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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA0DB5 it is the complementary color #45F24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA0DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA0DB5 shade: #BF0DB0, #D01FC3, #E131D6, #F243E9 and #FF55FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA0DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA0DB5 shade: #BA0DB5, #A900A2, #98008F, #87007C and #760069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA0DB5 shade: #B90CB4, #B90C86, #B90C57, #B90C28 and #B90C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA0DB5 shade: #B90CB4, #900CB9, #610CB9, #320CB9 and #0C0CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA0DB5 shade matches the following richer shades: #B90CB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA0DB5 shade: #B90CB4, #A91DA5, #992D96, #893D87 and #794D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA0DB5 shade: #600CB9, #8E0CB9, #B90CB7, #B90C88 and #B90C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA0DB5 shade: #6C0769, #930A8F, #B90CB4, #E00FDA and #F029EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA0DB5 shade: #BA0DB5, #B9320C and #0CB977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA0DB5 shade: #BA0DB5, #B7B90C and #0CB7B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA0DB5 shade: #BA0DB5, #B9320C, #0CB90F and #0C94B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA0DB5 shade: #BA0DB5, #B9660C, #0CB90F and #0C60B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

Complementary color

CMYK 71 / 0 / 69 / 5

HEX #45F24A

RGB 69 242 74

HSL 121.73, 0.87%, 0.61%

LAB 84.62, -73.82, 65.35

 

CMYK 0 / 93 / 8 / 25

HEX #BF0DB0

RGB 191 13 176

HSL 305.06, 0.87%, 0.4%

LAB 44.94, 75.73, -40.89

 

CMYK 0 / 85 / 6 / 18

HEX #D01FC3

RGB 208 31 195

HSL 304.41, 0.74%, 0.47%

LAB 49.89, 78.92, -43.97

 

CMYK 0 / 78 / 5 / 12

HEX #E131D6

RGB 225 49 214

HSL 303.75, 0.75%, 0.54%

LAB 55.13, 81.02, -46.39

 

CMYK 0 / 72 / 4 / 5

HEX #F243E9

RGB 242 67 233

HSL 303.09, 0.87%, 0.61%

LAB 60.58, 82.31, -48.31

 

CMYK 0 / 67 / 1 / 0

HEX #FF55FC

RGB 255 85 252

HSL 301.06, 1%, 0.67%

LAB 65.58, 82.13, -50.81

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

CMYK 0 / 100 / 4 / 34

HEX #A900A2

RGB 169 0 162

HSL 302.49, 1%, 0.33%

LAB 39.65, 71.16, -41.19

 

CMYK 0 / 100 / 6 / 40

HEX #98008F

RGB 152 0 143

HSL 303.55, 1%, 0.3%

LAB 35.32, 65.44, -36.73

 

CMYK 0 / 100 / 8 / 47

HEX #87007C

RGB 135 0 124

HSL 304.89, 1%, 0.26%

LAB 30.89, 59.59, -32.13

 

CMYK 0 / 100 / 11 / 54

HEX #760069

RGB 118 0 105

HSL 306.61, 1%, 0.23%

LAB 26.37, 53.6, -27.36

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB4

RGB 185 12 180

HSL 301.73, 0.88%, 0.39%

LAB 44.05, 75.35, -44.73

 

CMYK 0 / 94 / 28 / 27

HEX #B90C86

RGB 185 12 134

HSL 317.69, 0.88%, 0.39%

LAB 41.69, 69.31, -20.75

 

CMYK 0 / 94 / 53 / 27

HEX #B90C57

RGB 185 12 87

HSL 333.99, 0.88%, 0.39%

LAB 40.02, 64.86, 6.24

 

CMYK 0 / 94 / 78 / 27

HEX #B90C28

RGB 185 12 40

HSL 350.29, 0.88%, 0.39%

LAB 39.12, 62.36, 34.65

 

CMYK 0 / 94 / 94 / 27

HEX #B90C0C

RGB 185 12 12

HSL 0, 0.88%, 0.39%

LAB 38.9, 61.75, 48.61

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB4

RGB 185 12 180

HSL 301.73, 0.88%, 0.39%

LAB 44.05, 75.35, -44.73

 

CMYK 22 / 94 / 0 / 27

HEX #900CB9

RGB 144 12 185

HSL 285.78, 0.88%, 0.39%

LAB 37.29, 69.62, -58.95

 

CMYK 48 / 94 / 0 / 27

HEX #610CB9

RGB 97 12 185

HSL 269.48, 0.88%, 0.39%

LAB 30.17, 63.88, -70.88

 

CMYK 73 / 94 / 0 / 27

HEX #320CB9

RGB 50 12 185

HSL 253.18, 0.88%, 0.39%

LAB 25.09, 60.53, -79.47

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CB9

RGB 12 12 185

HSL 240, 0.88%, 0.39%

LAB 23.15, 59.49, -82.75

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB4

RGB 185 12 180

HSL 301.73, 0.88%, 0.39%

LAB 44.05, 75.35, -44.73

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB4

RGB 185 12 180

HSL 301.73, 0.88%, 0.39%

LAB 44.05, 75.35, -44.73

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 0 / 71 / 2 / 40

HEX #992D96

RGB 153 45 150

HSL 301.67, 0.55%, 0.39%

LAB 39.33, 56.82, -34.63

 

