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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCE778 it is the complementary color #431887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCE778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCE778 shade: #C1E773, #D2F986, #E3FF99, #F4FFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCE778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCE778 shade: #BCE778, #ABD565, #9AC352, #89B13F and #789F2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCE778 shade: #BCE778, #DAE778, #E7D678, #E7B878 and #E79A78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCE778 shade: #BCE778, #9EE778, #80E778, #78E78E and #78E7AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCE778 shade matches the following richer shades: #BCE778 and #BFF46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCE778 shade: #BCE778, #B9DA85, #B6CD92, #B3C09E and #B0B4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCE778 shade: #E7D678, #DAE778, #BCE778, #9FE778 and #81E778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCE778 shade: #99DA32, #ABE155, #BCE778, #CDED9B and #DFF3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCE778 shade: #BCE778, #78E7B9 and #E578E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCE778 shade: #BCE778, #78BCE7 and #E778BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCE778 shade: #BCE778, #78E7B9, #A378E7 and #E778A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCE778 shade: #BCE778, #78E7DA, #A378E7 and #E77885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

Complementary color

CMYK 50 / 82 / 0 / 47

HEX #431887

RGB 67 24 135

HSL 263.24, 0.7%, 0.31%

LAB 22.29, 44.7, -53.52

 

CMYK 16 / 0 / 50 / 9

HEX #C1E773

RGB 193 231 115

HSL 79.66, 0.71%, 0.68%

LAB 86.86, -30.12, 51.93

 

CMYK 16 / 0 / 46 / 2

HEX #D2F986

RGB 210 249 134

HSL 80.35, 0.91%, 0.75%

LAB 93.09, -30.25, 50.83

 

CMYK 11 / 0 / 40 / 0

HEX #E3FF99

RGB 227 255 153

HSL 76.47, 1%, 0.8%

LAB 96.06, -24.73, 45.7

 

CMYK 4 / 0 / 33 / 0

HEX #F4FFAC

RGB 244 255 172

HSL 67.95, 1%, 0.84%

LAB 97.52, -16.23, 38.52

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 20 / 0 / 53 / 16

HEX #ABD565

RGB 171 213 101

HSL 82.5, 0.57%, 0.62%

LAB 80.28, -31.37, 50.29

 

CMYK 21 / 0 / 58 / 24

HEX #9AC352

RGB 154 195 82

HSL 81.77, 0.48%, 0.54%

LAB 73.87, -31.19, 51.32

 

CMYK 23 / 0 / 64 / 31

HEX #89B13F

RGB 137 177 63

HSL 81.05, 0.48%, 0.47%

LAB 67.37, -30.92, 52.17

 

CMYK 25 / 0 / 72 / 38

HEX #789F2C

RGB 120 159 44

HSL 80.35, 0.57%, 0.4%

LAB 60.76, -30.51, 52.64

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 6 / 0 / 48 / 9

HEX #DAE778

RGB 218 231 120

HSL 67.03, 0.7%, 0.69%

LAB 88.64, -20.05, 52.14

 

CMYK 0 / 7 / 48 / 9

HEX #E7D678

RGB 231 214 120

HSL 50.81, 0.7%, 0.69%

LAB 85.22, -6.44, 48.23

 

CMYK 0 / 20 / 48 / 9

HEX #E7B878

RGB 231 184 120

HSL 34.59, 0.7%, 0.69%

LAB 77.65, 9.12, 38.83

 

CMYK 0 / 33 / 48 / 9

HEX #E79A78

RGB 231 154 120

HSL 18.38, 0.7%, 0.69%

LAB 70.49, 25.08, 29.59

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 45 / 0 / 48 / 9

HEX #80E778

RGB 128 231 120

HSL 115.68, 0.7%, 0.69%

LAB 83.49, -51.47, 44.67

 

CMYK 48 / 0 / 39 / 9

HEX #78E78E

RGB 120 231 142

HSL 131.89, 0.7%, 0.69%

LAB 83.49, -50.44, 33.76

 

CMYK 48 / 0 / 26 / 9

HEX #78E7AC

RGB 120 231 172

HSL 148.11, 0.7%, 0.69%

LAB 84.03, -45.06, 19.1

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 22 / 0 / 56 / 4

HEX #BFF46B

RGB 191 244 107

HSL 83.21, 0.86%, 0.69%

LAB 90.25, -37.58, 59.48

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 15 / 0 / 39 / 15

HEX #B9DA85

RGB 185 218 133

HSL 83.29, 0.53%, 0.69%

LAB 82.99, -24.93, 38.28

 

