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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3462 it is the complementary color #45CB9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3462 shade: #BF345D, #D04670, #E15883, #F26A96 and #FF7CA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3462 shade: #BA3462, #A9224F, #98103C, #870029 and #760016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3462 shade: #BA3462, #BA343E and #BA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3462 shade: #BA3462, #BA3487, #BA34AB, #A634BA and #8234BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3462 shade matches the following richer shades: #BA3462, #CE215C and #E10D56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3462 shade: #BA3462, #A74868, #945B6E, #806E75 and #6D827B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3462 shade: #BA34AB, #BA3487, #BA3463, #BA343F and #BA4D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3462 shade: #7A2240, #9A2B51, #BA3462, #CC4C78 and #D56C90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3462 shade: #BA3462, #BAA634 and #3499BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3462 shade: #BA3462, #63BA34 and #3463BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3462 shade: #BA3462, #BAA634, #34BA8B and #3448BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3462 shade: #BA3462, #A6BA34, #34BA8B and #4834BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

Complementary color

CMYK 66 / 0 / 23 / 20

HEX #45CB9D

RGB 69 203 157

HSL 159.4, 0.56%, 0.53%

LAB 73.81, -47.08, 12.47

 

CMYK 0 / 73 / 51 / 25

HEX #BF345D

RGB 191 52 93

HSL 342.3, 0.57%, 0.48%

LAB 44.69, 57.42, 9.24

 

CMYK 0 / 66 / 46 / 18

HEX #D04670

RGB 208 70 112

HSL 341.74, 0.59%, 0.55%

LAB 50.64, 57.4, 6.47

 

CMYK 0 / 61 / 42 / 12

HEX #E15883

RGB 225 88 131

HSL 341.17, 0.7%, 0.61%

LAB 56.71, 56.99, 4.23

 

CMYK 0 / 56 / 38 / 5

HEX #F26A96

RGB 242 106 150

HSL 340.59, 0.84%, 0.68%

LAB 62.83, 56.36, 2.37

 

CMYK 0 / 51 / 34 / 0

HEX #FF7CA9

RGB 255 124 169

HSL 339.39, 1%, 0.74%

LAB 68.42, 54.32, -0.09

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 80 / 53 / 34

HEX #A9224F

RGB 169 34 79

HSL 340, 0.67%, 0.4%

LAB 38.1, 55.77, 8.17

 

CMYK 0 / 89 / 61 / 40

HEX #98103C

RGB 152 16 60

HSL 340.59, 0.81%, 0.33%

LAB 32.64, 54.09, 12.42

 

CMYK 0 / 100 / 70 / 47

HEX #870029

RGB 135 0 41

HSL 341.78, 1%, 0.26%

LAB 27.6, 51.14, 17.77

 

CMYK 0 / 100 / 81 / 54

HEX #760016

RGB 118 0 22

HSL 348.81, 1%, 0.23%

LAB 23.37, 45.86, 24.48

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 72 / 67 / 27

HEX #BA343E

RGB 186 52 62

HSL 355.52, 0.56%, 0.47%

LAB 43.13, 53.74, 26.11

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 72 / 27 / 27

HEX #BA3487

RGB 186 52 135

HSL 322.84, 0.56%, 0.47%

LAB 45.14, 60.4, -16.04

 

CMYK 0 / 72 / 8 / 27

HEX #BA34AB

RGB 186 52 171

HSL 306.72, 0.56%, 0.47%

LAB 46.76, 65.43, -35.11

 

CMYK 11 / 72 / 0 / 27

HEX #A634BA

RGB 166 52 186

HSL 291.04, 0.56%, 0.47%

LAB 44.39, 63.52, -47.9

 

CMYK 30 / 72 / 0 / 27

HEX #8234BA

RGB 130 52 186

HSL 274.93, 0.56%, 0.47%

LAB 39.15, 56.15, -56.61

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 84 / 55 / 19

HEX #CE215C

RGB 206 33 92

HSL 339.54, 0.72%, 0.47%

LAB 45.61, 66.85, 11.56

 

CMYK 0 / 94 / 62 / 12

HEX #E10D56

RGB 225 13 86

HSL 339.34, 0.89%, 0.47%

LAB 48.22, 74.17, 19.46

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 57 / 38 / 35

HEX #A74868

RGB 167 72 104

HSL 339.79, 0.4%, 0.47%

LAB 44.02, 42.39, 0.93

 

