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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3A5E it is the complementary color #45C5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3A5E shade: #BF3A59, #D04C6C, #E15E7F, #F27092 and #FF82A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3A5E shade: #BA3A5E, #A9284B, #981638, #870425 and #760012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3A5E shade: #BA3A5E, #BA3A3C and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3A5E shade: #BA3A5E, #BA3A80, #BA3AA3, #AE3ABA and #8C3ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3A5E shade matches the following richer shades: #BA3A5E, #CD2655 and #E1134D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3A5E shade: #BA3A5E, #A64E67, #92626F, #7E7678 and #6A8981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3A5E shade: #BA3AA2, #BA3A80, #BA3A5E, #BA3A3C and #BA5A3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3A5E shade: #7B263E, #9A304E, #BA3A5E, #C95475 and #D3748E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3A5E shade: #BA3A5E, #BAAF3A and #3A91BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3A5E shade: #BA3A5E, #5EBA3A and #3A5EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3A5E shade: #BA3A5E, #BAAF3A, #3ABA95 and #3A45BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3A5E shade: #BA3A5E, #9EBA3A, #3ABA95 and #563ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

Complementary color

CMYK 65 / 0 / 18 / 23

HEX #45C5A1

RGB 69 197 161

HSL 163.13, 0.52%, 0.52%

LAB 72.08, -43.59, 7.85

 

CMYK 0 / 70 / 53 / 25

HEX #BF3A59

RGB 191 58 89

HSL 346.02, 0.53%, 0.49%

LAB 45.39, 54.89, 12.69

 

CMYK 0 / 63 / 48 / 18

HEX #D04C6C

RGB 208 76 108

HSL 345.45, 0.58%, 0.56%

LAB 51.45, 54.55, 10.03

 

CMYK 0 / 58 / 44 / 12

HEX #E15E7F

RGB 225 94 127

HSL 344.89, 0.69%, 0.63%

LAB 57.6, 53.93, 7.86

 

CMYK 0 / 54 / 40 / 5

HEX #F27092

RGB 242 112 146

HSL 344.31, 0.83%, 0.69%

LAB 63.79, 53.15, 6.04

 

CMYK 0 / 49 / 35 / 0

HEX #FF82A5

RGB 255 130 165

HSL 343.2, 1%, 0.75%

LAB 69.43, 50.98, 3.63

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 76 / 56 / 34

HEX #A9284B

RGB 169 40 75

HSL 343.72, 0.62%, 0.41%

LAB 38.66, 53.61, 11.51

 

CMYK 0 / 86 / 63 / 40

HEX #981638

RGB 152 22 56

HSL 344.31, 0.75%, 0.34%

LAB 32.99, 52.56, 15.53

 

CMYK 0 / 97 / 73 / 47

HEX #870425

RGB 135 4 37

HSL 344.89, 0.94%, 0.27%

LAB 27.77, 50.26, 20.66

 

CMYK 0 / 100 / 85 / 54

HEX #760012

RGB 118 0 18

HSL 350.85, 1%, 0.23%

LAB 23.32, 45.73, 26.99

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 69 / 68 / 27

HEX #BA3A3C

RGB 186 58 60

HSL 359.06, 0.52%, 0.48%

LAB 43.93, 51.33, 28.31

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 69 / 31 / 27

HEX #BA3A80

RGB 186 58 128

HSL 327.19, 0.52%, 0.48%

LAB 45.67, 57.35, -10.98

 

CMYK 0 / 69 / 12 / 27

HEX #BA3AA3

RGB 186 58 163

HSL 310.78, 0.52%, 0.48%

LAB 47.12, 62.11, -29.81

 

CMYK 6 / 69 / 0 / 27

HEX #AE3ABA

RGB 174 58 186

HSL 294.38, 0.52%, 0.48%

LAB 46.41, 63.04, -44.61

 

CMYK 25 / 69 / 0 / 27

HEX #8C3ABA

RGB 140 58 186

HSL 278.44, 0.52%, 0.48%

LAB 41.45, 55.56, -52.83

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 81 / 59 / 20

HEX #CD2655

RGB 205 38 85

HSL 343.11, 0.69%, 0.48%

LAB 45.66, 64.95, 15.95

 

