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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD72D it is the complementary color #4328D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD72D shade: #C1D728, #D2E93B, #E3FB4E, #F4FF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD72D shade: #BCD72D, #ABC51A, #9AB307, #89A100 and #788F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD72D shade: #BCD72D, #D7C42D, #D7962D, #D7682D and #D73A2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD72D shade: #BCD72D, #8ED72D, #60D72D, #32D72D and #2DD755

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD72D shade matches the following richer shades: #BCD72D and #C9EB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD72D shade: #BCD72D, #AEC241, #A0AE55, #929A69 and #84867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD72D shade: #D7952D, #D7C32D, #BDD72D, #90D72D and #62D72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD72D shade: #81951C, #A0B723, #BCD72D, #C7DD4F and #D2E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD72D shade: #BCD72D, #2DD768 and #AC2DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD72D shade: #BCD72D, #2DBDD7 and #D72DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD72D shade: #BCD72D, #2DD768, #462DD7 and #D72D9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD72D shade: #BCD72D, #2DD79B, #462DD7 and #D72D68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

Complementary color

CMYK 68 / 81 / 0 / 18

HEX #4328D2

RGB 67 40 210

HSL 249.53, 0.68%, 0.49%

LAB 32.62, 58.85, -81.6

 

CMYK 10 / 0 / 81 / 16

HEX #C1D728

RGB 193 215 40

HSL 67.54, 0.69%, 0.5%

LAB 81.89, -27.45, 75.21

 

CMYK 10 / 0 / 75 / 9

HEX #D2E93B

RGB 210 233 59

HSL 67.93, 0.8%, 0.57%

LAB 88.11, -28.33, 75.95

 

CMYK 10 / 0 / 69 / 2

HEX #E3FB4E

RGB 227 251 78

HSL 68.32, 0.96%, 0.65%

LAB 94.26, -29.05, 75.99

 

CMYK 4 / 0 / 62 / 0

HEX #F4FF61

RGB 244 255 97

HSL 64.18, 1%, 0.69%

LAB 96.66, -23.12, 71.73

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 13 / 0 / 87 / 23

HEX #ABC51A

RGB 171 197 26

HSL 69.12, 0.77%, 0.44%

LAB 75.24, -28.38, 72.1

 

CMYK 14 / 0 / 96 / 30

HEX #9AB307

RGB 154 179 7

HSL 68.72, 0.92%, 0.36%

LAB 68.84, -27.23, 69.34

 

CMYK 15 / 0 / 100 / 37

HEX #89A100

RGB 137 161 0

HSL 68.94, 1%, 0.32%

LAB 62.35, -25.84, 64.77

 

CMYK 16 / 0 / 100 / 44

HEX #788F00

RGB 120 143 0

HSL 69.65, 1%, 0.28%

LAB 55.72, -24.34, 59.25

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 0 / 9 / 79 / 16

HEX #D7C42D

RGB 215 196 45

HSL 53.29, 0.68%, 0.51%

LAB 78.53, -8.63, 71.6

 

CMYK 0 / 30 / 79 / 16

HEX #D7962D

RGB 215 150 45

HSL 37.06, 0.68%, 0.51%

LAB 66.86, 15.66, 61.1

 

CMYK 0 / 52 / 79 / 16

HEX #D7682D

RGB 215 104 45

HSL 20.82, 0.68%, 0.51%

LAB 56.62, 39.98, 51.48

 

CMYK 0 / 73 / 79 / 16

HEX #D73A2D

RGB 215 58 45

HSL 4.59, 0.68%, 0.51%

LAB 49.08, 59.94, 44.05

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 34 / 0 / 79 / 16

HEX #8ED72D

RGB 142 215 45

HSL 85.76, 0.68%, 0.51%

LAB 78.78, -46.99, 69.93

 

CMYK 55 / 0 / 79 / 16

HEX #60D72D

RGB 96 215 45

HSL 102, 0.68%, 0.51%

LAB 76.85, -61.3, 67.44

 

CMYK 77 / 0 / 79 / 16

HEX #32D72D

RGB 50 215 45

HSL 118.24, 0.68%, 0.51%

LAB 75.74, -70.49, 66.01

 

CMYK 79 / 0 / 60 / 16

HEX #2DD755

RGB 45 215 85

HSL 134.12, 0.68%, 0.51%

LAB 75.96, -67.58, 51.3

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 14 / 0 / 90 / 8

HEX #C9EB18

RGB 201 235 24

HSL 69.67, 0.84%, 0.51%

LAB 87.92, -33.92, 83.56

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 10 / 0 / 66 / 24

HEX #AEC241

RGB 174 194 65

HSL 69.3, 0.51%, 0.51%

LAB 74.8, -24.01, 59.95

 

