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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCDE9F it is the complementary color #432160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCDE9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCDE9F shade: #C1DE9A, #D2F0AD, #E3FFC0, #F4FFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCDE9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCDE9F shade: #BCDE9F, #ABCC8C, #9ABA79, #89A866 and #789653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCDE9F shade: #BCDEA0, #CDDEA0, #DEDEA0, #DECDA0 and #DEBCA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCDE9F shade: #BCDEA0, #ABDEA0, #A0DEA4, #A0DEB5 and #A0DEC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCDE9F shade matches the following richer shades: #BCDEA0, #BBE895, #BBF38B and #BAFD81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCDE9F shade: #BCDEA0, #BDD4AA, #BEC9B4, #BFBFBE and #C0B5C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCDE9F shade: #DEDEA0, #CDDEA0, #BDDEA0, #ACDEA0 and #A0DEA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCDE9F shade: #91C962, #A7D381, #BCDEA0, #D2E9BE and #E7F3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCDE9F shade: #BCDE9F, #A0DECD and #DEA0D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCDE9F shade: #BCDE9F, #A0BDDE and #DEA0BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCDE9F shade: #BCDE9F, #A0DECD, #C1A0DE and #DEA0B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCDE9F shade: #BCDE9F, #A0DCDE, #C1A0DE and #DEA2A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

Complementary color

CMYK 30 / 66 / 0 / 62

HEX #432160

RGB 67 33 96

HSL 272.38, 0.49%, 0.25%

LAB 20.54, 29.47, -31.29

 

CMYK 13 / 0 / 31 / 13

HEX #C1DE9A

RGB 193 222 154

HSL 85.59, 0.51%, 0.74%

LAB 84.95, -21.16, 30.28

 

CMYK 13 / 0 / 28 / 6

HEX #D2F0AD

RGB 210 240 173

HSL 86.87, 0.69%, 0.81%

LAB 91.25, -21.14, 29.24

 

CMYK 11 / 0 / 25 / 0

HEX #E3FFC0

RGB 227 255 192

HSL 86.67, 1%, 0.88%

LAB 96.68, -19.67, 27.17

 

CMYK 4 / 0 / 17 / 0

HEX #F4FFD3

RGB 244 255 211

HSL 75, 1%, 0.91%

LAB 98.22, -10.92, 19.84

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

CMYK 16 / 0 / 31 / 20

HEX #ABCC8C

RGB 171 204 140

HSL 90.94, 0.39%, 0.67%

LAB 78.31, -22.3, 28.38

 

CMYK 17 / 0 / 35 / 27

HEX #9ABA79

RGB 154 186 121

HSL 89.54, 0.32%, 0.6%

LAB 71.8, -22.36, 29.49

 

CMYK 18 / 0 / 39 / 34

HEX #89A866

RGB 137 168 102

HSL 88.18, 0.28%, 0.53%

LAB 65.19, -22.41, 30.66

 

CMYK 20 / 0 / 45 / 41

HEX #789653

RGB 120 150 83

HSL 86.87, 0.29%, 0.46%

LAB 58.44, -22.43, 31.88

 

CMYK 15 / 0 / 28 / 13

HEX #BCDEA0

RGB 188 222 160

HSL 92.9, 0.48%, 0.75%

LAB 84.73, -22.09, 26.83

 

CMYK 8 / 0 / 28 / 13

HEX #CDDEA0

RGB 205 222 160

HSL 76.45, 0.48%, 0.75%

LAB 85.89, -15.94, 28.59

 

CMYK 0 / 0 / 28 / 13

HEX #DEDEA0

RGB 222 222 160

HSL 60, 0.48%, 0.75%

LAB 87.15, -9.6, 30.51

 

CMYK 0 / 8 / 28 / 13

HEX #DECDA0

RGB 222 205 160

HSL 43.55, 0.48%, 0.75%

LAB 82.77, -0.9, 24.59

 

CMYK 0 / 15 / 28 / 13

HEX #DEBCA0

RGB 222 188 160

HSL 27.1, 0.48%, 0.75%

LAB 78.48, 8.02, 18.69

 

CMYK 15 / 0 / 28 / 13

HEX #BCDEA0

RGB 188 222 160

HSL 92.9, 0.48%, 0.75%

LAB 84.73, -22.09, 26.83

 

CMYK 23 / 0 / 28 / 13

HEX #ABDEA0

RGB 171 222 160

HSL 109.35, 0.48%, 0.75%

LAB 83.67, -27.99, 25.22

 

CMYK 28 / 0 / 26 / 13

HEX #A0DEA4

RGB 160 222 164

HSL 123.87, 0.48%, 0.75%

LAB 83.12, -30.98, 22.29

 

CMYK 28 / 0 / 18 / 13

HEX #A0DEB5

RGB 160 222 181

HSL 140.32, 0.48%, 0.75%

LAB 83.47, -27.94, 13.87

 

CMYK 28 / 0 / 11 / 13

HEX #A0DEC6

RGB 160 222 198

HSL 156.77, 0.48%, 0.75%

LAB 83.86, -24.62, 5.46

 

CMYK 15 / 0 / 28 / 13

HEX #BCDEA0

RGB 188 222 160

HSL 92.9, 0.48%, 0.75%

LAB 84.73, -22.09, 26.83

 

CMYK 19 / 0 / 36 / 9

HEX #BBE895

RGB 187 232 149

HSL 92.53, 0.64%, 0.75%

LAB 87.22, -28.81, 35.75

 

CMYK 23 / 0 / 43 / 5

HEX #BBF38B

RGB 187 243 139

HSL 92.31, 0.81%, 0.75%

LAB 90.1, -35.2, 44.41

 

