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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA1B82 it is the complementary color #45E47D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA1B82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA1B82 shade: #BF1B7D, #D02D90, #E13FA3, #F251B6 and #FF63C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA1B82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA1B82 shade: #BA1B82, #A9096F, #98005C, #870049 and #760036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA1B82 shade: #BB1A82, #BB1A57, #BB1A2C and #BB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA1B82 shade: #BB1A82, #BB1AAE, #9D1ABB, #721ABB and #461ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA1B82 shade matches the following richer shades: #BB1A82 and #CC0987

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA1B82 shade: #BB1A82, #AA2C7D, #983D78, #874E73 and #76606E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA1B82 shade: #9D1ABB, #BB1AAE, #BB1A83, #BB1A58 and #BB1A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA1B82 shade: #731050, #971569, #BB1A82, #DF209B and #E444AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA1B82 shade: #BA1B82, #BB731A and #1ABBB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA1B82 shade: #BA1B82, #83BB1A and #1A83BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA1B82 shade: #BA1B82, #BB731A, #1ABB53 and #1A63BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA1B82 shade: #BA1B82, #BBA31A, #1ABB53 and #1A32BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

Complementary color

CMYK 70 / 0 / 45 / 11

HEX #45E47D

RGB 69 228 125

HSL 141.13, 0.75%, 0.58%

LAB 80.87, -62.95, 38.55

 

CMYK 0 / 86 / 35 / 25

HEX #BF1B7D

RGB 191 27 125

HSL 324.15, 0.75%, 0.43%

LAB 43.27, 67.33, -12.67

 

CMYK 0 / 78 / 31 / 18

HEX #D02D90

RGB 208 45 144

HSL 323.56, 0.64%, 0.5%

LAB 48.64, 69.18, -15.8

 

CMYK 0 / 72 / 28 / 12

HEX #E13FA3

RGB 225 63 163

HSL 322.96, 0.73%, 0.56%

LAB 54.25, 70.15, -18.27

 

CMYK 0 / 67 / 25 / 5

HEX #F251B6

RGB 242 81 182

HSL 322.36, 0.86%, 0.63%

LAB 60.01, 70.53, -20.26

 

CMYK 0 / 61 / 21 / 0

HEX #FF63C9

RGB 255 99 201

HSL 320.77, 1%, 0.69%

LAB 65.28, 69.43, -22.85

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

CMYK 0 / 95 / 34 / 34

HEX #A9096F

RGB 169 9 111

HSL 321.75, 0.9%, 0.35%

LAB 37.44, 63.68, -13.2

 

CMYK 0 / 100 / 39 / 40

HEX #98005C

RGB 152 0 92

HSL 323.68, 1%, 0.3%

LAB 32.81, 59.11, -8.37

 

CMYK 0 / 100 / 46 / 47

HEX #870049

RGB 135 0 73

HSL 327.56, 1%, 0.26%

LAB 28.46, 53.43, -2.69

 

CMYK 0 / 100 / 54 / 54

HEX #760036

RGB 118 0 54

HSL 332.54, 1%, 0.23%

LAB 24.06, 47.71, 3.39

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A82

RGB 187 26 130

HSL 321.24, 0.76%, 0.42%

LAB 42.64, 67.16, -16.8

 

CMYK 0 / 86 / 53 / 27

HEX #BB1A57

RGB 187 26 87

HSL 337.27, 0.76%, 0.42%

LAB 41.2, 63.12, 7.97

 

CMYK 0 / 86 / 76 / 27

HEX #BB1A2C

RGB 187 26 44

HSL 353.29, 0.76%, 0.42%

LAB 40.39, 60.74, 33.77

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1A

RGB 187 26 26

HSL 0, 0.76%, 0.42%

LAB 40.21, 60.22, 43.59

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A82

RGB 187 26 130

HSL 321.24, 0.76%, 0.42%

LAB 42.64, 67.16, -16.8

 

CMYK 0 / 86 / 7 / 27

HEX #BB1AAE

RGB 187 26 174

HSL 304.84, 0.76%, 0.42%

LAB 44.74, 72.84, -40.06

 

CMYK 16 / 86 / 0 / 27

HEX #9D1ABB

RGB 157 26 187

HSL 288.82, 0.76%, 0.42%

LAB 40.4, 69.56, -54.98

 

CMYK 39 / 86 / 0 / 27

HEX #721ABB

RGB 114 26 187

HSL 272.8, 0.76%, 0.42%

LAB 33.78, 63.09, -66.05

 

CMYK 63 / 86 / 0 / 27

HEX #461ABB

RGB 70 26 187

HSL 256.4, 0.76%, 0.42%

LAB 28.46, 58.27, -75.01

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A82

RGB 187 26 130

HSL 321.24, 0.76%, 0.42%

LAB 42.64, 67.16, -16.8

 

CMYK 0 / 96 / 34 / 20

HEX #CC0987

RGB 204 9 135

HSL 321.23, 0.92%, 0.42%

LAB 45.33, 73.67, -15.44

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A82

RGB 187 26 130

HSL 321.24, 0.76%, 0.42%

LAB 42.64, 67.16, -16.8

 

