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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2CE2 it is the complementary color #45D31D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2CE2 shade: #BF2CDD, #D03EF0, #E150FF, #F262FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2CE2 shade: #BA2CE2, #A91ACF, #9808BC, #8700A9 and #760096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2CE2 shade: #BA2CE2, #E22CD9, #E22CA8, #E22C76 and #E22C45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2CE2 shade: #BA2CE2, #892CE2, #572CE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2CE2 shade matches the following richer shades: #BA2CE2 and #C518F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2CE2 shade: #BA2CE2, #AF3FCE, #A452BB, #9966A8 and #8E7994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2CE2 shade: #562CE2, #872CE2, #B72CE2, #E22CDC and #E22CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2CE2 shade: #8516A5, #A31BC9, #BA2CE2, #C650E7 and #D174EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2CE2 shade: #BA2CE2, #E22C32 and #2CE26E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2CE2 shade: #BA2CE2, #E2B72C and #2CE2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2CE2 shade: #BA2CE2, #E22C32, #56E22C and #2CE2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2CE2 shade: #BA2CE2, #E25C2C, #56E22C and #2CB1E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

Complementary color

CMYK 67 / 0 / 86 / 17

HEX #45D31D

RGB 69 211 29

HSL 106.81, 0.76%, 0.47%

LAB 74.79, -66.88, 69.26

 

CMYK 14 / 80 / 0 / 13

HEX #BF2CDD

RGB 191 44 221

HSL 289.83, 0.72%, 0.52%

LAB 49.61, 77.05, -59.51

 

CMYK 13 / 74 / 0 / 6

HEX #D03EF0

RGB 208 62 240

HSL 289.21, 0.86%, 0.59%

LAB 55.22, 78.22, -61.08

 

CMYK 12 / 69 / 0 / 0

HEX #E150FF

RGB 225 80 255

HSL 289.71, 1%, 0.66%

LAB 60.75, 78.04, -60.42

 

CMYK 5 / 62 / 0 / 0

HEX #F262FF

RGB 242 98 255

HSL 295.03, 1%, 0.69%

LAB 65.62, 74.81, -52.52

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 18 / 87 / 0 / 19

HEX #A91ACF

RGB 169 26 207

HSL 287.4, 0.78%, 0.46%

LAB 43.77, 75.05, -61.1

 

CMYK 19 / 96 / 0 / 26

HEX #9808BC

RGB 152 8 188

HSL 288, 0.92%, 0.38%

LAB 38.69, 71.78, -58.38

 

CMYK 20 / 100 / 0 / 34

HEX #8700A9

RGB 135 0 169

HSL 287.93, 1%, 0.33%

LAB 34.02, 66.97, -54.8

 

CMYK 21 / 100 / 0 / 41

HEX #760096

RGB 118 0 150

HSL 287.2, 1%, 0.29%

LAB 29.55, 61.13, -50.65

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 0 / 81 / 4 / 11

HEX #E22CD9

RGB 226 44 217

HSL 302.97, 0.76%, 0.53%

LAB 55.05, 82.83, -48.22

 

CMYK 0 / 81 / 26 / 11

HEX #E22CA8

RGB 226 44 168

HSL 319.12, 0.76%, 0.53%

LAB 52.73, 76.36, -23.53

 

CMYK 0 / 81 / 48 / 11

HEX #E22C76

RGB 226 44 118

HSL 335.6, 0.76%, 0.53%

LAB 51.01, 71.36, 3.8

 

CMYK 0 / 81 / 69 / 11

HEX #E22C45

RGB 226 44 69

HSL 351.76, 0.76%, 0.53%

LAB 49.98, 68.23, 32.05

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 39 / 81 / 0 / 11

HEX #892CE2

RGB 137 44 226

HSL 270.66, 0.76%, 0.53%

LAB 42.17, 69.39, -74.81

 

CMYK 62 / 81 / 0 / 11

HEX #572CE2

RGB 87 44 226

HSL 254.18, 0.76%, 0.53%

LAB 36.59, 63.39, -84.19

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 20 / 90 / 0 / 4

HEX #C518F5

RGB 197 24 245

HSL 286.97, 0.92%, 0.53%

LAB 50.82, 86.15, -71.07

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 15 / 69 / 0 / 19

HEX #AF3FCE

RGB 175 63 206

HSL 286.99, 0.59%, 0.53%

LAB 48.42, 65.02, -52.98

 

