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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFF1A it is the complementary color #4300E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFF1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFF1A shade: #C1FF15, #D2FF28, #E3FF3B, #F4FF4E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFF1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFF1A shade: #BCFF1A, #ABED07, #9ADB00, #89C900 and #78B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFF1A shade: #BBFF19, #F9FF19, #FFC619, #FF8819 and #FF4A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFF1A shade: #BBFF19, #7DFF19, #40FF19, #19FF30 and #19FF6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFF1A shade matches the following richer shades: #BBFF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFF1A shade: #BBFF19, #B4EC2C, #ACD93E, #A4C751 and #9DB463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFF1A shade: #FFC519, #FBFF19, #BDFF19, #80FF19 and #43FF19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFF1A shade: #8CC500, #A9EF00, #BBFF19, #C7FF42 and #D4FF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFF1A shade: #BCFF1A, #19FF88 and #E419FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFF1A shade: #BCFF1A, #19BDFF and #FF19BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFF1A shade: #BCFF1A, #19FF88, #5A19FF and #FF1990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFF1A shade: #BCFF1A, #19FFCD, #5A19FF and #FF194B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

Complementary color

CMYK 71 / 100 / 0 / 10

HEX #4300E5

RGB 67 0 229

HSL 257.55, 1%, 0.45%

LAB 31.46, 74.1, -94.47

 

CMYK 24 / 0 / 92 / 0

HEX #C1FF15

RGB 193 255 21

HSL 75.9, 1%, 0.54%

LAB 92.98, -45.9, 87.76

 

CMYK 18 / 0 / 84 / 0

HEX #D2FF28

RGB 210 255 40

HSL 72.56, 1%, 0.58%

LAB 94.04, -39.02, 86.02

 

CMYK 11 / 0 / 77 / 0

HEX #E3FF3B

RGB 227 255 59

HSL 68.57, 1%, 0.62%

LAB 95.23, -31.75, 82.91

 

CMYK 4 / 0 / 69 / 0

HEX #F4FF4E

RGB 244 255 78

HSL 63.73, 1%, 0.65%

LAB 96.53, -24.17, 78.64

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

CMYK 28 / 0 / 97 / 7

HEX #ABED07

RGB 171 237 7

HSL 77.22, 0.94%, 0.48%

LAB 86.62, -46.63, 83.56

 

CMYK 30 / 0 / 100 / 14

HEX #9ADB00

RGB 154 219 0

HSL 77.81, 1%, 0.43%

LAB 80.48, -45.4, 79

 

CMYK 32 / 0 / 100 / 21

HEX #89C900

RGB 137 201 0

HSL 79.1, 1%, 0.39%

LAB 74.25, -44.08, 73.82

 

CMYK 34 / 0 / 100 / 28

HEX #78B700

RGB 120 183 0

HSL 80.66, 1%, 0.36%

LAB 67.92, -42.73, 68.55

 

CMYK 27 / 0 / 90 / 0

HEX #BBFF19

RGB 187 255 25

HSL 77.74, 1%, 0.55%

LAB 92.64, -48.06, 86.85

 

CMYK 2 / 0 / 90 / 0

HEX #F9FF19

RGB 249 255 25

HSL 61.57, 1%, 0.55%

LAB 96.71, -23.78, 91.79

 

CMYK 0 / 22 / 90 / 0

HEX #FFC619

RGB 255 198 25

HSL 45.13, 1%, 0.55%

LAB 82.76, 7.02, 81.31

 

CMYK 0 / 47 / 90 / 0

HEX #FF8819

RGB 255 136 25

HSL 28.96, 1%, 0.55%

LAB 68.71, 39.1, 70.84

 

CMYK 0 / 71 / 90 / 0

HEX #FF4A19

RGB 255 74 25

HSL 12.78, 1%, 0.55%

LAB 58.25, 66.34, 63.42

 

CMYK 27 / 0 / 90 / 0

HEX #BBFF19

RGB 187 255 25

HSL 77.74, 1%, 0.55%

LAB 92.64, -48.06, 86.85

 

CMYK 51 / 0 / 90 / 0

HEX #7DFF19

RGB 125 255 25

HSL 93.91, 1%, 0.55%

LAB 89.84, -68.25, 83.39

 

CMYK 75 / 0 / 90 / 0

HEX #40FF19

RGB 64 255 25

HSL 109.83, 1%, 0.55%

LAB 88.29, -81.04, 81.48

 

CMYK 90 / 0 / 81 / 0

HEX #19FF30

RGB 25 255 48

HSL 126, 1%, 0.55%

LAB 87.94, -83.94, 76.49

 

CMYK 90 / 0 / 57 / 0

HEX #19FF6E

RGB 25 255 110

HSL 142.17, 1%, 0.55%

LAB 88.38, -78.43, 54.68

 

CMYK 27 / 0 / 90 / 0

HEX #BBFF19

RGB 187 255 25

HSL 77.74, 1%, 0.55%

LAB 92.64, -48.06, 86.85

 