CMYK 11 / 0 / 29 / 20

HEX #B6CD92

RGB 182 205 146

HSL 83.39, 0.37%, 0.69%

LAB 79.43, -17.9, 26.89

 

CMYK 7 / 0 / 18 / 25

HEX #B3C09E

RGB 179 192 158

HSL 82.94, 0.21%, 0.69%

LAB 75.92, -10.54, 15.65

 

CMYK 2 / 0 / 5 / 29

HEX #B0B4AB

RGB 176 180 171

HSL 86.67, 0.06%, 0.69%

LAB 72.77, -3.07, 4.09

 

CMYK 0 / 7 / 48 / 9

HEX #E7D678

RGB 231 214 120

HSL 50.81, 0.7%, 0.69%

LAB 85.22, -6.44, 48.23

 

CMYK 6 / 0 / 48 / 9

HEX #DAE778

RGB 218 231 120

HSL 67.03, 0.7%, 0.69%

LAB 88.64, -20.05, 52.14

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 31 / 0 / 48 / 9

HEX #9FE778

RGB 159 231 120

HSL 98.92, 0.7%, 0.69%

LAB 84.93, -41.75, 46.77

 

CMYK 44 / 0 / 48 / 9

HEX #81E778

RGB 129 231 120

HSL 115.14, 0.7%, 0.69%

LAB 83.53, -51.18, 44.73

 

CMYK 30 / 0 / 77 / 15

HEX #99DA32

RGB 153 218 50

HSL 83.21, 0.69%, 0.53%

LAB 80.26, -44.06, 70.07

 

CMYK 24 / 0 / 62 / 12

HEX #ABE155

RGB 171 225 85

HSL 83.14, 0.7%, 0.61%

LAB 83.53, -38.27, 61.04

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 14 / 0 / 35 / 7

HEX #CDED9B

RGB 205 237 155

HSL 83.41, 0.69%, 0.77%

LAB 89.82, -23.94, 36.37

 

CMYK 8 / 0 / 22 / 5

HEX #DFF3BE

RGB 223 243 190

HSL 82.64, 0.69%, 0.85%

LAB 93.24, -15.52, 23.42

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 48 / 0 / 20 / 9

HEX #78E7B9

RGB 120 231 185

HSL 155.14, 0.7%, 0.69%

LAB 84.3, -42.41, 12.69

 

CMYK 1 / 48 / 0 / 9

HEX #E578E7

RGB 229 120 231

HSL 298.92, 0.7%, 0.69%

LAB 66.41, 57.48, -38.16

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 48 / 19 / 0 / 9

HEX #78BCE7

RGB 120 188 231

HSL 203.24, 0.7%, 0.69%

LAB 73.37, -10.04, -28.11

 

CMYK 0 / 48 / 19 / 9

HEX #E778BC

RGB 231 120 188

HSL 323.24, 0.7%, 0.69%

LAB 65, 51.07, -16.25

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 48 / 0 / 20 / 9

HEX #78E7B9

RGB 120 231 185

HSL 155.14, 0.7%, 0.69%

LAB 84.3, -42.41, 12.69

 

CMYK 29 / 48 / 0 / 9

HEX #A378E7

RGB 163 120 231

HSL 263.24, 0.7%, 0.69%

LAB 58.96, 39.46, -50.39

 

CMYK 0 / 48 / 28 / 9

HEX #E778A6

RGB 231 120 166

HSL 335.14, 0.7%, 0.69%

LAB 64.3, 48, -4.82

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 48 / 0 / 6 / 9

HEX #78E7DA

RGB 120 231 218

HSL 172.97, 0.7%, 0.69%

LAB 85.1, -34.93, -3.51

 

CMYK 29 / 48 / 0 / 9

HEX #A378E7

RGB 163 120 231

HSL 263.24, 0.7%, 0.69%

LAB 58.96, 39.46, -50.39

 

CMYK 0 / 48 / 42 / 9

HEX #E77885

RGB 231 120 133

HSL 352.97, 0.7%, 0.69%

LAB 63.44, 44.11, 12.76

 

Description

Color code: HEX #BCE778 | qconv.com Color code: HEX #BCE778 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 231 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 231 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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