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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA189D it is the complementary color #45E762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA189D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA189D shade: #BF1898, #D02AAB, #E13CBE, #F24ED1 and #FF60E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA189D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA189D shade: #BA189D, #A9068A, #980077, #870064 and #760051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA189D shade: #B9189C, #B91870, #B91845, #B91819 and #B91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA189D shade: #B9189C, #AA18B9, #7F18B9, #5318B9 and #2818B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA189D shade matches the following richer shades: #B9189C and #C907A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA189D shade: #B9189C, #A82891, #973986, #864A7B and #755B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA189D shade: #7E18B9, #A818B9, #B9189E, #B91873 and #B91848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA189D shade: #700E5E, #94137D, #B9189C, #DD1CBB and #E53DC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA189D shade: #BA189D, #B95318 and #18B993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA189D shade: #BA189D, #9EB918 and #189EB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA189D shade: #BA189D, #B95318, #18B932 and #187EB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA189D shade: #BA189D, #B98318, #18B932 and #184DB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

Complementary color

CMYK 70 / 0 / 58 / 9

HEX #45E762

RGB 69 231 98

HSL 130.74, 0.77%, 0.59%

LAB 81.46, -67.81, 52.02

 

CMYK 0 / 87 / 20 / 25

HEX #BF1898

RGB 191 24 152

HSL 314.01, 0.78%, 0.42%

LAB 44.23, 71.02, -27.67

 

CMYK 0 / 80 / 18 / 18

HEX #D02AAB

RGB 208 42 171

HSL 313.37, 0.66%, 0.49%

LAB 49.5, 73.26, -30.54

 

CMYK 0 / 73 / 16 / 12

HEX #E13CBE

RGB 225 60 190

HSL 312.73, 0.73%, 0.56%

LAB 55.03, 74.57, -32.79

 

CMYK 0 / 68 / 14 / 5

HEX #F24ED1

RGB 242 78 209

HSL 312.07, 0.86%, 0.63%

LAB 60.72, 75.22, -34.58

 

CMYK 0 / 62 / 11 / 0

HEX #FF60E4

RGB 255 96 228

HSL 310.19, 1%, 0.69%

LAB 65.93, 74.42, -36.99

 

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

CMYK 0 / 96 / 18 / 34

HEX #A9068A

RGB 169 6 138

HSL 311.41, 0.93%, 0.34%

LAB 38.55, 67.21, -28.32

 

CMYK 0 / 100 / 22 / 40

HEX #980077

RGB 152 0 119

HSL 313.03, 1%, 0.3%

LAB 34, 62.16, -23.85

 

CMYK 0 / 100 / 26 / 47

HEX #870064

RGB 135 0 100

HSL 315.56, 1%, 0.26%

LAB 29.59, 56.34, -18.81

 

CMYK 0 / 100 / 31 / 54

HEX #760051

RGB 118 0 81

HSL 318.81, 1%, 0.23%

LAB 25.09, 50.4, -13.51

 

CMYK 0 / 87 / 16 / 27

HEX #B9189C

RGB 185 24 156

HSL 310.81, 0.77%, 0.41%

LAB 43.31, 70.31, -31.6

 

CMYK 0 / 87 / 39 / 27

HEX #B91870

RGB 185 24 112

HSL 327.2, 0.77%, 0.41%

LAB 41.43, 65.18, -7.49

 

CMYK 0 / 87 / 63 / 27

HEX #B91845

RGB 185 24 69

HSL 343.23, 0.77%, 0.41%

LAB 40.24, 61.8, 18

 

CMYK 0 / 87 / 86 / 27

HEX #B91819

RGB 185 24 25

HSL 359.63, 0.77%, 0.41%

LAB 39.64, 60.06, 43.44

 

CMYK 0 / 87 / 87 / 27

HEX #B91818

RGB 185 24 24

HSL 0, 0.77%, 0.41%

LAB 39.64, 60.03, 43.93

 

CMYK 0 / 87 / 16 / 27

HEX #B9189C

RGB 185 24 156

HSL 310.81, 0.77%, 0.41%

LAB 43.31, 70.31, -31.6

 

CMYK 8 / 87 / 0 / 27

HEX #AA18B9

RGB 170 24 185

HSL 294.41, 0.77%, 0.41%

LAB 42.31, 71.82, -50.61

 

CMYK 31 / 87 / 0 / 27

HEX #7F18B9

RGB 127 24 185

HSL 278.39, 0.77%, 0.41%

LAB 35.34, 64.98, -62.24

 

CMYK 55 / 87 / 0 / 27

HEX #5318B9

RGB 83 24 185

HSL 261.99, 0.77%, 0.41%

LAB 29.4, 59.6, -72.22

 

CMYK 78 / 87 / 0 / 27

HEX #2818B9

RGB 40 24 185

HSL 245.96, 0.77%, 0.41%

LAB 25.58, 56.47, -78.66

 

CMYK 0 / 87 / 16 / 27

HEX #B9189C

RGB 185 24 156

HSL 310.81, 0.77%, 0.41%

LAB 43.31, 70.31, -31.6

 

CMYK 0 / 97 / 17 / 21

HEX #C907A7

RGB 201 7 167

HSL 310.52, 0.93%, 0.41%

LAB 46.12, 76.92, -33.56

 