CMYK 12 / 56 / 0 / 27

HEX #A452BB

RGB 164 82 187

HSL 286.86, 0.44%, 0.53%

LAB 48.9, 50.13, -41.32

 

CMYK 9 / 39 / 0 / 34

HEX #9966A8

RGB 153 102 168

HSL 286.36, 0.28%, 0.53%

LAB 50.81, 32.21, -27.36

 

CMYK 4 / 18 / 0 / 42

HEX #8E7994

RGB 142 121 148

HSL 286.67, 0.11%, 0.53%

LAB 53.56, 13.27, -11.57

 

CMYK 62 / 81 / 0 / 11

HEX #562CE2

RGB 86 44 226

HSL 253.85, 0.76%, 0.53%

LAB 36.5, 63.29, -84.34

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 19 / 81 / 0 / 11

HEX #B72CE2

RGB 183 44 226

HSL 285.82, 0.76%, 0.53%

LAB 48.71, 76.56, -63.88

 

CMYK 0 / 81 / 3 / 11

HEX #E22CDC

RGB 226 44 220

HSL 301.98, 0.76%, 0.53%

LAB 55.21, 83.27, -49.66

 

CMYK 0 / 81 / 24 / 11

HEX #E22CAB

RGB 226 44 171

HSL 318.13, 0.76%, 0.53%

LAB 52.85, 76.72, -25.1

 

CMYK 19 / 87 / 0 / 35

HEX #8516A5

RGB 133 22 165

HSL 286.57, 0.76%, 0.37%

LAB 34.55, 62.43, -51.53

 

CMYK 19 / 87 / 0 / 21

HEX #A31BC9

RGB 163 27 201

HSL 286.9, 0.76%, 0.45%

LAB 42.44, 72.83, -59.82

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 14 / 65 / 0 / 9

HEX #C650E7

RGB 198 80 231

HSL 286.89, 0.76%, 0.61%

LAB 55.6, 67.89, -55.51

 

CMYK 11 / 51 / 0 / 7

HEX #D174EC

RGB 209 116 236

HSL 286.5, 0.76%, 0.69%

LAB 63.43, 54.93, -45.78

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 0 / 81 / 78 / 11

HEX #E22C32

RGB 226 44 50

HSL 358.02, 0.76%, 0.53%

LAB 49.74, 67.5, 42.69

 

CMYK 81 / 0 / 51 / 11

HEX #2CE26E

RGB 44 226 110

HSL 141.76, 0.76%, 0.53%

LAB 79.64, -67.9, 44.2

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 0 / 19 / 81 / 11

HEX #E2B72C

RGB 226 183 44

HSL 45.82, 0.76%, 0.53%

LAB 76.2, 2.82, 70.24

 

CMYK 81 / 0 / 19 / 11

HEX #2CE2B7

RGB 44 226 183

HSL 165.82, 0.76%, 0.53%

LAB 80.93, -53.44, 8.69

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 0 / 81 / 78 / 11

HEX #E22C32

RGB 226 44 50

HSL 358.02, 0.76%, 0.53%

LAB 49.74, 67.5, 42.69

 

CMYK 62 / 0 / 81 / 11

HEX #56E22C

RGB 86 226 44

HSL 106.15, 0.76%, 0.53%

LAB 79.93, -67.51, 70.47

 

CMYK 81 / 0 / 3 / 11

HEX #2CE2DC

RGB 44 226 220

HSL 178.02, 0.76%, 0.53%

LAB 81.89, -43.68, -9.52

 

CMYK 18 / 81 / 0 / 11

HEX #BA2CE2

RGB 186 44 226

HSL 286.81, 0.76%, 0.53%

LAB 49.17, 77.07, -63.11

 

CMYK 0 / 59 / 81 / 11

HEX #E25C2C

RGB 226 92 44

HSL 15.82, 0.76%, 0.53%

LAB 56.09, 49.83, 52.03

 

CMYK 62 / 0 / 81 / 11

HEX #56E22C

RGB 86 226 44

HSL 106.15, 0.76%, 0.53%

LAB 79.93, -67.51, 70.47

 

CMYK 81 / 22 / 0 / 11

HEX #2CB1E2

RGB 44 177 226

HSL 196.15, 0.76%, 0.53%

LAB 67.63, -18.2, -34.44

 

Description

Color code: HEX #BA2CE2 | qconv.com Color code: HEX #BA2CE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 44 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 44 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 81 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 81% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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