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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3499 it is the complementary color #45CB66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3499 shade: #BF3494, #D046A7, #E158BA, #F26ACD and #FF7CE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3499 shade: #BA3499, #A92286, #981073, #870060 and #76004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3499 shade: #BA3499, #BA3475, #BA3451 and #BA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3499 shade: #BA3499, #B734BA, #9334BA, #6F34BA and #4B34BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3499 shade matches the following richer shades: #BA3499, #CE21A3 and #E10DAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3499 shade: #BA3499, #A74890, #945B86, #806E7C and #6D8272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3499 shade: #9234BA, #B634BA, #BA349B, #BA3477 and #BA3454

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3499 shade: #7A2264, #9A2B7F, #BA3499, #CC4CAD and #D56CBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3499 shade: #BA3499, #BA6E34 and #34BAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3499 shade: #BA3499, #9BBA34 and #349BBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3499 shade: #BA3499, #BA6E34, #34BA54 and #3480BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3499 shade: #BA3499, #BA9734, #34BA54 and #3458BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

Complementary color

CMYK 66 / 0 / 50 / 20

HEX #45CB66

RGB 69 203 102

HSL 134.78, 0.56%, 0.53%

LAB 72.85, -57.53, 39.76

 

CMYK 0 / 73 / 23 / 25

HEX #BF3494

RGB 191 52 148

HSL 318.56, 0.57%, 0.48%

LAB 46.54, 63.36, -21.68

 

CMYK 0 / 66 / 20 / 18

HEX #D046A7

RGB 208 70 167

HSL 317.83, 0.59%, 0.55%

LAB 52.49, 63.79, -23.56

 

CMYK 0 / 61 / 17 / 12

HEX #E158BA

RGB 225 88 186

HSL 317.08, 0.7%, 0.61%

LAB 58.54, 63.75, -25.05

 

CMYK 0 / 56 / 15 / 5

HEX #F26ACD

RGB 242 106 205

HSL 316.32, 0.84%, 0.68%

LAB 64.64, 63.42, -26.26

 

CMYK 0 / 51 / 12 / 0

HEX #FF7CE0

RGB 255 124 224

HSL 314.2, 1%, 0.74%

LAB 70.22, 61.78, -28.13

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 80 / 21 / 34

HEX #A92286

RGB 169 34 134

HSL 315.56, 0.67%, 0.4%

LAB 40.08, 61.67, -23.47

 

CMYK 0 / 89 / 24 / 40

HEX #981073

RGB 152 16 115

HSL 316.32, 0.81%, 0.33%

LAB 34.57, 59.42, -20.43

 

CMYK 0 / 100 / 29 / 47

HEX #870060

RGB 135 0 96

HSL 317.33, 1%, 0.26%

LAB 29.4, 55.85, -16.5

 

CMYK 0 / 100 / 35 / 54

HEX #76004D

RGB 118 0 77

HSL 320.85, 1%, 0.23%

LAB 24.91, 49.94, -11.09

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 72 / 37 / 27

HEX #BA3475

RGB 186 52 117

HSL 330.9, 0.56%, 0.47%

LAB 44.49, 58.29, -6.01

 

CMYK 0 / 72 / 56 / 27

HEX #BA3451

RGB 186 52 81

HSL 347.01, 0.56%, 0.47%

LAB 43.49, 54.98, 14.88

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 2 / 72 / 0 / 27

HEX #B734BA

RGB 183 52 186

HSL 298.66, 0.56%, 0.47%

LAB 47.06, 67.16, -43.48

 

CMYK 21 / 72 / 0 / 27

HEX #9334BA

RGB 147 52 186

HSL 282.54, 0.56%, 0.47%

LAB 41.54, 59.56, -52.63

 

CMYK 40 / 72 / 0 / 27

HEX #6F34BA

RGB 111 52 186

HSL 266.42, 0.56%, 0.47%

LAB 36.71, 52.56, -60.69

 

CMYK 60 / 72 / 0 / 27

HEX #4B34BA

RGB 75 52 186

HSL 250.3, 0.56%, 0.47%

LAB 32.91, 46.74, -67.05

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 84 / 21 / 19

HEX #CE21A3

RGB 206 33 163

HSL 314.91, 0.72%, 0.47%

LAB 48.08, 73.84, -28.06

 

CMYK 0 / 94 / 23 / 12

HEX #E10DAD

RGB 225 13 173

HSL 314.72, 0.89%, 0.47%

LAB 51.05, 81.7, -29.08

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 57 / 14 / 35

HEX #A74890

RGB 167 72 144

HSL 314.53, 0.4%, 0.47%

LAB 45.45, 48.01, -21.28

 