CMYK 0 / 87 / 16 / 27

HEX #B9189C

RGB 185 24 156

HSL 310.81, 0.77%, 0.41%

LAB 43.31, 70.31, -31.6

 

CMYK 0 / 76 / 14 / 34

HEX #A82891

RGB 168 40 145

HSL 310.78, 0.62%, 0.41%

LAB 41.04, 61.24, -28.73

 

CMYK 0 / 62 / 11 / 41

HEX #973986

RGB 151 57 134

HSL 310.85, 0.45%, 0.41%

LAB 39.96, 48.71, -23.9

 

CMYK 0 / 45 / 8 / 47

HEX #864A7B

RGB 134 74 123

HSL 311, 0.29%, 0.41%

LAB 40.24, 32.83, -16.92

 

CMYK 0 / 22 / 4 / 54

HEX #755B70

RGB 117 91 112

HSL 311.54, 0.13%, 0.41%

LAB 41.9, 14.51, -7.85

 

CMYK 32 / 87 / 0 / 27

HEX #7E18B9

RGB 126 24 185

HSL 278.01, 0.77%, 0.41%

LAB 35.19, 64.83, -62.5

 

CMYK 9 / 87 / 0 / 27

HEX #A818B9

RGB 168 24 185

HSL 293.66, 0.77%, 0.41%

LAB 41.97, 71.47, -51.18

 

CMYK 0 / 87 / 15 / 27

HEX #B9189E

RGB 185 24 158

HSL 310.06, 0.77%, 0.41%

LAB 43.41, 70.57, -32.64

 

CMYK 0 / 87 / 38 / 27

HEX #B91873

RGB 185 24 115

HSL 326.09, 0.77%, 0.41%

LAB 41.54, 65.48, -9.2

 

CMYK 0 / 87 / 61 / 27

HEX #B91848

RGB 185 24 72

HSL 342.11, 0.77%, 0.41%

LAB 40.3, 61.98, 16.18

 

CMYK 0 / 88 / 16 / 56

HEX #700E5E

RGB 112 14 94

HSL 311.02, 0.78%, 0.25%

LAB 25.46, 47.98, -21.67

 

CMYK 0 / 87 / 16 / 42

HEX #94137D

RGB 148 19 125

HSL 310.7, 0.77%, 0.33%

LAB 34.48, 59.32, -26.92

 

CMYK 0 / 87 / 16 / 27

HEX #B9189C

RGB 185 24 156

HSL 310.81, 0.77%, 0.41%

LAB 43.31, 70.31, -31.6

 

CMYK 0 / 87 / 15 / 13

HEX #DD1CBB

RGB 221 28 187

HSL 310.57, 0.78%, 0.49%

LAB 51.6, 80.81, -36.47

 

CMYK 0 / 73 / 13 / 10

HEX #E53DC7

RGB 229 61 199

HSL 310.71, 0.76%, 0.57%

LAB 56.21, 76.4, -36.08

 

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

CMYK 0 / 55 / 87 / 27

HEX #B95318

RGB 185 83 24

HSL 21.99, 0.77%, 0.41%

LAB 47.71, 38.16, 50.56

 

CMYK 87 / 0 / 21 / 27

HEX #18B993

RGB 24 185 147

HSL 165.84, 0.77%, 0.41%

LAB 67.28, -47.41, 8.52

 

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

CMYK 15 / 0 / 87 / 27

HEX #9EB918

RGB 158 185 24

HSL 70.06, 0.77%, 0.41%

LAB 70.89, -28.11, 68.53

 

CMYK 87 / 15 / 0 / 27

HEX #189EB9

RGB 24 158 185

HSL 190.06, 0.77%, 0.41%

LAB 60.02, -23.7, -23.44

 

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

CMYK 0 / 55 / 87 / 27

HEX #B95318

RGB 185 83 24

HSL 21.99, 0.77%, 0.41%

LAB 47.71, 38.16, 50.56

 

CMYK 87 / 0 / 73 / 27

HEX #18B932

RGB 24 185 50

HSL 129.69, 0.77%, 0.41%

LAB 65.84, -64.05, 54.53

 

CMYK 87 / 32 / 0 / 27

HEX #187EB9

RGB 24 126 185

HSL 201.99, 0.77%, 0.41%

LAB 50.24, -6.05, -38.66

 

CMYK 0 / 87 / 16 / 27

HEX #BA189D

RGB 186 24 157

HSL 310.74, 0.77%, 0.41%

LAB 43.55, 70.64, -31.82

 

CMYK 0 / 29 / 87 / 27

HEX #B98318

RGB 185 131 24

HSL 39.88, 0.77%, 0.41%

LAB 58.61, 12.22, 59.45

 

CMYK 87 / 0 / 73 / 27

HEX #18B932

RGB 24 185 50

HSL 129.69, 0.77%, 0.41%

LAB 65.84, -64.05, 54.53

 

CMYK 87 / 58 / 0 / 27

HEX #184DB9

RGB 24 77 185

HSL 220.25, 0.77%, 0.41%

LAB 35.99, 25.23, -61.52

 

Description

Color code: HEX #BA189D | qconv.com Color code: HEX #BA189D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 24 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 24 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 16 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 16% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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