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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA24CF it is the complementary color #45DB30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA24CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA24CF shade: #BF24CA, #D036DD, #E148F0, #F25AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA24CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA24CF shade: #BA24CF, #A912BC, #9800A9, #870096 and #760083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA24CF shade: #BB24D0, #D024B6, #D02488, #D0245A and #D0242C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA24CF shade: #BB24D0, #8C24D0, #5E24D0, #3024D0 and #2424D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA24CF shade matches the following richer shades: #BB24D0 and #C910E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA24CF shade: #BB24D0, #AC38BC, #9D4CA8, #8E6094 and #7F7380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA24CF shade: #5D24D0, #8B24D0, #B924D0, #D024B9 and #D0248B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA24CF shade: #7B1889, #9B1EAD, #BB24D0, #CA40DD and #D363E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA24CF shade: #BA24CF, #D03024 and #24D074

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA24CF shade: #BA24CF, #D0B924 and #24D0B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA24CF shade: #BA24CF, #D03024, #3BD024 and #24C4D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA24CF shade: #BA24CF, #D06324, #3BD024 and #2491D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

Complementary color

CMYK 68 / 0 / 78 / 14

HEX #45DB30

RGB 69 219 48

HSL 112.63, 0.7%, 0.52%

LAB 77.37, -68.48, 66.8

 

CMYK 5 / 82 / 0 / 21

HEX #BF24CA

RGB 191 36 202

HSL 296.02, 0.7%, 0.47%

LAB 47.76, 75.82, -51.6

 

CMYK 6 / 76 / 0 / 13

HEX #D036DD

RGB 208 54 221

HSL 295.33, 0.71%, 0.54%

LAB 53.24, 77.43, -53.55

 

CMYK 6 / 70 / 0 / 6

HEX #E148F0

RGB 225 72 240

HSL 294.64, 0.85%, 0.61%

LAB 58.91, 78.28, -55.03

 

CMYK 5 / 65 / 0 / 0

HEX #F25AFF

RGB 242 90 255

HSL 295.27, 1%, 0.68%

LAB 64.49, 77.94, -54.31

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

CMYK 10 / 90 / 0 / 26

HEX #A912BC

RGB 169 18 188

HSL 293.29, 0.83%, 0.4%

LAB 42, 73.15, -52.89

 

CMYK 10 / 100 / 0 / 34

HEX #9800A9

RGB 152 0 169

HSL 293.96, 1%, 0.33%

LAB 37, 69.48, -49.82

 

CMYK 10 / 100 / 0 / 41

HEX #870096

RGB 135 0 150

HSL 294, 1%, 0.29%

LAB 32.6, 63.68, -45.56

 

CMYK 10 / 100 / 0 / 49

HEX #760083

RGB 118 0 131

HSL 294.05, 1%, 0.26%

LAB 28.09, 57.75, -41.21

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 0 / 83 / 13 / 18

HEX #D024B6

RGB 208 36 182

HSL 309.07, 0.7%, 0.48%

LAB 49.56, 76.11, -36.92

 

CMYK 0 / 83 / 35 / 18

HEX #D02488

RGB 208 36 136

HSL 325.12, 0.7%, 0.48%

LAB 47.56, 70.54, -12.6

 

CMYK 0 / 83 / 57 / 18

HEX #D0245A

RGB 208 36 90

HSL 341.16, 0.7%, 0.48%

LAB 46.19, 66.55, 13.67

 

CMYK 0 / 83 / 79 / 18

HEX #D0242C

RGB 208 36 44

HSL 357.21, 0.7%, 0.48%

LAB 45.43, 64.28, 40.44

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 33 / 83 / 0 / 18

HEX #8C24D0

RGB 140 36 208

HSL 276.28, 0.7%, 0.48%

LAB 40.23, 68.44, -67.63

 

CMYK 55 / 83 / 0 / 18

HEX #5E24D0

RGB 94 36 208

HSL 260.23, 0.7%, 0.48%

LAB 34.39, 62.48, -77.44

 

CMYK 77 / 83 / 0 / 18

HEX #3024D0

RGB 48 36 208

HSL 244.19, 0.7%, 0.48%

LAB 30.51, 58.7, -83.99

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 11 / 93 / 0 / 11

HEX #C910E3

RGB 201 16 227

HSL 292.61, 0.87%, 0.48%

LAB 49.9, 84.74, -62.38

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 9 / 70 / 0 / 26

HEX #AC38BC

RGB 172 56 188

HSL 292.73, 0.54%, 0.48%

LAB 45.95, 63.7, -46.53

 

