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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4482 it is the complementary color #45BB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4482 shade: #BF447D, #D05690, #E168A3, #F27AB6 and #FF8CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4482 shade: #BA4482, #A9326F, #98205C, #870E49 and #760036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4482 shade: #BA4482, #BA4462 and #BA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4482 shade: #BA4482, #BA44A2, #B244BA, #9244BA and #7344BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4482 shade matches the following richer shades: #BA4482, #CE3083, #E31B84 and #F80685

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4482 shade: #BA4482, #A55981, #906E80, #7C827F and #67977E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4482 shade: #B244BA, #BA44A2, #BA4483, #BA4464 and #BA4444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4482 shade: #7D2E58, #9C396D, #BA4482, #C56296 and #D081AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4482 shade: #BA4482, #BA9344 and #44B2BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4482 shade: #BA4482, #83BA44 and #4483BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4482 shade: #BA4482, #BA9344, #44BA7B and #446BBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4482 shade: #BA4482, #BAB644, #44BA7B and #4448BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

Complementary color

CMYK 63 / 0 / 33 / 27

HEX #45BB7D

RGB 69 187 125

HSL 148.47, 0.46%, 0.5%

LAB 68.23, -47.36, 21.9

 

CMYK 0 / 64 / 35 / 25

HEX #BF447D

RGB 191 68 125

HSL 332.2, 0.49%, 0.51%

LAB 47.87, 54.42, -5.78

 

CMYK 0 / 59 / 31 / 18

HEX #D05690

RGB 208 86 144

HSL 331.48, 0.56%, 0.58%

LAB 54.11, 54.03, -7.56

 

CMYK 0 / 54 / 28 / 12

HEX #E168A3

RGB 225 104 163

HSL 330.74, 0.67%, 0.65%

LAB 60.38, 53.44, -9.01

 

CMYK 0 / 50 / 25 / 5

HEX #F27AB6

RGB 242 122 182

HSL 330, 0.82%, 0.71%

LAB 66.65, 52.73, -10.23

 

CMYK 0 / 45 / 21 / 0

HEX #FF8CC9

RGB 255 140 201

HSL 328.17, 1%, 0.77%

LAB 72.38, 50.7, -12.1

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 70 / 34 / 34

HEX #A9326F

RGB 169 50 111

HSL 329.24, 0.54%, 0.43%

LAB 41, 53.54, -7.82

 

CMYK 0 / 79 / 39 / 40

HEX #98205C

RGB 152 32 92

HSL 330, 0.65%, 0.36%

LAB 34.97, 52.89, -5.14

 

CMYK 0 / 90 / 46 / 47

HEX #870E49

RGB 135 14 73

HSL 330.74, 0.81%, 0.29%

LAB 29.28, 51.07, -1.49

 

CMYK 0 / 100 / 54 / 54

HEX #760036

RGB 118 0 54

HSL 332.54, 1%, 0.23%

LAB 24.06, 47.71, 3.39

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 63 / 47 / 27

HEX #BA4462

RGB 186 68 98

HSL 344.75, 0.46%, 0.5%

LAB 46.25, 49.98, 8.23

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 63 / 13 / 27

HEX #BA44A2

RGB 186 68 162

HSL 312.2, 0.46%, 0.5%

LAB 48.49, 58.01, -27.08

 

CMYK 4 / 63 / 0 / 27

HEX #B244BA

RGB 178 68 186

HSL 295.93, 0.46%, 0.5%

LAB 48.44, 59.96, -41.34

 

CMYK 22 / 63 / 0 / 27

HEX #9244BA

RGB 146 68 186

HSL 279.66, 0.46%, 0.5%

LAB 43.93, 52.28, -48.8

 

CMYK 38 / 63 / 0 / 27

HEX #7344BA

RGB 115 68 186

HSL 263.9, 0.46%, 0.5%

LAB 40.12, 45.23, -55.13

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 77 / 36 / 19

HEX #CE3083

RGB 206 48 131

HSL 328.48, 0.62%, 0.5%

LAB 48.1, 66.42, -8.79

 

CMYK 0 / 88 / 42 / 11

HEX #E31B84

RGB 227 27 132

HSL 328.5, 0.79%, 0.5%

LAB 50.43, 76.22, -5.51

 

CMYK 0 / 98 / 46 / 3

HEX #F80685

RGB 248 6 133

HSL 328.51, 0.95%, 0.5%

LAB 53.79, 83.04, -0.69

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 46 / 22 / 35

HEX #A55981

RGB 165 89 129

HSL 328.42, 0.3%, 0.5%

LAB 47.92, 36.31, -8.53

 

