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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCEFD0 it is the complementary color #43102F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCEFD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCEFD0 shade: #C1EFCB, #D2FFDE, #E3FFF1 and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCEFD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCEFD0 shade: #BCEFD0, #ABDDBD, #9ACBAA, #89B997 and #78A784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCEFD0 shade: #BDEFD0, #BDEFC3, #C4EFBD, #D2EFBD and #DFEFBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCEFD0 shade: #BDEFD0, #BDEFDE, #BDEFEB, #BDE5EF and #BDD7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCEFD0 shade matches the following richer shades: #BDEFD0, #B6F5CF and #B0FCCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCEFD0 shade: #BDEFD0, #C3E8D2, #CAE1D3, #D1DBD5 and #D7D4D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCEFD0 shade: #C4EFBD, #BDEFC3, #BDEFD0, #BDEFDD and #BDEFEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCEFD0 shade: #7ADEA2, #9CE7B9, #BDEFD0 and #DEF7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCEFD0 shade: #BCEFD0, #BDD2EF and #EFBDBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCEFD0 shade: #BCEFD0, #D0BDEF and #EFD0BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCEFD0 shade: #BCEFD0, #BDD2EF, #EFBDDC and #EFDABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCEFD0 shade: #BCEFD0, #BDC3EF, #EFBDDC and #EFE9BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

Complementary color

CMYK 0 / 76 / 30 / 74

HEX #43102F

RGB 67 16 47

HSL 323.53, 0.61%, 0.16%

LAB 14.23, 27.96, -7.42

 

CMYK 19 / 0 / 15 / 6

HEX #C1EFCB

RGB 193 239 203

HSL 133.04, 0.59%, 0.85%

LAB 90.5, -21.62, 12.59

 

CMYK 18 / 0 / 13 / 0

HEX #D2FFDE

RGB 210 255 222

HSL 136, 1%, 0.91%

LAB 96.2, -20.52, 11.05

 

CMYK 11 / 0 / 5 / 0

HEX #E3FFF1

RGB 227 255 241

HSL 150, 1%, 0.95%

LAB 97.71, -11.62, 3.61

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

CMYK 23 / 0 / 14 / 13

HEX #ABDDBD

RGB 171 221 189

HSL 141.6, 0.42%, 0.77%

LAB 83.99, -22.48, 10.48

 

CMYK 24 / 0 / 16 / 20

HEX #9ACBAA

RGB 154 203 170

HSL 139.59, 0.32%, 0.7%

LAB 77.57, -22.67, 11.31

 

CMYK 26 / 0 / 18 / 27

HEX #89B997

RGB 137 185 151

HSL 137.5, 0.26%, 0.63%

LAB 71.04, -22.88, 12.19

 

CMYK 28 / 0 / 21 / 35

HEX #78A784

RGB 120 167 132

HSL 135.32, 0.21%, 0.56%

LAB 64.4, -23.11, 13.12

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 21 / 0 / 18 / 6

HEX #BDEFC3

RGB 189 239 195

HSL 127.2, 0.61%, 0.84%

LAB 90.09, -24.33, 16.13

 

CMYK 18 / 0 / 21 / 6

HEX #C4EFBD

RGB 196 239 189

HSL 111.6, 0.61%, 0.84%

LAB 90.39, -23.04, 19.71

 

CMYK 12 / 0 / 21 / 6

HEX #D2EFBD

RGB 210 239 189

HSL 94.8, 0.61%, 0.84%

LAB 91.28, -18.26, 21.09

 

CMYK 7 / 0 / 21 / 6

HEX #DFEFBD

RGB 223 239 189

HSL 79.2, 0.61%, 0.84%

LAB 92.17, -13.7, 22.46

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 21 / 0 / 7 / 6

HEX #BDEFDE

RGB 189 239 222

HSL 159.6, 0.61%, 0.84%

LAB 90.7, -19.31, 2.97

 

CMYK 21 / 0 / 2 / 6

HEX #BDEFEB

RGB 189 239 235

HSL 175.2, 0.61%, 0.84%

LAB 91.03, -16.69, -3.33

 

CMYK 21 / 4 / 0 / 6

HEX #BDE5EF

RGB 189 229 239

HSL 192, 0.61%, 0.84%

LAB 88.49, -10.81, -9.17

 

CMYK 21 / 10 / 0 / 6

HEX #BDD7EF

RGB 189 215 239

HSL 208.8, 0.61%, 0.84%

LAB 84.82, -3.59, -14.65

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 26 / 0 / 16 / 4

HEX #B6F5CF

RGB 182 245 207

HSL 143.81, 0.76%, 0.84%

LAB 91.57, -27.26, 11.96

 

