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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3F17 it is the complementary color #45C0E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3F17 shade: #BF3F12, #D05125, #E16338, #F2754B and #FF875E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3F17 shade: #BA3F17, #A92D04, #981B00, #870900 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3F17 shade: #BA3F17 and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3F17 shade: #BA3F17, #BA6A17, #BA9617, #B1BA17 and #85BA17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3F17 shade matches the following richer shades: #BA3F17 and #CB3606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3F17 shade: #BA3F17, #A94727, #985038, #875849 and #76615A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3F17 shade: #BA1747, #BA171C, #BA3D17, #BA6817 and #BA9417

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3F17 shade: #70260D, #953212, #BA3F17, #DE4B1B and #E6663C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3F17 shade: #BA3F17, #73BA17 and #1732BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3F17 shade: #BA3F17, #17BA3D and #3D17BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3F17 shade: #BA3F17, #73BA17, #1794BA and #5D17BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3F17 shade: #BA3F17, #42BA17, #1794BA and #8E17BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

Complementary color

CMYK 70 / 17 / 0 / 9

HEX #45C0E8

RGB 69 192 232

HSL 194.72, 0.78%, 0.59%

LAB 72.75, -21.23, -29.75

 

CMYK 0 / 67 / 91 / 25

HEX #BF3F12

RGB 191 63 18

HSL 15.61, 0.83%, 0.41%

LAB 45.19, 49.52, 51.24

 

CMYK 0 / 61 / 82 / 18

HEX #D05125

RGB 208 81 37

HSL 15.44, 0.7%, 0.48%

LAB 51.18, 48.13, 49.59

 

CMYK 0 / 56 / 75 / 12

HEX #E16338

RGB 225 99 56

HSL 15.27, 0.74%, 0.55%

LAB 57.29, 46.63, 47.4

 

CMYK 0 / 52 / 69 / 5

HEX #F2754B

RGB 242 117 75

HSL 15.09, 0.87%, 0.62%

LAB 63.43, 45.14, 45.17

 

CMYK 0 / 47 / 63 / 0

HEX #FF875E

RGB 255 135 94

HSL 15.28, 1%, 0.68%

LAB 69.04, 42.2, 42.28

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 73 / 98 / 34

HEX #A92D04

RGB 169 45 4

HSL 14.91, 0.95%, 0.34%

LAB 38.41, 48.95, 49.38

 

CMYK 0 / 82 / 100 / 40

HEX #981B00

RGB 152 27 0

HSL 10.66, 1%, 0.3%

LAB 32.83, 49.37, 46.07

 

CMYK 0 / 93 / 100 / 47

HEX #870900

RGB 135 9 0

HSL 4, 1%, 0.26%

LAB 27.7, 48.38, 40.6

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 43 / 88 / 27

HEX #BA6A17

RGB 186 106 23

HSL 30.55, 0.78%, 0.41%

LAB 52.74, 26.43, 55.05

 

CMYK 0 / 19 / 88 / 27

HEX #BA9617

RGB 186 150 23

HSL 46.75, 0.78%, 0.41%

LAB 63.6, 2.21, 63.77

 

CMYK 5 / 0 / 88 / 27

HEX #B1BA17

RGB 177 186 23

HSL 63.31, 0.78%, 0.41%

LAB 72.58, -20.56, 70.68

 

CMYK 28 / 0 / 88 / 27

HEX #85BA17

RGB 133 186 23

HSL 79.51, 0.78%, 0.41%

LAB 69.59, -38.67, 66.99

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 73 / 97 / 20

HEX #CB3606

RGB 203 54 6

HSL 14.62, 0.94%, 0.41%

LAB 46.11, 56.79, 56.46

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 58 / 77 / 34

HEX #A94727

RGB 169 71 39

HSL 14.77, 0.63%, 0.41%

LAB 42.9, 38.4, 38.29

 

CMYK 0 / 47 / 63 / 40

HEX #985038

RGB 152 80 56

HSL 15, 0.46%, 0.41%

LAB 42.31, 27.79, 27.4

 

CMYK 0 / 35 / 46 / 47

HEX #875849

RGB 135 88 73

HSL 14.52, 0.3%, 0.41%

LAB 42.17, 17.55, 16.66

 

