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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA448B it is the complementary color #45BB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA448B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA448B shade: #BF4486, #D05699, #E168AC, #F27ABF and #FF8CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA448B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA448B shade: #BA448B, #A93278, #982065, #870E52 and #76003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA448B shade: #BA448B, #BA446B, #BA444C and #BA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA448B shade: #BA448B, #BA44AB, #A944BA, #8944BA and #6A44BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA448B shade matches the following richer shades: #BA448B, #CE308F, #E31B93 and #F80698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA448B shade: #BA448B, #A55987, #906E83, #7C827E and #67977A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA448B shade: #A844BA, #BA44AC, #BA448D, #BA446D and #BA444E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA448B shade: #7D2E5E, #9C3974, #BA448B, #C5629E and #D081B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA448B shade: #BA448B, #BA8944 and #44BAB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA448B shade: #BA448B, #8DBA44 and #448DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA448B shade: #BA448B, #BA8944, #44BA71 and #4475BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA448B shade: #BA448B, #BAAC44, #44BA71 and #4452BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

Complementary color

CMYK 63 / 0 / 38 / 27

HEX #45BB74

RGB 69 187 116

HSL 143.9, 0.46%, 0.5%

LAB 68.07, -49.1, 26.46

 

CMYK 0 / 64 / 30 / 25

HEX #BF4486

RGB 191 68 134

HSL 327.8, 0.49%, 0.51%

LAB 48.17, 55.51, -10.76

 

CMYK 0 / 59 / 26 / 18

HEX #D05699

RGB 208 86 153

HSL 327.05, 0.56%, 0.58%

LAB 54.41, 55.19, -12.4

 

CMYK 0 / 54 / 24 / 12

HEX #E168AC

RGB 225 104 172

HSL 326.28, 0.67%, 0.65%

LAB 60.68, 54.64, -13.74

 

CMYK 0 / 50 / 21 / 5

HEX #F27ABF

RGB 242 122 191

HSL 325.5, 0.82%, 0.71%

LAB 66.94, 53.98, -14.87

 

CMYK 0 / 45 / 18 / 0

HEX #FF8CD2

RGB 255 140 210

HSL 323.48, 1%, 0.77%

LAB 72.67, 52, -16.64

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 70 / 29 / 34

HEX #A93278

RGB 169 50 120

HSL 324.71, 0.54%, 0.43%

LAB 41.33, 54.64, -12.91

 

CMYK 0 / 79 / 34 / 40

HEX #982065

RGB 152 32 101

HSL 325.5, 0.65%, 0.36%

LAB 35.3, 53.9, -10.41

 

CMYK 0 / 90 / 39 / 47

HEX #870E52

RGB 135 14 82

HSL 326.28, 0.81%, 0.29%

LAB 29.6, 51.98, -6.99

 

CMYK 0 / 100 / 47 / 54

HEX #76003F

RGB 118 0 63

HSL 327.97, 1%, 0.23%

LAB 24.36, 48.49, -2.39

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 63 / 42 / 27

HEX #BA446B

RGB 186 68 107

HSL 340.17, 0.46%, 0.5%

LAB 46.49, 50.87, 3.07

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 63 / 8 / 27

HEX #BA44AB

RGB 186 68 171

HSL 307.63, 0.46%, 0.5%

LAB 48.9, 59.43, -31.75

 

CMYK 9 / 63 / 0 / 27

HEX #A944BA

RGB 169 68 186

HSL 291.36, 0.46%, 0.5%

LAB 47.12, 57.78, -43.51

 

CMYK 26 / 63 / 0 / 27

HEX #8944BA

RGB 137 68 186

HSL 275.08, 0.46%, 0.5%

LAB 42.76, 50.17, -50.74

 

CMYK 43 / 63 / 0 / 27

HEX #6A44BA

RGB 106 68 186

HSL 259.32, 0.46%, 0.5%

LAB 39.15, 43.32, -56.75

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 77 / 31 / 19

HEX #CE308F

RGB 206 48 143

HSL 323.92, 0.62%, 0.5%

LAB 48.53, 67.73, -15.39

 

CMYK 0 / 88 / 35 / 11

HEX #E31B93

RGB 227 27 147

HSL 324, 0.79%, 0.5%

LAB 50.95, 77.63, -13.77

 

CMYK 0 / 98 / 39 / 3

HEX #F80698

RGB 248 6 152

HSL 323.8, 0.95%, 0.5%

LAB 54.4, 84.64, -11.14

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 46 / 18 / 35

HEX #A55987

RGB 165 89 135

HSL 323.68, 0.3%, 0.5%

LAB 48.13, 37.25, -11.82

 