CMYK 30 / 0 / 19 / 1

HEX #B0FCCD

RGB 176 252 205

HSL 142.89, 0.93%, 0.84%

LAB 93.13, -32.74, 15.15

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 16 / 0 / 9 / 9

HEX #C3E8D2

RGB 195 232 210

HSL 144.32, 0.45%, 0.84%

LAB 88.91, -16.25, 6.69

 

CMYK 10 / 0 / 6 / 12

HEX #CAE1D3

RGB 202 225 211

HSL 143.48, 0.28%, 0.84%

LAB 87.54, -10.24, 4.25

 

CMYK 5 / 0 / 3 / 14

HEX #D1DBD5

RGB 209 219 213

HSL 144, 0.12%, 0.84%

LAB 86.52, -4.46, 1.77

 

CMYK 0 / 1 / 0 / 16

HEX #D7D4D6

RGB 215 212 214

HSL 320, 0.04%, 0.84%

LAB 85.19, 1.39, -0.63

 

CMYK 18 / 0 / 21 / 6

HEX #C4EFBD

RGB 196 239 189

HSL 111.6, 0.61%, 0.84%

LAB 90.39, -23.04, 19.71

 

CMYK 21 / 0 / 18 / 6

HEX #BDEFC3

RGB 189 239 195

HSL 127.2, 0.61%, 0.84%

LAB 90.09, -24.33, 16.13

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 21 / 0 / 8 / 6

HEX #BDEFDD

RGB 189 239 221

HSL 158.4, 0.61%, 0.84%

LAB 90.68, -19.51, 3.46

 

CMYK 21 / 0 / 2 / 6

HEX #BDEFEA

RGB 189 239 234

HSL 174, 0.61%, 0.84%

LAB 91, -16.89, -2.84

 

CMYK 45 / 0 / 27 / 13

HEX #7ADEA2

RGB 122 222 162

HSL 144, 0.6%, 0.67%

LAB 81.29, -42.56, 20.52

 

CMYK 32 / 0 / 20 / 9

HEX #9CE7B9

RGB 156 231 185

HSL 143.2, 0.61%, 0.76%

LAB 85.87, -32.67, 15.13

 

CMYK 21 / 0 / 13 / 6

HEX #BDEFD0

RGB 189 239 208

HSL 142.8, 0.61%, 0.84%

LAB 90.37, -21.99, 9.78

 

CMYK 10 / 0 / 6 / 3

HEX #DEF7E8

RGB 222 247 232

HSL 144, 0.61%, 0.92%

LAB 95.11, -10.9, 4.43

 

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

CMYK 21 / 12 / 0 / 6

HEX #BDD2EF

RGB 189 210 239

HSL 214.8, 0.61%, 0.84%

LAB 83.52, -0.96, -16.6

 

CMYK 0 / 21 / 21 / 6

HEX #EFBDBE

RGB 239 189 190

HSL 358.8, 0.61%, 0.84%

LAB 81, 18.07, 6.35

 

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

CMYK 13 / 21 / 0 / 6

HEX #D0BDEF

RGB 208 189 239

HSL 262.8, 0.61%, 0.84%

LAB 79.63, 16.2, -22.34

 

CMYK 0 / 13 / 21 / 6

HEX #EFD0BD

RGB 239 208 189

HSL 22.8, 0.61%, 0.84%

LAB 85.57, 7.92, 13.42

 

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

CMYK 21 / 12 / 0 / 6

HEX #BDD2EF

RGB 189 210 239

HSL 214.8, 0.61%, 0.84%

LAB 83.52, -0.96, -16.6

 

CMYK 0 / 21 / 8 / 6

HEX #EFBDDC

RGB 239 189 220

HSL 322.8, 0.61%, 0.84%

LAB 81.79, 22.84, -8.62

 

CMYK 0 / 9 / 21 / 6

HEX #EFDABD

RGB 239 218 189

HSL 34.8, 0.61%, 0.84%

LAB 88.05, 2.73, 16.9

 

CMYK 21 / 0 / 13 / 6

HEX #BCEFD0

RGB 188 239 208

HSL 143.53, 0.61%, 0.84%

LAB 90.31, -22.31, 9.69

 

CMYK 21 / 18 / 0 / 6

HEX #BDC3EF

RGB 189 195 239

HSL 232.8, 0.61%, 0.84%

LAB 79.66, 7.04, -22.44

 

CMYK 0 / 21 / 8 / 6

HEX #EFBDDC

RGB 239 189 220

HSL 322.8, 0.61%, 0.84%

LAB 81.79, 22.84, -8.62

 

CMYK 0 / 3 / 21 / 6

HEX #EFE9BD

RGB 239 233 189

HSL 52.8, 0.61%, 0.84%

LAB 91.82, -4.93, 22.16

 

Description

Color code: HEX #BCEFD0 | qconv.com Color code: HEX #BCEFD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 239 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 239 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 13 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 13% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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