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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA464E it is the complementary color #45B9B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA464E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA464E shade: #BF4649, #D0585C, #E16A6F, #F27C82 and #FF8E95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA464E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA464E shade: #BA464E, #A9343B, #982228, #871015 and #760002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA464E shade: #BA444C and #BA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA464E shade: #BA444C, #BA446C, #BA448C, #BA44AB and #A844BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA464E shade matches the following richer shades: #BA444C, #CE303B, #E31B29 and #F80617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA464E shade: #BA444C, #A5595E, #906E70, #7C8282 and #679794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA464E shade: #BA448D, #BA446D, #BA444E, #BA5A44 and #BA7944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA464E shade: #7D2E34, #9C3940, #BA444C, #C56269 and #D08186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA464E shade: #BA464E, #ACBA44 and #447DBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA464E shade: #BA464E, #4EBA44 and #444EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA464E shade: #BA464E, #ACBA44, #44BAB0 and #5244BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA464E shade: #BA464E, #89BA44, #44BAB0 and #7544BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

Complementary color

CMYK 63 / 0 / 4 / 27

HEX #45B9B1

RGB 69 185 177

HSL 175.86, 0.46%, 0.5%

LAB 68.85, -34.08, -5.59

 

CMYK 0 / 63 / 62 / 25

HEX #BF4649

RGB 191 70 73

HSL 358.51, 0.49%, 0.51%

LAB 46.89, 48.75, 24.43

 

CMYK 0 / 58 / 56 / 18

HEX #D0585C

RGB 208 88 92

HSL 358, 0.56%, 0.58%

LAB 53.13, 47.81, 21.84

 

CMYK 0 / 53 / 51 / 12

HEX #E16A6F

RGB 225 106 111

HSL 357.48, 0.66%, 0.65%

LAB 59.4, 46.78, 19.67

 

CMYK 0 / 49 / 46 / 5

HEX #F27C82

RGB 242 124 130

HSL 356.95, 0.82%, 0.72%

LAB 65.67, 45.73, 17.81

 

CMYK 0 / 44 / 42 / 0

HEX #FF8E95

RGB 255 142 149

HSL 356.28, 1%, 0.78%

LAB 71.4, 43.27, 15.38

 

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

CMYK 0 / 69 / 65 / 34

HEX #A9343B

RGB 169 52 59

HSL 356.41, 0.53%, 0.43%

LAB 39.93, 48.07, 23.25

 

CMYK 0 / 78 / 74 / 40

HEX #982228

RGB 152 34 40

HSL 356.95, 0.63%, 0.36%

LAB 33.93, 48.26, 26.95

 

CMYK 0 / 88 / 84 / 47

HEX #871015

RGB 135 16 21

HSL 357.48, 0.79%, 0.3%

LAB 28.32, 47.46, 31.38

 

CMYK 0 / 100 / 98 / 54

HEX #760002

RGB 118 0 2

HSL 358.98, 1%, 0.23%

LAB 23.19, 45.37, 34.16

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 63 / 42 / 27

HEX #BA446C

RGB 186 68 108

HSL 339.66, 0.46%, 0.5%

LAB 46.52, 50.98, 2.49

 

CMYK 0 / 63 / 25 / 27

HEX #BA448C

RGB 186 68 140

HSL 323.39, 0.46%, 0.5%

LAB 47.58, 54.83, -15.35

 

CMYK 0 / 63 / 8 / 27

HEX #BA44AB

RGB 186 68 171

HSL 307.63, 0.46%, 0.5%

LAB 48.9, 59.43, -31.75

 

CMYK 10 / 63 / 0 / 27

HEX #A844BA

RGB 168 68 186

HSL 290.85, 0.46%, 0.5%

LAB 46.98, 57.54, -43.75

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 77 / 71 / 19

HEX #CE303B

RGB 206 48 59

HSL 355.82, 0.62%, 0.5%

LAB 46.38, 61.02, 32.73

 

CMYK 0 / 88 / 82 / 11

HEX #E31B29

RGB 227 27 41

HSL 355.8, 0.79%, 0.5%

LAB 48.6, 71.07, 46.49

 

CMYK 0 / 98 / 91 / 3

HEX #F80617

RGB 248 6 23

HSL 355.79, 0.95%, 0.5%

LAB 52, 78.2, 59.31

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 46 / 43 / 35

HEX #A5595E

RGB 165 89 94

HSL 356.05, 0.3%, 0.5%

LAB 46.91, 31.63, 11.12

 

CMYK 0 / 24 / 22 / 44

HEX #906E70

RGB 144 110 112

HSL 356.47, 0.13%, 0.5%

LAB 49.8, 13.79, 4.09

 