CMYK 8 / 0 / 51 / 32

HEX #A0AE55

RGB 160 174 85

HSL 69.44, 0.35%, 0.51%

LAB 68.32, -18.25, 43.57

 

CMYK 5 / 0 / 32 / 40

HEX #929A69

RGB 146 154 105

HSL 69.8, 0.2%, 0.51%

LAB 61.86, -11.21, 24.82

 

CMYK 1 / 0 / 7 / 47

HEX #84867D

RGB 132 134 125

HSL 73.33, 0.04%, 0.51%

LAB 55.52, -2.48, 4.58

 

CMYK 0 / 31 / 79 / 16

HEX #D7952D

RGB 215 149 45

HSL 36.71, 0.68%, 0.51%

LAB 66.62, 16.2, 60.87

 

CMYK 0 / 9 / 79 / 16

HEX #D7C32D

RGB 215 195 45

HSL 52.94, 0.68%, 0.51%

LAB 78.27, -8.11, 71.37

 

CMYK 12 / 0 / 79 / 16

HEX #BDD72D

RGB 189 215 45

HSL 69.18, 0.68%, 0.51%

LAB 81.63, -28.92, 73.57

 

CMYK 33 / 0 / 79 / 16

HEX #90D72D

RGB 144 215 45

HSL 85.06, 0.68%, 0.51%

LAB 78.88, -46.28, 70.06

 

CMYK 54 / 0 / 79 / 16

HEX #62D72D

RGB 98 215 45

HSL 101.29, 0.68%, 0.51%

LAB 76.91, -60.77, 67.53

 

CMYK 13 / 0 / 81 / 42

HEX #81951C

RGB 129 149 28

HSL 69.92, 0.68%, 0.35%

LAB 58.27, -22.68, 55.91

 

CMYK 13 / 0 / 81 / 28

HEX #A0B723

RGB 160 183 35

HSL 69.32, 0.68%, 0.43%

LAB 70.5, -25.97, 65.65

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 10 / 0 / 64 / 13

HEX #C7DD4F

RGB 199 221 79

HSL 69.3, 0.68%, 0.59%

LAB 84.18, -26, 64.71

 

CMYK 8 / 0 / 50 / 11

HEX #D2E472

RGB 210 228 114

HSL 69.47, 0.68%, 0.67%

LAB 87.19, -22.27, 53.07

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 79 / 0 / 52 / 16

HEX #2DD768

RGB 45 215 104

HSL 140.82, 0.68%, 0.51%

LAB 76.17, -65.05, 42.79

 

CMYK 20 / 79 / 0 / 16

HEX #AC2DD7

RGB 172 45 215

HSL 284.82, 0.68%, 0.51%

LAB 46.38, 72.36, -61.45

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 79 / 12 / 0 / 16

HEX #2DBDD7

RGB 45 189 215

HSL 189.18, 0.68%, 0.51%

LAB 70.77, -27.84, -23.58

 

CMYK 0 / 79 / 12 / 16

HEX #D72DBD

RGB 215 45 189

HSL 309.18, 0.68%, 0.51%

LAB 51.83, 76.43, -37.34

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 79 / 0 / 52 / 16

HEX #2DD768

RGB 45 215 104

HSL 140.82, 0.68%, 0.51%

LAB 76.17, -65.05, 42.79

 

CMYK 67 / 79 / 0 / 16

HEX #462DD7

RGB 70 45 215

HSL 248.82, 0.68%, 0.51%

LAB 34.16, 58.31, -81.94

 

CMYK 0 / 79 / 28 / 16

HEX #D72D9B

RGB 215 45 155

HSL 321.18, 0.68%, 0.51%

LAB 50.32, 72.09, -19.69

 

CMYK 13 / 0 / 79 / 16

HEX #BCD72D

RGB 188 215 45

HSL 69.53, 0.68%, 0.51%

LAB 81.56, -29.33, 73.48

 

CMYK 79 / 0 / 28 / 16

HEX #2DD79B

RGB 45 215 155

HSL 158.82, 0.68%, 0.51%

LAB 77, -55.57, 17.93

 

CMYK 67 / 79 / 0 / 16

HEX #462DD7

RGB 70 45 215

HSL 248.82, 0.68%, 0.51%

LAB 34.16, 58.31, -81.94

 

CMYK 0 / 79 / 52 / 16

HEX #D72D68

RGB 215 45 104

HSL 339.18, 0.68%, 0.51%

LAB 48.66, 67.15, 8.7

 

Description

Color code: HEX #BCD72D | qconv.com Color code: HEX #BCD72D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 215 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 215 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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