CMYK 26 / 0 / 49 / 1

HEX #BAFD81

RGB 186 253 129

HSL 92.42, 0.97%, 0.75%

LAB 92.7, -41.18, 52.36

 

CMYK 15 / 0 / 28 / 13

HEX #BCDEA0

RGB 188 222 160

HSL 92.9, 0.48%, 0.75%

LAB 84.73, -22.09, 26.83

 

CMYK 11 / 0 / 20 / 17

HEX #BDD4AA

RGB 189 212 170

HSL 92.86, 0.33%, 0.75%

LAB 82.28, -15.23, 18.25

 

CMYK 5 / 0 / 10 / 21

HEX #BEC9B4

RGB 190 201 180

HSL 91.43, 0.16%, 0.75%

LAB 79.62, -7.57, 9.2

 

CMYK 0 / 0 / 1 / 25

HEX #BFBFBE

RGB 191 191 190

HSL 60, 0.01%, 0.75%

LAB 77.31, -0.18, 0.49

 

CMYK 4 / 10 / 0 / 21

HEX #C0B5C9

RGB 192 181 201

HSL 273, 0.16%, 0.75%

LAB 75.12, 7.62, -8.7

 

CMYK 0 / 0 / 28 / 13

HEX #DEDEA0

RGB 222 222 160

HSL 60, 0.48%, 0.75%

LAB 87.15, -9.6, 30.51

 

CMYK 8 / 0 / 28 / 13

HEX #CDDEA0

RGB 205 222 160

HSL 76.45, 0.48%, 0.75%

LAB 85.89, -15.94, 28.59

 

CMYK 15 / 0 / 28 / 13

HEX #BDDEA0

RGB 189 222 160

HSL 91.94, 0.48%, 0.75%

LAB 84.79, -21.73, 26.93

 

CMYK 23 / 0 / 28 / 13

HEX #ACDEA0

RGB 172 222 160

HSL 108.39, 0.48%, 0.75%

LAB 83.73, -27.66, 25.31

 

CMYK 28 / 0 / 26 / 13

HEX #A0DEA4

RGB 160 222 164

HSL 123.87, 0.48%, 0.75%

LAB 83.12, -30.98, 22.29

 

CMYK 28 / 0 / 51 / 21

HEX #91C962

RGB 145 201 98

HSL 92.62, 0.49%, 0.59%

LAB 75.25, -35.72, 45.33

 

CMYK 21 / 0 / 39 / 17

HEX #A7D381

RGB 167 211 129

HSL 92.2, 0.48%, 0.67%

LAB 79.83, -28.67, 36

 

CMYK 15 / 0 / 28 / 13

HEX #BCDEA0

RGB 188 222 160

HSL 92.9, 0.48%, 0.75%

LAB 84.73, -22.09, 26.83

 

CMYK 10 / 0 / 18 / 9

HEX #D2E9BE

RGB 210 233 190

HSL 92.09, 0.49%, 0.83%

LAB 89.72, -15.14, 18.4

 

CMYK 5 / 0 / 9 / 5

HEX #E7F3DD

RGB 231 243 221

HSL 92.73, 0.48%, 0.91%

LAB 94.44, -7.82, 9.24

 

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

CMYK 28 / 0 / 8 / 13

HEX #A0DECD

RGB 160 222 205

HSL 163.55, 0.48%, 0.75%

LAB 84.03, -23.18, 2.01

 

CMYK 0 / 28 / 4 / 13

HEX #DEA0D6

RGB 222 160 214

HSL 307.74, 0.48%, 0.75%

LAB 73.24, 31.59, -18.36

 

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

CMYK 28 / 15 / 0 / 13

HEX #A0BDDE

RGB 160 189 222

HSL 211.94, 0.48%, 0.75%

LAB 75.54, -2.35, -19.72

 

CMYK 0 / 28 / 15 / 13

HEX #DEA0BD

RGB 222 160 189

HSL 331.94, 0.48%, 0.75%

LAB 72.46, 27.34, -5.76

 

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

CMYK 28 / 0 / 8 / 13

HEX #A0DECD

RGB 160 222 205

HSL 163.55, 0.48%, 0.75%

LAB 84.03, -23.18, 2.01

 

CMYK 13 / 28 / 0 / 13

HEX #C1A0DE

RGB 193 160 222

HSL 271.94, 0.48%, 0.75%

LAB 70.7, 23.77, -26.87

 

CMYK 0 / 28 / 21 / 13

HEX #DEA0B0

RGB 222 160 176

HSL 344.52, 0.48%, 0.75%

LAB 72.1, 25.32, 0.89

 

CMYK 15 / 0 / 28 / 13

HEX #BCDE9F

RGB 188 222 159

HSL 92.38, 0.49%, 0.75%

LAB 84.71, -22.24, 27.32

 

CMYK 28 / 1 / 0 / 13

HEX #A0DCDE

RGB 160 220 222

HSL 181.94, 0.48%, 0.75%

LAB 83.93, -18.48, -7.15

 

CMYK 13 / 28 / 0 / 13

HEX #C1A0DE

RGB 193 160 222

HSL 271.94, 0.48%, 0.75%

LAB 70.7, 23.77, -26.87

 

CMYK 0 / 27 / 28 / 13

HEX #DEA2A0

RGB 222 162 160

HSL 1.94, 0.48%, 0.75%

LAB 72.17, 21.95, 9.82

 

Description

Color code: HEX #BCDE9F | qconv.com Color code: HEX #BCDE9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 222 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 222 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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