CMYK 0 / 39 / 9 / 42

HEX #945B86

RGB 148 91 134

HSL 314.74, 0.24%, 0.47%

LAB 46.31, 30.08, -14.18

 

CMYK 0 / 14 / 3 / 50

HEX #806E7C

RGB 128 110 124

HSL 313.33, 0.08%, 0.47%

LAB 48.51, 9.7, -5.12

 

CMYK 16 / 0 / 12 / 49

HEX #6D8272

RGB 109 130 114

HSL 134.29, 0.09%, 0.47%

LAB 52.32, -10.98, 6.13

 

CMYK 22 / 72 / 0 / 27

HEX #9234BA

RGB 146 52 186

HSL 282.09, 0.56%, 0.47%

LAB 41.39, 59.35, -52.87

 

CMYK 2 / 72 / 0 / 27

HEX #B634BA

RGB 182 52 186

HSL 298.21, 0.56%, 0.47%

LAB 46.9, 66.94, -43.74

 

CMYK 0 / 72 / 17 / 27

HEX #BA349B

RGB 186 52 155

HSL 313.88, 0.56%, 0.47%

LAB 45.99, 63.07, -26.8

 

CMYK 0 / 72 / 36 / 27

HEX #BA3477

RGB 186 52 119

HSL 330, 0.56%, 0.47%

LAB 44.56, 58.51, -7.14

 

CMYK 0 / 72 / 55 / 27

HEX #BA3454

RGB 186 52 84

HSL 345.67, 0.56%, 0.47%

LAB 43.56, 55.21, 13.11

 

CMYK 0 / 72 / 18 / 52

HEX #7A2264

RGB 122 34 100

HSL 315, 0.56%, 0.31%

LAB 29.92, 45, -18.5

 

CMYK 0 / 72 / 18 / 40

HEX #9A2B7F

RGB 154 43 127

HSL 314.59, 0.56%, 0.39%

LAB 38.07, 54.16, -22.48

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 63 / 15 / 20

HEX #CC4CAD

RGB 204 76 173

HSL 314.53, 0.56%, 0.55%

LAB 52.98, 61.18, -26.37

 

CMYK 0 / 49 / 12 / 16

HEX #D56CBB

RGB 213 108 187

HSL 314.86, 0.56%, 0.63%

LAB 60.3, 51.27, -23.06

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 41 / 72 / 27

HEX #BA6E34

RGB 186 110 52

HSL 25.97, 0.56%, 0.47%

LAB 53.86, 25.32, 44.04

 

CMYK 72 / 0 / 12 / 27

HEX #34BAA4

RGB 52 186 164

HSL 170.15, 0.56%, 0.47%

LAB 68.41, -40.61, 0.87

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 17 / 0 / 72 / 27

HEX #9BBA34

RGB 155 186 52

HSL 73.88, 0.56%, 0.47%

LAB 71.1, -28.7, 60.7

 

CMYK 72 / 17 / 0 / 27

HEX #349BBA

RGB 52 155 186

HSL 193.88, 0.56%, 0.47%

LAB 59.63, -19.01, -24.56

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 41 / 72 / 27

HEX #BA6E34

RGB 186 110 52

HSL 25.97, 0.56%, 0.47%

LAB 53.86, 25.32, 44.04

 

CMYK 72 / 0 / 55 / 27

HEX #34BA54

RGB 52 186 84

HSL 134.33, 0.56%, 0.47%

LAB 66.89, -57.07, 41.15

 

CMYK 72 / 31 / 0 / 27

HEX #3480BA

RGB 52 128 186

HSL 205.97, 0.56%, 0.47%

LAB 51.51, -3.88, -37.19

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 0 / 19 / 72 / 27

HEX #BA9734

RGB 186 151 52

HSL 44.33, 0.56%, 0.47%

LAB 64.02, 2.71, 54.54

 

CMYK 72 / 0 / 55 / 27

HEX #34BA54

RGB 52 186 84

HSL 134.33, 0.56%, 0.47%

LAB 66.89, -57.07, 41.15

 

CMYK 72 / 53 / 0 / 27

HEX #3458BA

RGB 52 88 186

HSL 223.88, 0.56%, 0.47%

LAB 40.01, 21.19, -55.55

 

Description

Color code: HEX #BA3499 | qconv.com Color code: HEX #BA3499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 52 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 52 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 18 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 18% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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