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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3200 it is the complementary color #45CDFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3200 shade: #BF3200, #D0440E, #E15621, #F26834 and #FF7A47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3200 shade: #BA3200, #A92000, #980E00, #870000 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3200 shade: #B73100 and #B70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3200 shade: #B73100, #B76200, #B79400, #A9B700 and #77B700

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3200 shade matches the following richer shades: #B73100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3200 shade: #B73100, #A8380E, #993F1D, #8B452C and #7C4C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3200 shade: #B70030, #B70000, #B73000, #B76100 and #B79200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3200 shade: #651B00, #8E2600, #B73100, #E03C00 and #FF4C0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3200 shade: #BA3200, #61B700 and #0018B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3200 shade: #BA3200, #00B730 and #3000B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3200 shade: #BA3200, #61B700, #0086B7 and #5500B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3200 shade: #BA3200, #2AB700, #0086B7 and #8C00B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

Complementary color

CMYK 73 / 20 / 0 / 0

HEX #45CDFF

RGB 69 205 255

HSL 196.13, 1%, 0.64%

LAB 77.37, -20.6, -34.99

 

CMYK 0 / 74 / 100 / 25

HEX #BF3200

RGB 191 50 0

HSL 15.71, 1%, 0.37%

LAB 43.3, 54.29, 55.54

 

CMYK 0 / 67 / 93 / 18

HEX #D0440E

RGB 208 68 14

HSL 16.7, 0.87%, 0.44%

LAB 48.98, 53.24, 56.55

 

CMYK 0 / 62 / 85 / 12

HEX #E15621

RGB 225 86 33

HSL 16.56, 0.76%, 0.51%

LAB 54.84, 51.86, 55.6

 

CMYK 0 / 57 / 79 / 5

HEX #F26834

RGB 242 104 52

HSL 16.42, 0.88%, 0.58%

LAB 60.8, 50.35, 53.75

 

CMYK 0 / 52 / 72 / 0

HEX #FF7A47

RGB 255 122 71

HSL 16.63, 1%, 0.64%

LAB 66.24, 47.36, 50.84

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 0 / 81 / 100 / 34

HEX #A92000

RGB 169 32 0

HSL 11.36, 1%, 0.33%

LAB 36.87, 53.15, 50.15

 

CMYK 0 / 91 / 100 / 40

HEX #980E00

RGB 152 14 0

HSL 5.53, 1%, 0.3%

LAB 31.78, 52.35, 45.38

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

HEX #870000

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

HEX #760000

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 100 / 100 / 28

HEX #B70000

RGB 183 0 0

HSL 0, 1%, 0.36%

LAB 37.96, 62.44, 52.38

 

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 46 / 100 / 28

HEX #B76200

RGB 183 98 0

HSL 32.13, 1%, 0.36%

LAB 50.46, 29.13, 58.74

 

CMYK 0 / 19 / 100 / 28

HEX #B79400

RGB 183 148 0

HSL 48.52, 1%, 0.36%

LAB 62.72, 1.59, 66.86

 

CMYK 8 / 0 / 100 / 28

HEX #A9B700

RGB 169 183 0

HSL 64.59, 1%, 0.36%

LAB 71.08, -22.87, 72.33

 

CMYK 35 / 0 / 100 / 28

HEX #77B700

RGB 119 183 0

HSL 80.98, 1%, 0.36%

LAB 67.86, -43.1, 68.48

 

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 67 / 92 / 34

HEX #A8380E

RGB 168 56 14

HSL 16.36, 0.85%, 0.36%

LAB 39.89, 44.31, 46.92

 

CMYK 0 / 59 / 81 / 40

HEX #993F1D

RGB 153 63 29

HSL 16.45, 0.68%, 0.36%

LAB 38.58, 35.76, 38.22

 

CMYK 0 / 50 / 68 / 45

HEX #8B452C

RGB 139 69 44

HSL 15.79, 0.52%, 0.36%

LAB 37.71, 27.61, 28.4

 