CMYK 0 / 74 / 26 / 33

HEX #AA2C7D

RGB 170 44 125

HSL 321.43, 0.59%, 0.42%

LAB 40.94, 57.69, -16.58

 

CMYK 0 / 60 / 21 / 40

HEX #983D78

RGB 152 61 120

HSL 321.1, 0.43%, 0.42%

LAB 40.2, 44.95, -14.9

 

CMYK 0 / 42 / 15 / 47

HEX #874E73

RGB 135 78 115

HSL 321.05, 0.27%, 0.42%

LAB 40.96, 29.48, -10.89

 

CMYK 0 / 19 / 7 / 54

HEX #76606E

RGB 118 96 110

HSL 321.82, 0.1%, 0.42%

LAB 43.28, 11.47, -4.57

 

CMYK 16 / 86 / 0 / 27

HEX #9D1ABB

RGB 157 26 187

HSL 288.82, 0.76%, 0.42%

LAB 40.4, 69.56, -54.98

 

CMYK 0 / 86 / 7 / 27

HEX #BB1AAE

RGB 187 26 174

HSL 304.84, 0.76%, 0.42%

LAB 44.74, 72.84, -40.06

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A83

RGB 187 26 131

HSL 320.87, 0.76%, 0.42%

LAB 42.68, 67.27, -17.35

 

CMYK 0 / 86 / 53 / 27

HEX #BB1A58

RGB 187 26 88

HSL 336.89, 0.76%, 0.42%

LAB 41.23, 63.2, 7.37

 

CMYK 0 / 86 / 76 / 27

HEX #BB1A2D

RGB 187 26 45

HSL 352.92, 0.76%, 0.42%

LAB 40.4, 60.78, 33.19

 

CMYK 0 / 86 / 30 / 55

HEX #731050

RGB 115 16 80

HSL 321.21, 0.76%, 0.26%

LAB 25.55, 46.28, -12.2

 

CMYK 0 / 86 / 30 / 41

HEX #971569

RGB 151 21 105

HSL 321.23, 0.76%, 0.34%

LAB 34.26, 56.99, -14.56

 

CMYK 0 / 86 / 30 / 27

HEX #BB1A82

RGB 187 26 130

HSL 321.24, 0.76%, 0.42%

LAB 42.64, 67.16, -16.8

 

CMYK 0 / 86 / 30 / 13

HEX #DF209B

RGB 223 32 155

HSL 321.36, 0.75%, 0.5%

LAB 50.79, 76.75, -18.85

 

CMYK 0 / 70 / 25 / 11

HEX #E444AC

RGB 228 68 172

HSL 321, 0.75%, 0.58%

LAB 55.69, 70.33, -21.28

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

CMYK 0 / 39 / 86 / 27

HEX #BB731A

RGB 187 115 26

HSL 33.17, 0.76%, 0.42%

LAB 54.97, 22.01, 55.96

 

CMYK 86 / 0 / 4 / 27

HEX #1ABBB3

RGB 26 187 179

HSL 177.02, 0.76%, 0.42%

LAB 68.76, -39.4, -6.9

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

CMYK 30 / 0 / 86 / 27

HEX #83BB1A

RGB 131 187 26

HSL 80.87, 0.76%, 0.42%

LAB 69.78, -39.79, 66.49

 

CMYK 86 / 30 / 0 / 27

HEX #1A83BB

RGB 26 131 187

HSL 200.87, 0.76%, 0.42%

LAB 51.88, -8.08, -37.22

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

CMYK 0 / 39 / 86 / 27

HEX #BB731A

RGB 187 115 26

HSL 33.17, 0.76%, 0.42%

LAB 54.97, 22.01, 55.96

 

CMYK 86 / 0 / 56 / 27

HEX #1ABB53

RGB 26 187 83

HSL 141.24, 0.76%, 0.42%

LAB 66.81, -60.76, 41.44

 

CMYK 86 / 47 / 0 / 27

HEX #1A63BB

RGB 26 99 187

HSL 212.8, 0.76%, 0.42%

LAB 42.36, 11.63, -52.38

 

CMYK 0 / 85 / 30 / 27

HEX #BA1B82

RGB 186 27 130

HSL 321.13, 0.75%, 0.42%

LAB 42.51, 66.74, -17

 

CMYK 0 / 13 / 86 / 27

HEX #BBA31A

RGB 187 163 26

HSL 51.06, 0.76%, 0.42%

LAB 67.15, -4.26, 65.98

 

CMYK 86 / 0 / 56 / 27

HEX #1ABB53

RGB 26 187 83

HSL 141.24, 0.76%, 0.42%

LAB 66.81, -60.76, 41.44

 

CMYK 86 / 73 / 0 / 27

HEX #1A32BB

RGB 26 50 187

HSL 231.06, 0.76%, 0.42%

LAB 29.64, 43.49, -73.15

 

Description

Color code: HEX #BA1B82 | qconv.com Color code: HEX #BA1B82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 27 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 27 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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