CMYK 0 / 24 / 11 / 44

HEX #906E80

RGB 144 110 128

HSL 328.24, 0.13%, 0.5%

LAB 50.26, 16.53, -4.72

 

CMYK 5 / 0 / 2 / 49

HEX #7C827F

RGB 124 130 127

HSL 150, 0.02%, 0.5%

LAB 53.8, -2.83, 0.84

 

CMYK 32 / 0 / 17 / 41

HEX #67977E

RGB 103 151 126

HSL 148.75, 0.19%, 0.5%

LAB 58.53, -21.76, 8.06

 

CMYK 4 / 63 / 0 / 27

HEX #B244BA

RGB 178 68 186

HSL 295.93, 0.46%, 0.5%

LAB 48.44, 59.96, -41.34

 

CMYK 0 / 63 / 13 / 27

HEX #BA44A2

RGB 186 68 162

HSL 312.2, 0.46%, 0.5%

LAB 48.49, 58.01, -27.08

 

CMYK 0 / 63 / 30 / 27

HEX #BA4483

RGB 186 68 131

HSL 327.97, 0.46%, 0.5%

LAB 47.25, 53.65, -10.42

 

CMYK 0 / 63 / 46 / 27

HEX #BA4464

RGB 186 68 100

HSL 343.73, 0.46%, 0.5%

LAB 46.3, 50.17, 7.08

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 63 / 30 / 51

HEX #7D2E58

RGB 125 46 88

HSL 328.1, 0.46%, 0.34%

LAB 31.85, 38.85, -7.73

 

CMYK 0 / 63 / 30 / 39

HEX #9C396D

RGB 156 57 109

HSL 328.48, 0.46%, 0.42%

LAB 39.75, 46.5, -8.69

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 50 / 24 / 23

HEX #C56296

RGB 197 98 150

HSL 328.48, 0.46%, 0.58%

LAB 54.87, 45.57, -10.11

 

CMYK 0 / 38 / 18 / 18

HEX #D081AA

RGB 208 129 170

HSL 328.86, 0.46%, 0.66%

LAB 63.35, 36.11, -8.82

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 21 / 63 / 27

HEX #BA9344

RGB 186 147 68

HSL 40.17, 0.46%, 0.5%

LAB 63.11, 5.83, 46.41

 

CMYK 63 / 4 / 0 / 27

HEX #44B2BA

RGB 68 178 186

HSL 184.07, 0.46%, 0.5%

LAB 66.99, -28.34, -13.34

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 30 / 0 / 63 / 27

HEX #83BA44

RGB 131 186 68

HSL 87.97, 0.46%, 0.5%

LAB 69.73, -36.96, 52.49

 

CMYK 63 / 30 / 0 / 27

HEX #4483BA

RGB 68 131 186

HSL 207.97, 0.46%, 0.5%

LAB 52.96, -3.02, -34.88

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 21 / 63 / 27

HEX #BA9344

RGB 186 147 68

HSL 40.17, 0.46%, 0.5%

LAB 63.11, 5.83, 46.41

 

CMYK 63 / 0 / 34 / 27

HEX #44BA7B

RGB 68 186 123

HSL 147.97, 0.46%, 0.5%

LAB 67.86, -47.55, 22.45

 

CMYK 63 / 42 / 0 / 27

HEX #446BBA

RGB 68 107 186

HSL 220.17, 0.46%, 0.5%

LAB 46.03, 11.59, -45.83

 

CMYK 0 / 63 / 30 / 27

HEX #BA4482

RGB 186 68 130

HSL 328.47, 0.46%, 0.5%

LAB 47.22, 53.52, -9.87

 

CMYK 0 / 2 / 63 / 27

HEX #BAB644

RGB 186 182 68

HSL 57.97, 0.46%, 0.5%

LAB 72.44, -12.78, 56.54

 

CMYK 63 / 0 / 34 / 27

HEX #44BA7B

RGB 68 186 123

HSL 147.97, 0.46%, 0.5%

LAB 67.86, -47.55, 22.45

 

CMYK 63 / 61 / 0 / 27

HEX #4448BA

RGB 68 72 186

HSL 237.97, 0.46%, 0.5%

LAB 36.76, 33.88, -60.78

 

Description

Color code: HEX #BA4482 | qconv.com Color code: HEX #BA4482 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 68 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 68 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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