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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA222C it is the complementary color #45DDD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA222C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA222C shade: #BF2227, #D0343A, #E1464D, #F25860 and #FF6A73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA222C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA222C shade: #BA222C, #A91019, #980006, #870000 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA222C shade: #B9212B and #B92121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA222C shade: #B9212B, #B92154, #B9217D, #B921A6 and #A321B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA222C shade matches the following richer shades: #B9212B and #CB101C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA222C shade: #B9212B, #A7333B, #95454A, #84575A and #726869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA222C shade: #B9217C, #B92154, #B9212C, #B94021 and #B96821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA222C shade: #73151B, #961B23, #B9212B, #D82C37 and #DE4F58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA222C shade: #BA222C, #A5B921 and #2168B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA222C shade: #BA222C, #2CB921 and #212CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA222C shade: #BA222C, #A5B921, #21B9AF and #3621B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA222C shade: #BA222C, #77B921, #21B9AF and #6321B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

Complementary color

CMYK 69 / 0 / 5 / 13

HEX #45DDD3

RGB 69 221 211

HSL 176.05, 0.69%, 0.57%

LAB 80.56, -41.3, -6.66

 

CMYK 0 / 82 / 80 / 25

HEX #BF2227

RGB 191 34 39

HSL 358.09, 0.7%, 0.44%

LAB 41.79, 59.85, 38.41

 

CMYK 0 / 75 / 72 / 18

HEX #D0343A

RGB 208 52 58

HSL 357.69, 0.62%, 0.51%

LAB 47.2, 60.3, 34.37

 

CMYK 0 / 69 / 66 / 12

HEX #E1464D

RGB 225 70 77

HSL 357.29, 0.72%, 0.58%

LAB 52.87, 60.11, 30.85

 

CMYK 0 / 64 / 60 / 5

HEX #F25860

RGB 242 88 96

HSL 356.88, 0.86%, 0.65%

LAB 58.7, 59.53, 27.85

 

CMYK 0 / 58 / 55 / 0

HEX #FF6A73

RGB 255 106 115

HSL 356.38, 1%, 0.71%

LAB 64, 57.4, 24.35

 

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

CMYK 0 / 91 / 85 / 34

HEX #A91019

RGB 169 16 25

HSL 356.47, 0.83%, 0.36%

LAB 35.74, 57.14, 38.73

 

CMYK 0 / 100 / 96 / 40

HEX #980006

RGB 152 0 6

HSL 357.63, 1%, 0.3%

LAB 31.09, 54.53, 42.45

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

HEX #870000

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

HEX #760000

CMYK 0 / 82 / 77 / 27

HEX #B9212B

RGB 185 33 43

HSL 356.05, 0.7%, 0.43%

LAB 40.53, 58.53, 34.41

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 82 / 77 / 27

HEX #B9212B

RGB 185 33 43

HSL 356.05, 0.7%, 0.43%

LAB 40.53, 58.53, 34.41

 

CMYK 0 / 82 / 55 / 27

HEX #B92154

RGB 185 33 84

HSL 339.87, 0.7%, 0.43%

LAB 41.28, 60.79, 9.92

 

CMYK 0 / 82 / 32 / 27

HEX #B9217D

RGB 185 33 125

HSL 323.68, 0.7%, 0.43%

LAB 42.59, 64.61, -13.82

 

CMYK 0 / 82 / 10 / 27

HEX #B921A6

RGB 185 33 166

HSL 307.5, 0.7%, 0.43%

LAB 44.45, 69.86, -35.79

 

CMYK 12 / 82 / 0 / 27

HEX #A321B9

RGB 163 33 185

HSL 291.32, 0.7%, 0.43%

LAB 41.81, 68.62, -51.48

 

CMYK 0 / 82 / 77 / 27

HEX #B9212B

RGB 185 33 43

HSL 356.05, 0.7%, 0.43%

LAB 40.53, 58.53, 34.41

 

CMYK 0 / 92 / 86 / 20

HEX #CB101C

RGB 203 16 28

HSL 356.15, 0.85%, 0.43%

LAB 42.99, 66.19, 46.28

 

CMYK 0 / 82 / 77 / 27

HEX #B9212B

RGB 185 33 43

HSL 356.05, 0.7%, 0.43%

LAB 40.53, 58.53, 34.41

 

CMYK 0 / 69 / 65 / 35

HEX #A7333B

RGB 167 51 59

HSL 355.86, 0.53%, 0.43%

LAB 39.41, 47.82, 22.52

 

CMYK 0 / 54 / 50 / 42

HEX #95454A

RGB 149 69 74

HSL 356.25, 0.37%, 0.43%

LAB 39.82, 34.1, 13.18

 

