAB 83.45, -18.81, 43.07

 

CMYK 5 / 0 / 30 / 12

HEX #D6E19D

RGB 214 225 157

HSL 69.71, 0.53%, 0.75%

LAB 87.28, -14.5, 32.11

 

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

CMYK 55 / 0 / 34 / 19

HEX #5DCE87

RGB 93 206 135

HSL 142.3, 0.54%, 0.59%

LAB 74.96, -48.06, 25.83

 

CMYK 13 / 55 / 0 / 19

HEX #B45DCE

RGB 180 93 206

HSL 286.19, 0.54%, 0.59%

LAB 54.01, 52.72, -44.03

 

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

CMYK 55 / 9 / 0 / 19

HEX #5DBCCE

RGB 93 188 206

HSL 189.56, 0.54%, 0.59%

LAB 71.38, -22.99, -17.63

 

CMYK 0 / 55 / 9 / 19

HEX #CE5DBC

RGB 206 93 188

HSL 309.56, 0.54%, 0.59%

LAB 56.67, 56.56, -29.32

 

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

CMYK 55 / 0 / 34 / 19

HEX #5DCE87

RGB 93 206 135

HSL 142.3, 0.54%, 0.59%

LAB 74.96, -48.06, 25.83

 

CMYK 46 / 55 / 0 / 19

HEX #705DCE

RGB 112 93 206

HSL 250.09, 0.54%, 0.59%

LAB 46.62, 35.86, -56.26

 

CMYK 0 / 55 / 20 / 19

HEX #CE5DA5

RGB 206 93 165

HSL 321.77, 0.54%, 0.59%

LAB 55.75, 53.02, -17.42

 

CMYK 9 / 0 / 55 / 19

HEX #BCCF5D

RGB 188 207 93

HSL 70, 0.54%, 0.59%

LAB 79.67, -22.61, 53.56

 

CMYK 55 / 0 / 18 / 19

HEX #5DCEA9

RGB 93 206 169

HSL 160.35, 0.54%, 0.59%

LAB 75.66, -41.03, 8.75

 

CMYK 46 / 55 / 0 / 19

HEX #705DCE

RGB 112 93 206

HSL 250.09, 0.54%, 0.59%

LAB 46.62, 35.86, -56.26

 

CMYK 0 / 55 / 36 / 19

HEX #CE5D83

RGB 206 93 131

HSL 339.82, 0.54%, 0.59%

LAB 54.65, 48.55, 0.88

 

Description

Color code: HEX #BCCF5D | qconv.com Color code: HEX #BCCF5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 207 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 207 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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