CMYK 0 / 39 / 26 / 42

HEX #945B6E

RGB 148 91 110

HSL 340, 0.24%, 0.47%

LAB 45.5, 26.06, -0.89

 

CMYK 0 / 14 / 9 / 50

HEX #806E75

RGB 128 110 117

HSL 336.67, 0.08%, 0.47%

LAB 48.29, 8.35, -1.27

 

CMYK 16 / 0 / 5 / 49

HEX #6D827B

RGB 109 130 123

HSL 160, 0.09%, 0.47%

LAB 52.56, -9.11, 1.24

 

CMYK 0 / 72 / 8 / 27

HEX #BA34AB

RGB 186 52 171

HSL 306.72, 0.56%, 0.47%

LAB 46.76, 65.43, -35.11

 

CMYK 0 / 72 / 27 / 27

HEX #BA3487

RGB 186 52 135

HSL 322.84, 0.56%, 0.47%

LAB 45.14, 60.4, -16.04

 

CMYK 0 / 72 / 47 / 27

HEX #BA3463

RGB 186 52 99

HSL 338.96, 0.56%, 0.47%

LAB 43.94, 56.48, 4.32

 

CMYK 0 / 72 / 66 / 27

HEX #BA343F

RGB 186 52 63

HSL 355.07, 0.56%, 0.47%

LAB 43.14, 53.8, 25.52

 

CMYK 0 / 59 / 72 / 27

HEX #BA4D34

RGB 186 77 52

HSL 11.19, 0.56%, 0.47%

LAB 46.97, 42.51, 36.49

 

CMYK 0 / 72 / 48 / 52

HEX #7A2240

RGB 122 34 64

HSL 339.55, 0.56%, 0.31%

LAB 28.52, 40.35, 3.09

 

CMYK 0 / 72 / 47 / 40

HEX #9A2B51

RGB 154 43 81

HSL 339.46, 0.56%, 0.39%

LAB 36.35, 48.55, 4.01

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 63 / 41 / 20

HEX #CC4C78

RGB 204 76 120

HSL 339.38, 0.56%, 0.55%

LAB 51.11, 54.46, 2.24

 

CMYK 0 / 49 / 32 / 16

HEX #D56C90

RGB 213 108 144

HSL 339.43, 0.56%, 0.63%

LAB 58.87, 45.11, -0.45

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 11 / 72 / 27

HEX #BAA634

RGB 186 166 52

HSL 51.04, 0.56%, 0.47%

LAB 67.99, -5.34, 58.48

 

CMYK 72 / 18 / 0 / 27

HEX #3499BA

RGB 52 153 186

HSL 194.78, 0.56%, 0.47%

LAB 59.03, -17.94, -25.49

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 47 / 0 / 72 / 27

HEX #63BA34

RGB 99 186 52

HSL 98.96, 0.56%, 0.47%

LAB 68.03, -49.18, 56.63

 

CMYK 72 / 47 / 0 / 27

HEX #3463BA

RGB 52 99 186

HSL 218.96, 0.56%, 0.47%

LAB 43.06, 14.06, -50.62

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 0 / 11 / 72 / 27

HEX #BAA634

RGB 186 166 52

HSL 51.04, 0.56%, 0.47%

LAB 67.99, -5.34, 58.48

 

CMYK 72 / 0 / 25 / 27

HEX #34BA8B

RGB 52 186 139

HSL 158.96, 0.56%, 0.47%

LAB 67.81, -46.82, 13.69

 

CMYK 72 / 61 / 0 / 27

HEX #3448BA

RGB 52 72 186

HSL 231.04, 0.56%, 0.47%

LAB 35.81, 31.6, -62.37

 

CMYK 0 / 72 / 47 / 27

HEX #BA3462

RGB 186 52 98

HSL 339.4, 0.56%, 0.47%

LAB 43.91, 56.39, 4.9

 

CMYK 11 / 0 / 72 / 27

HEX #A6BA34

RGB 166 186 52

HSL 68.96, 0.56%, 0.47%

LAB 71.87, -24.17, 61.72

 

CMYK 72 / 0 / 25 / 27

HEX #34BA8B

RGB 52 186 139

HSL 158.96, 0.56%, 0.47%

LAB 67.81, -46.82, 13.69

 

CMYK 61 / 72 / 0 / 27

HEX #4834BA

RGB 72 52 186

HSL 248.96, 0.56%, 0.47%

LAB 32.65, 46.33, -67.48

 

Description

Color code: HEX #BA3462 | qconv.com Color code: HEX #BA3462 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 52 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 52 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 47 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 47% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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