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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCF381 it is the complementary color #430C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCF381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCF381 shade: #C1F37C, #D2FF8F, #E3FFA2, #F4FFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCF381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCF381 shade: #BCF381, #ABE16E, #9ACF5B, #89BD48 and #78AB35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCF381 shade: #BCF381, #DAF381, #F3EC81, #F3CD81 and #F3AF81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCF381 shade: #BCF381, #9DF381, #81F383, #81F3A2 and #81F3C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCF381 shade matches the following richer shades: #BCF381 and #BCFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCF381 shade: #BCF381, #BBE88C, #BBDD97, #BAD1A2 and #BAC6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCF381 shade: #F3EB81, #DCF381, #BDF381, #9FF381 and #81F381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCF381 shade: #94EC35, #A8EF5B, #BCF381, #D0F6A6 and #E4FACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCF381 shade: #BCF381, #81F3CD and #F381EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCF381 shade: #BCF381, #81BDF3 and #F381BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCF381 shade: #BCF381, #81F3CD, #B681F3 and #F381A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCF381 shade: #BCF381, #81F3EF, #B681F3 and #F38184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

Complementary color

CMYK 47 / 90 / 0 / 51

HEX #430C7E

RGB 67 12 126

HSL 268.95, 0.83%, 0.27%

LAB 19.89, 46.69, -51.77

 

CMYK 21 / 0 / 49 / 5

HEX #C1F37C

RGB 193 243 124

HSL 85.21, 0.83%, 0.72%

LAB 90.27, -34.75, 51.84

 

CMYK 18 / 0 / 44 / 0

HEX #D2FF8F

RGB 210 255 143

HSL 84.11, 1%, 0.78%

LAB 94.83, -32.05, 48.71

 

CMYK 11 / 0 / 36 / 0

HEX #E3FFA2

RGB 227 255 162

HSL 78.06, 1%, 0.82%

LAB 96.19, -23.67, 41.48

 

CMYK 4 / 0 / 29 / 0

HEX #F4FFB5

RGB 244 255 181

HSL 68.92, 1%, 0.85%

LAB 97.67, -15.11, 34.24

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 24 / 0 / 51 / 12

HEX #ABE16E

RGB 171 225 110

HSL 88.17, 0.66%, 0.66%

LAB 83.77, -35.99, 50.24

 

CMYK 26 / 0 / 56 / 19

HEX #9ACF5B

RGB 154 207 91

HSL 87.41, 0.55%, 0.58%

LAB 77.43, -35.91, 51.31

 

CMYK 28 / 0 / 62 / 26

HEX #89BD48

RGB 137 189 72

HSL 86.67, 0.47%, 0.51%

LAB 71, -35.75, 52.25

 

CMYK 30 / 0 / 69 / 33

HEX #78AB35

RGB 120 171 53

HSL 85.93, 0.53%, 0.44%

LAB 64.46, -35.47, 52.92

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 10 / 0 / 47 / 5

HEX #DAF381

RGB 218 243 129

HSL 73.16, 0.83%, 0.73%

LAB 91.95, -24.95, 51.91

 

CMYK 0 / 3 / 47 / 5

HEX #F3EC81

RGB 243 236 129

HSL 56.32, 0.83%, 0.73%

LAB 91.97, -11.87, 52.36

 

CMYK 0 / 16 / 47 / 5

HEX #F3CD81

RGB 243 205 129

HSL 40, 0.83%, 0.73%

LAB 84.12, 3.82, 42.67

 

CMYK 0 / 28 / 47 / 5

HEX #F3AF81

RGB 243 175 129

HSL 24.21, 0.83%, 0.73%

LAB 76.86, 19.54, 33.37

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 47 / 0 / 46 / 5

HEX #81F383

RGB 129 243 131

HSL 121.05, 0.83%, 0.73%

LAB 87.2, -54.53, 44.02

 

CMYK 47 / 0 / 33 / 5

HEX #81F3A2

RGB 129 243 162

HSL 137.37, 0.83%, 0.73%

LAB 87.67, -49.71, 29.27

 

CMYK 47 / 0 / 21 / 5

HEX #81F3C1

RGB 129 243 193

HSL 153.68, 0.83%, 0.73%

LAB 88.27, -43.84, 14.18

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 26 / 0 / 54 / 0

HEX #BCFE75

RGB 188 254 117

HSL 88.91, 0.99%, 0.73%

LAB 92.95, -42.16, 58.15

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 19 / 0 / 40 / 9

HEX #BBE88C

RGB 187 232 140

HSL 89.35, 0.67%, 0.73%

LAB 87.08, -29.98, 40.07

 