CMYK 0 / 24 / 9 / 44

HEX #906E83

RGB 144 110 131

HSL 322.94, 0.13%, 0.5%

LAB 50.36, 17.08, -6.35

 

CMYK 5 / 0 / 3 / 49

HEX #7C827E

RGB 124 130 126

HSL 140, 0.02%, 0.5%

LAB 53.77, -3.03, 1.38

 

CMYK 32 / 0 / 19 / 41

HEX #67977A

RGB 103 151 122

HSL 143.75, 0.19%, 0.5%

LAB 58.44, -22.59, 10.18

 

CMYK 10 / 63 / 0 / 27

HEX #A844BA

RGB 168 68 186

HSL 290.85, 0.46%, 0.5%

LAB 46.98, 57.54, -43.75

 

CMYK 0 / 63 / 8 / 27

HEX #BA44AC

RGB 186 68 172

HSL 307.12, 0.46%, 0.5%

LAB 48.95, 59.59, -32.27

 

CMYK 0 / 63 / 24 / 27

HEX #BA448D

RGB 186 68 141

HSL 322.88, 0.46%, 0.5%

LAB 47.62, 54.97, -15.89

 

CMYK 0 / 63 / 41 / 27

HEX #BA446D

RGB 186 68 109

HSL 339.15, 0.46%, 0.5%

LAB 46.55, 51.08, 1.92

 

CMYK 0 / 63 / 58 / 27

HEX #BA444E

RGB 186 68 78

HSL 354.92, 0.46%, 0.5%

LAB 45.8, 48.28, 19.83

 

CMYK 0 / 63 / 25 / 51

HEX #7D2E5E

RGB 125 46 94

HSL 323.54, 0.46%, 0.34%

LAB 32.08, 39.72, -11.25

 

CMYK 0 / 63 / 26 / 39

HEX #9C3974

RGB 156 57 116

HSL 324.24, 0.46%, 0.42%

LAB 40.01, 47.44, -12.65

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 50 / 20 / 23

HEX #C5629E

RGB 197 98 158

HSL 323.64, 0.46%, 0.58%

LAB 55.15, 46.74, -14.38

 

CMYK 0 / 38 / 15 / 18

HEX #D081B0

RGB 208 129 176

HSL 324.3, 0.46%, 0.66%

LAB 63.54, 37.06, -11.94

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 26 / 63 / 27

HEX #BA8944

RGB 186 137 68

HSL 35.08, 0.46%, 0.5%

LAB 60.56, 11.34, 43.53

 

CMYK 63 / 0 / 1 / 27

HEX #44BAB8

RGB 68 186 184

HSL 178.98, 0.46%, 0.5%

LAB 69.33, -32.78, -8.73

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 24 / 0 / 63 / 27

HEX #8DBA44

RGB 141 186 68

HSL 82.88, 0.46%, 0.5%

LAB 70.31, -33.18, 53.3

 

CMYK 63 / 24 / 0 / 27

HEX #448DBA

RGB 68 141 186

HSL 202.88, 0.46%, 0.5%

LAB 55.91, -8.79, -30.27

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 26 / 63 / 27

HEX #BA8944

RGB 186 137 68

HSL 35.08, 0.46%, 0.5%

LAB 60.56, 11.34, 43.53

 

CMYK 63 / 0 / 39 / 27

HEX #44BA71

RGB 68 186 113

HSL 142.88, 0.46%, 0.5%

LAB 67.68, -49.46, 27.52

 

CMYK 63 / 37 / 0 / 27

HEX #4475BA

RGB 68 117 186

HSL 215.08, 0.46%, 0.5%

LAB 48.88, 5.38, -41.3

 

CMYK 0 / 63 / 25 / 27

HEX #BA448B

RGB 186 68 139

HSL 323.9, 0.46%, 0.5%

LAB 47.54, 54.7, -14.8

 

CMYK 0 / 8 / 63 / 27

HEX #BAAC44

RGB 186 172 68

HSL 52.88, 0.46%, 0.5%

LAB 69.73, -7.59, 53.65

 

CMYK 63 / 0 / 39 / 27

HEX #44BA71

RGB 68 186 113

HSL 142.88, 0.46%, 0.5%

LAB 67.68, -49.46, 27.52

 

CMYK 63 / 56 / 0 / 27

HEX #4452BA

RGB 68 82 186

HSL 232.88, 0.46%, 0.5%

LAB 39.26, 27.53, -56.72

 

Description

Color code: HEX #BA448B | qconv.com Color code: HEX #BA448B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 68 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 68 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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