CMYK 0 / 34 / 32 / 48

HEX #84575A

RGB 132 87 90

HSL 356, 0.21%, 0.43%

LAB 41.94, 19.08, 5.91

 

CMYK 0 / 9 / 8 / 55

HEX #726869

RGB 114 104 105

HSL 354, 0.05%, 0.43%

LAB 44.94, 4.13, 0.86

 

CMYK 0 / 82 / 33 / 27

HEX #B9217C

RGB 185 33 124

HSL 324.08, 0.7%, 0.43%

LAB 42.55, 64.5, -13.27

 

CMYK 0 / 82 / 55 / 27

HEX #B92154

RGB 185 33 84

HSL 339.87, 0.7%, 0.43%

LAB 41.28, 60.79, 9.92

 

CMYK 0 / 82 / 76 / 27

HEX #B9212C

RGB 185 33 44

HSL 355.66, 0.7%, 0.43%

LAB 40.55, 58.56, 33.83

 

CMYK 0 / 65 / 82 / 27

HEX #B94021

RGB 185 64 33

HSL 12.24, 0.7%, 0.43%

LAB 44.36, 47.35, 43.71

 

CMYK 0 / 44 / 82 / 27

HEX #B96821

RGB 185 104 33

HSL 28.03, 0.7%, 0.43%

LAB 52.2, 27.37, 50.93

 

CMYK 0 / 82 / 77 / 55

HEX #73151B

RGB 115 21 27

HSL 356.17, 0.69%, 0.27%

LAB 24.51, 40.17, 22.32

 

CMYK 0 / 82 / 77 / 41

HEX #961B23

RGB 150 27 35

HSL 356.1, 0.69%, 0.35%

LAB 32.68, 49.59, 28.51

 

CMYK 0 / 82 / 77 / 27

HEX #B9212B

RGB 185 33 43

HSL 356.05, 0.7%, 0.43%

LAB 40.53, 58.53, 34.41

 

CMYK 0 / 80 / 75 / 15

HEX #D82C37

RGB 216 44 55

HSL 356.16, 0.69%, 0.51%

LAB 47.85, 64.88, 37.26

 

CMYK 0 / 64 / 60 / 13

HEX #DE4F58

RGB 222 79 88

HSL 356.22, 0.68%, 0.59%

LAB 53.84, 56.25, 25.56

 

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

CMYK 11 / 0 / 82 / 27

HEX #A5B921

RGB 165 185 33

HSL 67.89, 0.7%, 0.43%

LAB 71.42, -24.91, 67.12

 

CMYK 82 / 44 / 0 / 27

HEX #2168B9

RGB 33 104 185

HSL 211.97, 0.7%, 0.43%

LAB 43.84, 8.22, -48.83

 

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

CMYK 76 / 0 / 82 / 27

HEX #2CB921

RGB 44 185 33

HSL 115.66, 0.7%, 0.43%

LAB 66.01, -62.9, 60.24

 

CMYK 82 / 76 / 0 / 27

HEX #212CB9

RGB 33 44 185

HSL 235.66, 0.7%, 0.43%

LAB 28.45, 46.66, -73.91

 

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

CMYK 11 / 0 / 82 / 27

HEX #A5B921

RGB 165 185 33

HSL 67.89, 0.7%, 0.43%

LAB 71.42, -24.91, 67.12

 

CMYK 82 / 0 / 5 / 27

HEX #21B9AF

RGB 33 185 175

HSL 176.05, 0.7%, 0.43%

LAB 68.11, -39.15, -5.67

 

CMYK 71 / 82 / 0 / 27

HEX #3621B9

RGB 54 33 185

HSL 248.29, 0.7%, 0.43%

LAB 27.78, 53.65, -74.99

 

CMYK 0 / 82 / 76 / 27

HEX #BA222C

RGB 186 34 44

HSL 356.05, 0.69%, 0.43%

LAB 40.84, 58.59, 34.21

 

CMYK 36 / 0 / 82 / 27

HEX #77B921

RGB 119 185 33

HSL 86.05, 0.7%, 0.43%

LAB 68.55, -43.12, 63.49

 

CMYK 82 / 0 / 5 / 27

HEX #21B9AF

RGB 33 185 175

HSL 176.05, 0.7%, 0.43%

LAB 68.11, -39.15, -5.67

 

CMYK 46 / 82 / 0 / 27

HEX #6321B9

RGB 99 33 185

HSL 266.05, 0.7%, 0.43%

LAB 32.35, 58.41, -67.28

 

Description

Color code: HEX #BA222C | qconv.com Color code: HEX #BA222C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 34 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 34 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 76 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 76% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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