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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCF46B it is the complementary color #430B94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCF46B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCF46B shade: #C1F466, #D2FF79, #E3FF8C, #F4FF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCF46B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCF46B shade: #BCF46B, #ABE258, #9AD045, #89BE32 and #78AC1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCF46B shade: #BCF36B, #E1F36B, #F3E26B, #F3BD6B and #F3986B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCF46B shade: #BCF36B, #97F36B, #73F36B, #6BF389 and #6BF3AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCF46B shade matches the following richer shades: #BCF36B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCF46B shade: #BCF36B, #BAE778, #B7DA85, #B5CD92 and #B3C09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCF46B shade: #F3E16B, #E1F36B, #BDF36B, #99F36B and #75F36B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCF46B shade: #99EE1F, #AAF145, #BCF36B, #CDF692 and #DFF9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCF46B shade: #BCF46B, #6BF3BD and #F36BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCF46B shade: #BCF46B, #6BBDF3 and #F36BBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCF46B shade: #BCF46B, #6BF3BD, #A26BF3 and #F36BA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCF46B shade: #BCF46B, #6BF3E6, #A26BF3 and #F36B79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

Complementary color

CMYK 55 / 93 / 0 / 42

HEX #430B94

RGB 67 11 148

HSL 264.53, 0.86%, 0.31%

LAB 22.2, 52.44, -61.77

 

CMYK 21 / 0 / 58 / 4

HEX #C1F466

RGB 193 244 102

HSL 81.55, 0.87%, 0.68%

LAB 90.32, -37.27, 61.76

 

CMYK 18 / 0 / 53 / 0

HEX #D2FF79

RGB 210 255 121

HSL 80.15, 1%, 0.74%

LAB 94.57, -34.3, 58.59

 

CMYK 11 / 0 / 45 / 0

HEX #E3FF8C

RGB 227 255 140

HSL 74.61, 1%, 0.77%

LAB 95.89, -26.13, 51.7

 

CMYK 4 / 0 / 38 / 0

HEX #F4FF9F

RGB 244 255 159

HSL 66.88, 1%, 0.81%

LAB 97.33, -17.74, 44.66

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 24 / 0 / 61 / 11

HEX #ABE258

RGB 171 226 88

HSL 83.91, 0.7%, 0.62%

LAB 83.84, -38.48, 60.12

 

CMYK 26 / 0 / 67 / 18

HEX #9AD045

RGB 154 208 69

HSL 83.31, 0.6%, 0.54%

LAB 77.53, -38.19, 60.79

 

CMYK 28 / 0 / 74 / 25

HEX #89BE32

RGB 137 190 50

HSL 82.71, 0.58%, 0.47%

LAB 71.13, -37.77, 61.05

 

CMYK 30 / 0 / 82 / 33

HEX #78AC1F

RGB 120 172 31

HSL 82.13, 0.69%, 0.4%

LAB 64.64, -37.17, 60.54

 

CMYK 23 / 0 / 56 / 5

HEX #BCF36B

RGB 188 243 107

HSL 84.26, 0.85%, 0.69%

LAB 89.79, -38.22, 58.91

 

CMYK 7 / 0 / 56 / 5

HEX #E1F36B

RGB 225 243 107

HSL 67.94, 0.85%, 0.69%

LAB 92.21, -24.19, 62.31

 

CMYK 0 / 7 / 56 / 5

HEX #F3E26B

RGB 243 226 107

HSL 52.5, 0.85%, 0.69%

LAB 89.16, -8.71, 59.22

 

CMYK 0 / 22 / 56 / 5

HEX #F3BD6B

RGB 243 189 107

HSL 36.18, 0.85%, 0.69%

LAB 79.9, 10.26, 48.4

 

CMYK 0 / 37 / 56 / 5

HEX #F3986B

RGB 243 152 107

HSL 19.85, 0.85%, 0.69%

LAB 71.26, 29.75, 37.82

 

CMYK 23 / 0 / 56 / 5

HEX #BCF36B

RGB 188 243 107

HSL 84.26, 0.85%, 0.69%

LAB 89.79, -38.22, 58.91

 

CMYK 38 / 0 / 56 / 5

HEX #97F36B

RGB 151 243 107

HSL 100.59, 0.85%, 0.69%

LAB 87.84, -50.91, 56.16

 

CMYK 53 / 0 / 56 / 5

HEX #73F36B

RGB 115 243 107

HSL 116.47, 0.85%, 0.69%

LAB 86.41, -61.26, 54.12

 

CMYK 56 / 0 / 44 / 5

HEX #6BF389

RGB 107 243 137

HSL 133.24, 0.85%, 0.69%

LAB 86.52, -59.17, 40.09

 

CMYK 56 / 0 / 28 / 5

HEX #6BF3AE

RGB 107 243 174

HSL 149.56, 0.85%, 0.69%

LAB 87.14, -52.69, 22.3

 

CMYK 23 / 0 / 56 / 5

HEX #BCF36B

RGB 188 243 107

HSL 84.26, 0.85%, 0.69%

LAB 89.79, -38.22, 58.91

 