CMYK 15 / 0 / 32 / 13

HEX #BBDD97

RGB 187 221 151

HSL 89.14, 0.51%, 0.73%

LAB 84.23, -23.26, 30.79

 

CMYK 11 / 0 / 22 / 18

HEX #BAD1A2

RGB 186 209 162

HSL 89.36, 0.34%, 0.73%

LAB 81.1, -16.05, 20.8

 

CMYK 6 / 0 / 13 / 22

HEX #BAC6AD

RGB 186 198 173

HSL 88.8, 0.18%, 0.73%

LAB 78.37, -8.64, 11.13

 

CMYK 0 / 3 / 47 / 5

HEX #F3EB81

RGB 243 235 129

HSL 55.79, 0.83%, 0.73%

LAB 91.71, -11.38, 52.05

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 22 / 0 / 47 / 5

HEX #BDF381

RGB 189 243 129

HSL 88.42, 0.83%, 0.73%

LAB 90.09, -35.65, 49.22

 

CMYK 35 / 0 / 47 / 5

HEX #9FF381

RGB 159 243 129

HSL 104.21, 0.83%, 0.73%

LAB 88.47, -45.86, 46.86

 

CMYK 47 / 0 / 47 / 5

HEX #81F381

RGB 129 243 129

HSL 120, 0.83%, 0.73%

LAB 87.17, -54.81, 44.94

 

CMYK 37 / 0 / 78 / 7

HEX #94EC35

RGB 148 236 53

HSL 88.85, 0.83%, 0.57%

LAB 85.27, -53.13, 73.77

 

CMYK 30 / 0 / 62 / 6

HEX #A8EF5B

RGB 168 239 91

HSL 88.78, 0.82%, 0.65%

LAB 87.39, -45.01, 62.73

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 15 / 0 / 33 / 4

HEX #D0F6A6

RGB 208 246 166

HSL 88.5, 0.82%, 0.81%

LAB 92.61, -25.71, 34.57

 

CMYK 9 / 0 / 18 / 2

HEX #E4FACC

RGB 228 250 204

HSL 88.7, 0.82%, 0.89%

LAB 95.67, -15.09, 19.69

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 47 / 0 / 16 / 5

HEX #81F3CD

RGB 129 243 205

HSL 160, 0.83%, 0.73%

LAB 88.53, -41.31, 8.33

 

CMYK 0 / 47 / 3 / 5

HEX #F381EB

RGB 243 129 235

HSL 304.21, 0.83%, 0.73%

LAB 70, 57.76, -34.65

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 47 / 22 / 0 / 5

HEX #81BDF3

RGB 129 189 243

HSL 208.42, 0.83%, 0.73%

LAB 74.53, -5.11, -32.77

 

CMYK 0 / 47 / 22 / 5

HEX #F381BD

RGB 243 129 189

HSL 328.42, 0.83%, 0.73%

LAB 68.34, 50.59, -11.64

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 47 / 0 / 16 / 5

HEX #81F3CD

RGB 129 243 205

HSL 160, 0.83%, 0.73%

LAB 88.53, -41.31, 8.33

 

CMYK 25 / 47 / 0 / 5

HEX #B681F3

RGB 182 129 243

HSL 267.89, 0.83%, 0.73%

LAB 63.44, 42.37, -49.83

 

CMYK 0 / 47 / 31 / 5

HEX #F381A7

RGB 243 129 167

HSL 340, 0.83%, 0.73%

LAB 67.68, 47.67, -0.23

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 47 / 0 / 2 / 5

HEX #81F3EF

RGB 129 243 239

HSL 177.89, 0.83%, 0.73%

LAB 89.39, -33.41, -8.15

 

CMYK 25 / 47 / 0 / 5

HEX #B681F3

RGB 182 129 243

HSL 267.89, 0.83%, 0.73%

LAB 63.44, 42.37, -49.83

 

CMYK 0 / 47 / 46 / 5

HEX #F38184

RGB 243 129 132

HSL 358.42, 0.83%, 0.73%

LAB 66.84, 43.79, 18.31

 

Description

Color code: HEX #BCF381 | qconv.com Color code: HEX #BCF381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 243 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 243 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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