CMYK 0 / 92 / 66 / 12

HEX #E1134D

RGB 225 19 77

HSL 343.11, 0.84%, 0.48%

LAB 48.27, 73.05, 25.05

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 53 / 38 / 35

HEX #A64E67

RGB 166 78 103

HSL 342.95, 0.36%, 0.48%

LAB 44.99, 38.89, 2.94

 

CMYK 0 / 33 / 24 / 43

HEX #92626F

RGB 146 98 111

HSL 343.75, 0.2%, 0.48%

LAB 46.97, 21.41, 0.62

 

CMYK 0 / 6 / 5 / 51

HEX #7E7678

RGB 126 118 120

HSL 345, 0.03%, 0.48%

LAB 50.39, 3.45, -0

 

CMYK 23 / 0 / 6 / 46

HEX #6A8981

RGB 106 137 129

HSL 164.52, 0.13%, 0.48%

LAB 54.6, -12.7, 0.69

 

CMYK 0 / 69 / 13 / 27

HEX #BA3AA2

RGB 186 58 162

HSL 311.25, 0.52%, 0.48%

LAB 47.07, 61.96, -29.29

 

CMYK 0 / 69 / 31 / 27

HEX #BA3A80

RGB 186 58 128

HSL 327.19, 0.52%, 0.48%

LAB 45.67, 57.35, -10.98

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 69 / 68 / 27

HEX #BA3A3C

RGB 186 58 60

HSL 359.06, 0.52%, 0.48%

LAB 43.93, 51.33, 28.31

 

CMYK 0 / 52 / 69 / 27

HEX #BA5A3A

RGB 186 90 58

HSL 15, 0.52%, 0.48%

LAB 49.57, 36.33, 36.15

 

CMYK 0 / 69 / 50 / 52

HEX #7B263E

RGB 123 38 62

HSL 343.06, 0.53%, 0.32%

LAB 29.27, 38.76, 5.53

 

CMYK 0 / 69 / 49 / 40

HEX #9A304E

RGB 154 48 78

HSL 343.02, 0.52%, 0.4%

LAB 36.99, 46.26, 6.85

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 58 / 42 / 21

HEX #C95475

RGB 201 84 117

HSL 343.08, 0.52%, 0.56%

LAB 51.89, 49.59, 5.1

 

CMYK 0 / 45 / 33 / 17

HEX #D3748E

RGB 211 116 142

HSL 343.58, 0.52%, 0.64%

LAB 60.15, 40.07, 2.54

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 6 / 69 / 27

HEX #BAAF3A

RGB 186 175 58

HSL 54.84, 0.52%, 0.48%

LAB 70.46, -9.76, 58.59

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 49 / 0 / 69 / 27

HEX #5EBA3A

RGB 94 186 58

HSL 103.13, 0.52%, 0.48%

LAB 67.88, -50.23, 54.11

 

CMYK 69 / 49 / 0 / 27

HEX #3A5EBA

RGB 58 94 186

HSL 223.13, 0.52%, 0.48%

LAB 41.92, 18.18, -52.44

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 0 / 6 / 69 / 27

HEX #BAAF3A

RGB 186 175 58

HSL 54.84, 0.52%, 0.48%

LAB 70.46, -9.76, 58.59

 

CMYK 69 / 0 / 20 / 27

HEX #3ABA95

RGB 58 186 149

HSL 162.66, 0.52%, 0.48%

LAB 68.16, -43.56, 8.75

 

CMYK 69 / 63 / 0 / 27

HEX #3A45BA

RGB 58 69 186

HSL 234.84, 0.52%, 0.48%

LAB 35.4, 34.3, -63.02

 

CMYK 0 / 69 / 49 / 27

HEX #BA3A5E

RGB 186 58 94

HSL 343.13, 0.52%, 0.48%

LAB 44.62, 53.77, 8.39

 

CMYK 15 / 0 / 69 / 27

HEX #9EBA3A

RGB 158 186 58

HSL 73.13, 0.52%, 0.48%

LAB 71.35, -27.13, 58.78

 

CMYK 69 / 0 / 20 / 27

HEX #3ABA95

RGB 58 186 149

HSL 162.66, 0.52%, 0.48%

LAB 68.16, -43.56, 8.75

 

CMYK 54 / 69 / 0 / 27

HEX #563ABA

RGB 86 58 186

HSL 253.13, 0.52%, 0.48%

LAB 35.1, 45.13, -63.42

 

Description

Color code: HEX #BA3A5E | qconv.com Color code: HEX #BA3A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 58 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 58 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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