CMYK 0 / 39 / 52 / 51

HEX #7C4C3B

RGB 124 76 59

HSL 15.69, 0.36%, 0.36%

LAB 37.43, 18.34, 18.6

 

CMYK 0 / 100 / 74 / 28

HEX #B70030

RGB 183 0 48

HSL 344.26, 1%, 0.36%

LAB 38.34, 63.47, 28.78

 

CMYK 0 / 100 / 100 / 28

HEX #B70000

RGB 183 0 0

HSL 0, 1%, 0.36%

LAB 37.96, 62.44, 52.38

 

CMYK 0 / 74 / 100 / 28

HEX #B73000

RGB 183 48 0

HSL 15.74, 1%, 0.36%

LAB 41.5, 52.41, 53.83

 

CMYK 0 / 47 / 100 / 28

HEX #B76100

RGB 183 97 0

HSL 31.8, 1%, 0.36%

LAB 50.24, 29.66, 58.6

 

CMYK 0 / 20 / 100 / 28

HEX #B79200

RGB 183 146 0

HSL 47.87, 1%, 0.36%

LAB 62.19, 2.68, 66.49

 

CMYK 0 / 73 / 100 / 60

HEX #651B00

RGB 101 27 0

HSL 16.04, 1%, 0.2%

LAB 22.13, 32.04, 32.69

 

CMYK 0 / 73 / 100 / 44

HEX #8E2600

RGB 142 38 0

HSL 16.06, 1%, 0.28%

LAB 32.12, 42.37, 44.6

 

CMYK 0 / 73 / 100 / 28

HEX #B73100

RGB 183 49 0

HSL 16.07, 1%, 0.36%

LAB 41.63, 52.05, 53.89

 

CMYK 0 / 73 / 100 / 12

HEX #E03C00

RGB 224 60 0

HSL 16.07, 1%, 0.44%

LAB 50.78, 61.28, 62.57

 

CMYK 0 / 70 / 96 / 0

HEX #FF4C0B

RGB 255 76 11

HSL 15.98, 1%, 0.52%

LAB 58.46, 65.48, 67.25

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 47 / 0 / 100 / 28

HEX #61B700

RGB 97 183 0

HSL 88.2, 1%, 0.36%

LAB 66.83, -50.67, 67.24

 

CMYK 100 / 87 / 0 / 28

HEX #0018B7

RGB 0 24 183

HSL 232.13, 1%, 0.36%

LAB 23.91, 54.81, -80.3

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 100 / 0 / 74 / 28

HEX #00B730

RGB 0 183 48

HSL 135.74, 1%, 0.36%

LAB 65.03, -64.98, 54.38

 

CMYK 74 / 100 / 0 / 28

HEX #3000B7

RGB 48 0 183

HSL 255.74, 1%, 0.36%

LAB 23.83, 62.52, -80.38

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 47 / 0 / 100 / 28

HEX #61B700

RGB 97 183 0

HSL 88.2, 1%, 0.36%

LAB 66.83, -50.67, 67.24

 

CMYK 100 / 27 / 0 / 28

HEX #0086B7

RGB 0 134 183

HSL 196.07, 1%, 0.36%

LAB 52.36, -12.56, -34.19

 

CMYK 54 / 100 / 0 / 28

HEX #5500B7

RGB 85 0 183

HSL 267.87, 1%, 0.36%

LAB 27.71, 64.46, -73.82

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 77 / 0 / 100 / 28

HEX #2AB700

RGB 42 183 0

HSL 106.23, 1%, 0.36%

LAB 65.25, -63.66, 65.31

 

CMYK 100 / 27 / 0 / 28

HEX #0086B7

RGB 0 134 183

HSL 196.07, 1%, 0.36%

LAB 52.36, -12.56, -34.19

 

CMYK 23 / 100 / 0 / 28

HEX #8C00B7

RGB 140 0 183

HSL 285.9, 1%, 0.36%

LAB 35.97, 70.18, -59.93

 

Description

Color code: HEX #BA3200 | qconv.com Color code: HEX #BA3200 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 50 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 50 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 100 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 100% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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