CMYK 0 / 18 / 24 / 54

HEX #76615A

RGB 118 97 90

HSL 15, 0.13%, 0.41%

LAB 42.97, 7.27, 7.16

 

CMYK 0 / 88 / 62 / 27

HEX #BA1747

RGB 186 23 71

HSL 342.33, 0.78%, 0.41%

LAB 40.42, 62.37, 17.01

 

CMYK 0 / 88 / 85 / 27

HEX #BA171C

RGB 186 23 28

HSL 358.16, 0.78%, 0.41%

LAB 39.81, 60.59, 42.13

 

CMYK 0 / 67 / 88 / 27

HEX #BA3D17

RGB 186 61 23

HSL 13.99, 0.78%, 0.41%

LAB 44, 48.71, 48.02

 

CMYK 0 / 44 / 88 / 27

HEX #BA6817

RGB 186 104 23

HSL 29.82, 0.78%, 0.41%

LAB 52.29, 27.52, 54.68

 

CMYK 0 / 20 / 88 / 27

HEX #BA9417

RGB 186 148 23

HSL 46.01, 0.78%, 0.41%

LAB 63.08, 3.3, 63.35

 

CMYK 0 / 66 / 88 / 56

HEX #70260D

RGB 112 38 13

HSL 15.15, 0.79%, 0.25%

LAB 26.33, 31.49, 32.15

 

CMYK 0 / 66 / 88 / 42

HEX #953212

RGB 149 50 18

HSL 14.66, 0.78%, 0.33%

LAB 35.43, 40.13, 40.35

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 0 / 66 / 88 / 13

HEX #DE4B1B

RGB 222 75 27

HSL 14.77, 0.78%, 0.49%

LAB 52.55, 55.35, 55.9

 

CMYK 0 / 56 / 74 / 10

HEX #E6663C

RGB 230 102 60

HSL 14.82, 0.77%, 0.57%

LAB 58.65, 47.22, 47.07

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 38 / 0 / 88 / 27

HEX #73BA17

RGB 115 186 23

HSL 86.13, 0.78%, 0.41%

LAB 68.62, -45.33, 65.79

 

CMYK 88 / 73 / 0 / 27

HEX #1732BA

RGB 23 50 186

HSL 230.06, 0.78%, 0.41%

LAB 29.43, 42.98, -72.89

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 88 / 0 / 67 / 27

HEX #17BA3D

RGB 23 186 61

HSL 133.99, 0.78%, 0.41%

LAB 66.24, -63.4, 50.65

 

CMYK 67 / 88 / 0 / 27

HEX #3D17BA

RGB 61 23 186

HSL 253.99, 0.78%, 0.41%

LAB 27.16, 58.33, -76.59

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 38 / 0 / 88 / 27

HEX #73BA17

RGB 115 186 23

HSL 86.13, 0.78%, 0.41%

LAB 68.62, -45.33, 65.79

 

CMYK 88 / 20 / 0 / 27

HEX #1794BA

RGB 23 148 186

HSL 193.99, 0.78%, 0.41%

LAB 56.98, -18.16, -28.69

 

CMYK 50 / 88 / 0 / 27

HEX #5D17BA

RGB 93 23 186

HSL 265.77, 0.78%, 0.41%

LAB 30.6, 61.17, -70.78

 

CMYK 0 / 66 / 88 / 27

HEX #BA3F17

RGB 186 63 23

HSL 14.72, 0.78%, 0.41%

LAB 44.31, 47.87, 48.27

 

CMYK 65 / 0 / 88 / 27

HEX #42BA17

RGB 66 186 23

HSL 104.17, 0.78%, 0.41%

LAB 66.78, -59.6, 63.48

 

CMYK 88 / 20 / 0 / 27

HEX #1794BA

RGB 23 148 186

HSL 193.99, 0.78%, 0.41%

LAB 56.98, -18.16, -28.69

 

CMYK 24 / 88 / 0 / 27

HEX #8E17BA

RGB 142 23 186

HSL 283.8, 0.78%, 0.41%

LAB 37.68, 67.62, -58.92

 

Description

Color code: HEX #BA3F17 | qconv.com Color code: HEX #BA3F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 63 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 63 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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