CMYK 0 / 55 / 1 / 46

HEX #893D87

RGB 137 61 135

HSL 301.58, 0.38%, 0.39%

LAB 38.56, 42.95, -26.86

 

CMYK 0 / 36 / 1 / 53

HEX #794D78

RGB 121 77 120

HSL 301.36, 0.22%, 0.39%

LAB 39.12, 26.03, -16.94

 

CMYK 48 / 94 / 0 / 27

HEX #600CB9

RGB 96 12 185

HSL 269.13, 0.88%, 0.39%

LAB 30.04, 63.79, -71.11

 

CMYK 23 / 94 / 0 / 27

HEX #8E0CB9

RGB 142 12 185

HSL 285.09, 0.88%, 0.39%

LAB 36.96, 69.33, -59.5

 

CMYK 0 / 94 / 1 / 27

HEX #B90CB7

RGB 185 12 183

HSL 300.69, 0.88%, 0.39%

LAB 44.23, 75.79, -46.22

 

CMYK 0 / 94 / 26 / 27

HEX #B90C88

RGB 185 12 136

HSL 316.99, 0.88%, 0.39%

LAB 41.77, 69.54, -21.84

 

CMYK 0 / 94 / 51 / 27

HEX #B90C5A

RGB 185 12 90

HSL 332.95, 0.88%, 0.39%

LAB 40.11, 65.08, 4.45

 

CMYK 0 / 94 / 3 / 58

HEX #6C0769

RGB 108 7 105

HSL 301.78, 0.88%, 0.23%

LAB 24.83, 50.3, -29.93

 

CMYK 0 / 93 / 3 / 42

HEX #930A8F

RGB 147 10 143

HSL 301.75, 0.87%, 0.31%

LAB 34.81, 63.25, -37.59

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB4

RGB 185 12 180

HSL 301.73, 0.88%, 0.39%

LAB 44.05, 75.35, -44.73

 

CMYK 0 / 93 / 3 / 12

HEX #E00FDA

RGB 224 15 218

HSL 301.72, 0.87%, 0.47%

LAB 53.22, 87.14, -51.72

 

CMYK 0 / 83 / 3 / 6

HEX #F029EA

RGB 240 41 234

HSL 301.81, 0.87%, 0.55%

LAB 58.09, 88.5, -52.85

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

CMYK 0 / 73 / 94 / 27

HEX #B9320C

RGB 185 50 12

HSL 13.18, 0.88%, 0.39%

LAB 42.19, 52.49, 50.67

 

CMYK 94 / 0 / 36 / 27

HEX #0CB977

RGB 12 185 119

HSL 157.11, 0.88%, 0.39%

LAB 66.6, -54.59, 22.75

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

CMYK 1 / 0 / 94 / 27

HEX #B7B90C

RGB 183 185 12

HSL 60.69, 0.88%, 0.39%

LAB 72.75, -17.67, 72.73

 

CMYK 94 / 1 / 0 / 27

HEX #0CB7B9

RGB 12 183 185

HSL 180.69, 0.88%, 0.39%

LAB 67.61, -36.48, -11.94

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

CMYK 0 / 73 / 94 / 27

HEX #B9320C

RGB 185 50 12

HSL 13.18, 0.88%, 0.39%

LAB 42.19, 52.49, 50.67

 

CMYK 94 / 0 / 92 / 27

HEX #0CB90F

RGB 12 185 15

HSL 121.04, 0.88%, 0.39%

LAB 65.6, -66.81, 63.57

 

CMYK 94 / 20 / 0 / 27

HEX #0C94B9

RGB 12 148 185

HSL 192.83, 0.88%, 0.39%

LAB 56.84, -19.08, -28.35

 

CMYK 0 / 93 / 3 / 27

HEX #BA0DB5

RGB 186 13 181

HSL 301.73, 0.87%, 0.39%

LAB 44.32, 75.56, -44.88

 

CMYK 0 / 45 / 94 / 27

HEX #B9660C

RGB 185 102 12

HSL 31.21, 0.88%, 0.39%

LAB 51.66, 27.97, 57.14

 

CMYK 94 / 0 / 92 / 27

HEX #0CB90F

RGB 12 185 15

HSL 121.04, 0.88%, 0.39%

LAB 65.6, -66.81, 63.57

 

CMYK 94 / 48 / 0 / 27

HEX #0C60B9

RGB 12 96 185

HSL 210.87, 0.88%, 0.39%

LAB 41.13, 11.96, -53.2

 

Description

Color code: HEX #BA0DB5 | qconv.com Color code: HEX #BA0DB5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 13 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 13 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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