CMYK 23 / 0 / 56 / 5

HEX #BCF36B

RGB 188 243 107

HSL 84.26, 0.85%, 0.69%

LAB 89.79, -38.22, 58.91

 

CMYK 19 / 0 / 48 / 9

HEX #BAE778

RGB 186 231 120

HSL 84.32, 0.7%, 0.69%

LAB 86.48, -32.21, 49.01

 

CMYK 16 / 0 / 39 / 15

HEX #B7DA85

RGB 183 218 133

HSL 84.71, 0.53%, 0.69%

LAB 82.86, -25.67, 38.09

 

CMYK 12 / 0 / 29 / 20

HEX #B5CD92

RGB 181 205 146

HSL 84.41, 0.37%, 0.69%

LAB 79.36, -18.27, 26.78

 

CMYK 7 / 0 / 17 / 25

HEX #B3C09F

RGB 179 192 159

HSL 83.64, 0.21%, 0.69%

LAB 75.94, -10.38, 15.15

 

CMYK 0 / 7 / 56 / 5

HEX #F3E16B

RGB 243 225 107

HSL 52.06, 0.85%, 0.69%

LAB 88.91, -8.21, 58.93

 

CMYK 7 / 0 / 56 / 5

HEX #E1F36B

RGB 225 243 107

HSL 67.94, 0.85%, 0.69%

LAB 92.21, -24.19, 62.31

 

CMYK 22 / 0 / 56 / 5

HEX #BDF36B

RGB 189 243 107

HSL 83.82, 0.85%, 0.69%

LAB 89.85, -37.86, 59

 

CMYK 37 / 0 / 56 / 5

HEX #99F36B

RGB 153 243 107

HSL 99.71, 0.85%, 0.69%

LAB 87.94, -50.27, 56.29

 

CMYK 52 / 0 / 56 / 5

HEX #75F36B

RGB 117 243 107

HSL 115.59, 0.85%, 0.69%

LAB 86.48, -60.75, 54.21

 

CMYK 36 / 0 / 87 / 7

HEX #99EE1F

RGB 153 238 31

HSL 84.64, 0.86%, 0.53%

LAB 86.02, -53.06, 79.71

 

CMYK 29 / 0 / 71 / 5

HEX #AAF145

RGB 170 241 69

HSL 84.77, 0.86%, 0.61%

LAB 87.91, -46.69, 71.64

 

CMYK 23 / 0 / 56 / 5

HEX #BCF36B

RGB 188 243 107

HSL 84.26, 0.85%, 0.69%

LAB 89.79, -38.22, 58.91

 

CMYK 17 / 0 / 41 / 4

HEX #CDF692

RGB 205 246 146

HSL 84.6, 0.85%, 0.77%

LAB 92.12, -29.33, 43.79

 

CMYK 10 / 0 / 26 / 2

HEX #DFF9B8

RGB 223 249 184

HSL 84, 0.84%, 0.85%

LAB 94.7, -19.33, 28.47

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 56 / 0 / 22 / 5

HEX #6BF3BD

RGB 107 243 189

HSL 156.18, 0.85%, 0.69%

LAB 87.44, -49.62, 14.98

 

CMYK 0 / 56 / 0 / 5

HEX #F36BF3

RGB 243 107 243

HSL 300, 0.85%, 0.69%

LAB 66.55, 69.24, -44.44

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 56 / 22 / 0 / 5

HEX #6BBDF3

RGB 107 189 243

HSL 203.82, 0.85%, 0.69%

LAB 73.54, -9.89, -34.38

 

CMYK 0 / 56 / 22 / 5

HEX #F36BBD

RGB 243 107 189

HSL 323.82, 0.85%, 0.69%

LAB 64.36, 61, -17.63

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 56 / 0 / 22 / 5

HEX #6BF3BD

RGB 107 243 189

HSL 156.18, 0.85%, 0.69%

LAB 87.44, -49.62, 14.98

 

CMYK 33 / 56 / 0 / 5

HEX #A26BF3

RGB 162 107 243

HSL 264.26, 0.85%, 0.69%

LAB 56.75, 49.31, -60.61

 

CMYK 0 / 56 / 33 / 5

HEX #F36BA2

RGB 243 107 162

HSL 335.74, 0.85%, 0.69%

LAB 63.49, 57.58, -3.54

 

CMYK 23 / 0 / 56 / 4

HEX #BCF46B

RGB 188 244 107

HSL 84.53, 0.86%, 0.69%

LAB 90.07, -38.67, 59.23

 

CMYK 56 / 0 / 5 / 5

HEX #6BF3E6

RGB 107 243 230

HSL 174.26, 0.85%, 0.69%

LAB 88.42, -40.11, -4.97

 

CMYK 33 / 56 / 0 / 5

HEX #A26BF3

RGB 162 107 243

HSL 264.26, 0.85%, 0.69%

LAB 56.75, 49.31, -60.61

 

CMYK 0 / 56 / 50 / 5

HEX #F36B79

RGB 243 107 121

HSL 353.82, 0.85%, 0.69%

LAB 62.47, 53.41, 18.54

 

Description

Color code: HEX #BCF46B | qconv.com Color code: HEX #BCF46B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 244 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 244 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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