CMYK 27 / 0 / 90 / 0

HEX #BBFF19

RGB 187 255 25

HSL 77.74, 1%, 0.55%

LAB 92.64, -48.06, 86.85

 

CMYK 24 / 0 / 81 / 7

HEX #B4EC2C

RGB 180 236 44

HSL 77.5, 0.83%, 0.55%

LAB 86.94, -42.03, 78.31

 

CMYK 21 / 0 / 71 / 15

HEX #ACD93E

RGB 172 217 62

HSL 77.42, 0.67%, 0.55%

LAB 81.15, -35.82, 67.41

 

CMYK 18 / 0 / 59 / 22

HEX #A4C751

RGB 164 199 81

HSL 77.8, 0.51%, 0.55%

LAB 75.66, -29.28, 53.95

 

CMYK 13 / 0 / 45 / 29

HEX #9DB463

RGB 157 180 99

HSL 77.04, 0.35%, 0.55%

LAB 69.97, -21.02, 38.56

 

CMYK 0 / 23 / 90 / 0

HEX #FFC519

RGB 255 197 25

HSL 44.87, 1%, 0.55%

LAB 82.52, 7.53, 81.13

 

CMYK 2 / 0 / 90 / 0

HEX #FBFF19

RGB 251 255 25

HSL 61.04, 1%, 0.55%

LAB 96.86, -22.96, 91.97

 

CMYK 26 / 0 / 90 / 0

HEX #BDFF19

RGB 189 255 25

HSL 77.22, 1%, 0.55%

LAB 92.76, -47.32, 86.98

 

CMYK 50 / 0 / 90 / 0

HEX #80FF19

RGB 128 255 25

HSL 93.13, 1%, 0.55%

LAB 89.94, -67.42, 83.52

 

CMYK 74 / 0 / 90 / 0

HEX #43FF19

RGB 67 255 25

HSL 109.04, 1%, 0.55%

LAB 88.34, -80.61, 81.54

 

CMYK 29 / 0 / 100 / 23

HEX #8CC500

RGB 140 197 0

HSL 77.36, 1%, 0.39%

LAB 73.23, -41.23, 73.1

 

CMYK 29 / 0 / 100 / 6

HEX #A9EF00

RGB 169 239 0

HSL 77.57, 1%, 0.47%

LAB 87.08, -48.28, 84.42

 

CMYK 27 / 0 / 90 / 0

HEX #BBFF19

RGB 187 255 25

HSL 77.74, 1%, 0.55%

LAB 92.64, -48.06, 86.85

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 17 / 0 / 58 / 0

HEX #D4FF6C

RGB 212 255 108

HSL 77.55, 1%, 0.71%

LAB 94.57, -34.68, 64.3

 

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

CMYK 90 / 0 / 47 / 0

HEX #19FF88

RGB 25 255 136

HSL 148.96, 1%, 0.55%

LAB 88.69, -74.67, 43.05

 

CMYK 11 / 90 / 0 / 0

HEX #E419FF

RGB 228 25 255

HSL 292.96, 1%, 0.55%

LAB 56.5, 92.2, -67.23

 

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

CMYK 90 / 26 / 0 / 0

HEX #19BDFF

RGB 25 189 255

HSL 197.22, 1%, 0.55%

LAB 72.11, -15.86, -43.23

 

CMYK 0 / 90 / 26 / 0

HEX #FF19BD

RGB 255 25 189

HSL 317.22, 1%, 0.55%

LAB 57.68, 88.09, -27.69

 

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

CMYK 90 / 0 / 47 / 0

HEX #19FF88

RGB 25 255 136

HSL 148.96, 1%, 0.55%

LAB 88.69, -74.67, 43.05

 

CMYK 65 / 90 / 0 / 0

HEX #5A19FF

RGB 90 25 255

HSL 256.96, 1%, 0.55%

LAB 38, 77.06, -98.25

 

CMYK 0 / 90 / 44 / 0

HEX #FF1990

RGB 255 25 144

HSL 328.96, 1%, 0.55%

LAB 56.06, 83.74, -3.78

 

CMYK 26 / 0 / 90 / 0

HEX #BCFF1A

RGB 188 255 26

HSL 77.55, 1%, 0.55%

LAB 92.7, -47.67, 86.78

 

CMYK 90 / 0 / 20 / 0

HEX #19FFCD

RGB 25 255 205

HSL 166.96, 1%, 0.55%

LAB 89.92, -60.67, 10.04

 

CMYK 65 / 90 / 0 / 0

HEX #5A19FF

RGB 90 25 255

HSL 256.96, 1%, 0.55%

LAB 38, 77.06, -98.25

 

CMYK 0 / 90 / 71 / 0

HEX #FF194B

RGB 255 25 75

HSL 346.96, 1%, 0.55%

LAB 54.52, 79.47, 35.32

 

Description

Color code: HEX #BCFF1A | qconv.com Color code: HEX #BCFF1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 255 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 255 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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