CMYK 5 / 0 / 0 / 49

HEX #7C8282

RGB 124 130 130

HSL 180, 0.02%, 0.5%

LAB 53.88, -2.22, -0.78

 

CMYK 32 / 0 / 2 / 41

HEX #679794

RGB 103 151 148

HSL 176.25, 0.19%, 0.5%

LAB 59.12, -16.76, -3.6

 

CMYK 0 / 63 / 24 / 27

HEX #BA448D

RGB 186 68 141

HSL 322.88, 0.46%, 0.5%

LAB 47.62, 54.97, -15.89

 

CMYK 0 / 63 / 41 / 27

HEX #BA446D

RGB 186 68 109

HSL 339.15, 0.46%, 0.5%

LAB 46.55, 51.08, 1.92

 

CMYK 0 / 63 / 58 / 27

HEX #BA444E

RGB 186 68 78

HSL 354.92, 0.46%, 0.5%

LAB 45.8, 48.28, 19.83

 

CMYK 0 / 52 / 63 / 27

HEX #BA5A44

RGB 186 90 68

HSL 11.19, 0.46%, 0.5%

LAB 49.7, 36.95, 30.71

 

CMYK 0 / 35 / 63 / 27

HEX #BA7944

RGB 186 121 68

HSL 26.95, 0.46%, 0.5%

LAB 56.62, 20.21, 38.99

 

CMYK 0 / 63 / 58 / 51

HEX #7D2E34

RGB 125 46 52

HSL 355.44, 0.46%, 0.34%

LAB 30.79, 34.8, 14.26

 

CMYK 0 / 63 / 59 / 39

HEX #9C3940

RGB 156 57 64

HSL 355.76, 0.46%, 0.42%

LAB 38.49, 41.78, 17.83

 

CMYK 0 / 63 / 59 / 27

HEX #BA444C

RGB 186 68 76

HSL 355.93, 0.46%, 0.5%

LAB 45.76, 48.13, 20.99

 

CMYK 0 / 50 / 47 / 23

HEX #C56269

RGB 197 98 105

HSL 355.76, 0.46%, 0.58%

LAB 53.63, 40.1, 14.59

 

CMYK 0 / 38 / 36 / 18

HEX #D08186

RGB 208 129 134

HSL 356.2, 0.46%, 0.66%

LAB 62.37, 31.1, 10.25

 

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

CMYK 8 / 0 / 63 / 27

HEX #ACBA44

RGB 172 186 68

HSL 67.12, 0.46%, 0.5%

LAB 72.43, -20.7, 56.2

 

CMYK 63 / 33 / 0 / 27

HEX #447DBA

RGB 68 125 186

HSL 211.02, 0.46%, 0.5%

LAB 51.2, 0.53, -37.64

 

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

CMYK 58 / 0 / 63 / 27

HEX #4EBA44

RGB 78 186 68

HSL 114.92, 0.46%, 0.5%

LAB 67.39, -53.65, 49.26

 

CMYK 63 / 58 / 0 / 27

HEX #444EBA

RGB 68 78 186

HSL 234.92, 0.46%, 0.5%

LAB 38.24, 30.09, -58.37

 

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

CMYK 8 / 0 / 63 / 27

HEX #ACBA44

RGB 172 186 68

HSL 67.12, 0.46%, 0.5%

LAB 72.43, -20.7, 56.2

 

CMYK 63 / 0 / 5 / 27

HEX #44BAB0

RGB 68 186 176

HSL 174.92, 0.46%, 0.5%

LAB 69.1, -34.99, -4.68

 

CMYK 56 / 63 / 0 / 27

HEX #5244BA

RGB 82 68 186

HSL 247.12, 0.46%, 0.5%

LAB 36.88, 38.68, -60.54

 

CMYK 0 / 62 / 58 / 27

HEX #BA464E

RGB 186 70 78

HSL 355.86, 0.46%, 0.5%

LAB 46.14, 47.39, 20.27

 

CMYK 26 / 0 / 63 / 27

HEX #89BA44

RGB 137 186 68

HSL 84.92, 0.46%, 0.5%

LAB 70.07, -34.71, 52.97

 

CMYK 63 / 0 / 5 / 27

HEX #44BAB0

RGB 68 186 176

HSL 174.92, 0.46%, 0.5%

LAB 69.1, -34.99, -4.68

 

CMYK 37 / 63 / 0 / 27

HEX #7544BA

RGB 117 68 186

HSL 264.92, 0.46%, 0.5%

LAB 40.35, 45.67, -54.75

 

Description

Color code: HEX #BA464E | qconv.com Color code: HEX #BA464E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 70 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 70 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 58 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 58% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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