CMYK 7 / 55 / 0 / 34

HEX #9D4CA8

RGB 157 76 168

HSL 292.83, 0.38%, 0.48%

LAB 45.86, 47.44, -35.06

 

CMYK 4 / 35 / 0 / 42

HEX #8E6094

RGB 142 96 148

HSL 293.08, 0.21%, 0.48%

LAB 47.31, 27.87, -21.09

 

CMYK 1 / 10 / 0 / 50

HEX #7F7380

RGB 127 115 128

HSL 295.38, 0.05%, 0.48%

LAB 49.9, 7.18, -5.45

 

CMYK 55 / 83 / 0 / 18

HEX #5D24D0

RGB 93 36 208

HSL 259.88, 0.7%, 0.48%

LAB 34.28, 62.37, -77.62

 

CMYK 33 / 83 / 0 / 18

HEX #8B24D0

RGB 139 36 208

HSL 275.93, 0.7%, 0.48%

LAB 40.09, 68.29, -67.86

 

CMYK 11 / 83 / 0 / 18

HEX #B924D0

RGB 185 36 208

HSL 291.98, 0.7%, 0.48%

LAB 47.14, 75.75, -56.09

 

CMYK 0 / 83 / 11 / 18

HEX #D024B9

RGB 208 36 185

HSL 308.02, 0.7%, 0.48%

LAB 49.71, 76.52, -38.44

 

CMYK 0 / 83 / 33 / 18

HEX #D0248B

RGB 208 36 139

HSL 324.07, 0.7%, 0.48%

LAB 47.67, 70.86, -14.25

 

CMYK 10 / 82 / 0 / 46

HEX #7B1889

RGB 123 24 137

HSL 292.57, 0.7%, 0.32%

LAB 31.04, 54.91, -40.15

 

CMYK 10 / 83 / 0 / 32

HEX #9B1EAD

RGB 155 30 173

HSL 292.45, 0.7%, 0.4%

LAB 39.44, 65.82, -48.26

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 9 / 71 / 0 / 13

HEX #CA40DD

RGB 202 64 221

HSL 292.74, 0.7%, 0.56%

LAB 53.43, 73.04, -53.3

 

CMYK 7 / 56 / 0 / 11

HEX #D363E3

RGB 211 99 227

HSL 292.5, 0.7%, 0.64%

LAB 60.18, 61.91, -45.89

 

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

CMYK 0 / 77 / 83 / 18

HEX #D03024

RGB 208 48 36

HSL 4.19, 0.7%, 0.48%

LAB 46.51, 60.8, 45.76

 

CMYK 83 / 0 / 44 / 18

HEX #24D074

RGB 36 208 116

HSL 147.91, 0.7%, 0.48%

LAB 74.03, -61.67, 34.15

 

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

CMYK 0 / 11 / 83 / 18

HEX #D0B924

RGB 208 185 36

HSL 51.98, 0.7%, 0.48%

LAB 74.97, -6.28, 70.78

 

CMYK 83 / 0 / 11 / 18

HEX #24D0B9

RGB 36 208 185

HSL 171.98, 0.7%, 0.48%

LAB 75.44, -46.18, -0.32

 

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

CMYK 0 / 77 / 83 / 18

HEX #D03024

RGB 208 48 36

HSL 4.19, 0.7%, 0.48%

LAB 46.51, 60.8, 45.76

 

CMYK 72 / 0 / 83 / 18

HEX #3BD024

RGB 59 208 36

HSL 111.98, 0.7%, 0.48%

LAB 73.66, -67.47, 66.56

 

CMYK 83 / 6 / 0 / 18

HEX #24C4D0

RGB 36 196 208

HSL 184.19, 0.7%, 0.48%

LAB 72.5, -34.17, -17.16

 

CMYK 10 / 83 / 0 / 19

HEX #BA24CF

RGB 186 36 207

HSL 292.63, 0.7%, 0.48%

LAB 47.24, 75.75, -55.35

 

CMYK 0 / 52 / 83 / 18

HEX #D06324

RGB 208 99 36

HSL 21.98, 0.7%, 0.48%

LAB 54.51, 39.47, 53.04

 

CMYK 72 / 0 / 83 / 18

HEX #3BD024

RGB 59 208 36

HSL 111.98, 0.7%, 0.48%

LAB 73.66, -67.47, 66.56

 

CMYK 83 / 30 / 0 / 18

HEX #2491D0

RGB 36 145 208

HSL 201.98, 0.7%, 0.48%

LAB 57.25, -7.64, -40.68

 

Description

Color code: HEX #BA24CF | qconv.com Color code: HEX #BA24CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 36 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 36 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 83 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 83% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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