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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA49BF it is the complementary color #45B640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA49BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA49BF shade: #BF49BA, #D05BCD, #E16DE0, #F27FF3 and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA49BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA49BF shade: #BA49BF, #A937AC, #982599, #871386 and #760173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA49BF shade: #BA49BF, #BF49A4, #BF4984, #BF4965 and #BF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA49BF shade: #BA49BF, #9A49BF, #7B49BF, #5B49BF and #4949BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA49BF shade matches the following richer shades: #BA49BF, #CC36D3, #DE22E6 and #F00EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA49BF shade: #BA49BF, #A85DAB, #967197, #838583 and #719970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA49BF shade: #7A49BF, #9A49BF, #B949BF, #BF49A5 and #BF4986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA49BF shade: #832F87, #A13AA5, #BA49BF, #C568CA and #D186D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA49BF shade: #BA49BF, #BF5B49 and #49BF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA49BF shade: #BA49BF, #BFB949 and #49BFB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA49BF shade: #BA49BF, #BF5B49, #4FBF49 and #49ADBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA49BF shade: #BA49BF, #BF7E49, #4FBF49 and #498ABF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

Complementary color

CMYK 62 / 0 / 65 / 29

HEX #45B640

RGB 69 182 64

HSL 117.46, 0.48%, 0.48%

LAB 65.82, -54.74, 49.17

 

CMYK 0 / 62 / 3 / 25

HEX #BF49BA

RGB 191 73 186

HSL 302.54, 0.48%, 0.52%

LAB 51.14, 61.08, -36.96

 

CMYK 0 / 56 / 1 / 18

HEX #D05BCD

RGB 208 91 205

HSL 301.54, 0.55%, 0.59%

LAB 57.37, 60.86, -37.92

 

CMYK 0 / 52 / 0 / 12

HEX #E16DE0

RGB 225 109 224

HSL 300.52, 0.66%, 0.65%

LAB 63.61, 60.4, -38.68

 

CMYK 0 / 48 / 0 / 5

HEX #F27FF3

RGB 242 127 243

HSL 299.48, 0.83%, 0.73%

LAB 69.84, 59.82, -39.3

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 2 / 68 / 0 / 33

HEX #A937AC

RGB 169 55 172

HSL 298.46, 0.52%, 0.45%

LAB 44.44, 60.58, -39.55

 

CMYK 1 / 76 / 0 / 40

HEX #982599

RGB 152 37 153

HSL 299.48, 0.61%, 0.37%

LAB 38.37, 59.82, -37.97

 

CMYK 0 / 86 / 1 / 47

HEX #871386

RGB 135 19 134

HSL 300.52, 0.75%, 0.3%

LAB 32.56, 58.01, -35.73

 

CMYK 0 / 99 / 3 / 54

HEX #760173

RGB 118 1 115

HSL 301.54, 0.98%, 0.23%

LAB 27.05, 54.94, -32.73

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 0 / 62 / 14 / 25

HEX #BF49A4

RGB 191 73 164

HSL 313.73, 0.48%, 0.52%

LAB 50.12, 57.56, -25.67

 

CMYK 0 / 62 / 31 / 25

HEX #BF4984

RGB 191 73 132

HSL 330, 0.48%, 0.52%

LAB 48.89, 53.11, -8.48

 

CMYK 0 / 62 / 47 / 25

HEX #BF4965

RGB 191 73 101

HSL 345.76, 0.48%, 0.52%

LAB 47.98, 49.69, 8.97

 

CMYK 0 / 62 / 62 / 25

HEX #BF4949

RGB 191 73 73

HSL 0, 0.48%, 0.52%

LAB 47.39, 47.41, 25.07

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 19 / 62 / 0 / 25

HEX #9A49BF

RGB 154 73 191

HSL 281.19, 0.48%, 0.52%

LAB 46.17, 52.85, -48.07

 

CMYK 36 / 62 / 0 / 25

HEX #7B49BF

RGB 123 73 191

HSL 265.42, 0.48%, 0.52%

LAB 42.37, 45.6, -54.38

 

CMYK 52 / 62 / 0 / 25

HEX #5B49BF

RGB 91 73 191

HSL 249.15, 0.48%, 0.52%

LAB 39.16, 38.91, -59.73

 

CMYK 62 / 62 / 0 / 25

HEX #4949BF

RGB 73 73 191

HSL 240, 0.48%, 0.52%

LAB 37.74, 35.74, -62.1

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 3 / 74 / 0 / 17

HEX #CC36D3

RGB 204 54 211

HSL 297.32, 0.64%, 0.52%

LAB 52.04, 75, -49.81

 

CMYK 3 / 85 / 0 / 10

HEX #DE22E6

RGB 222 34 230

HSL 297.55, 0.8%, 0.52%

LAB 54.44, 86.04, -56.6

 

CMYK 4 / 94 / 0 / 2

HEX #F00EFA

RGB 240 14 250

HSL 297.46, 0.96%, 0.52%

LAB 57.79, 94.38, -62.26

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 2 / 46 / 0 / 33

HEX #A85DAB

RGB 168 93 171

HSL 297.69, 0.32%, 0.52%

LAB 50.8, 42.44, -28.98

 

CMYK 1 / 25 / 0 / 41

HEX #967197

RGB 150 113 151

HSL 298.42, 0.15%, 0.52%

LAB 52.43, 21.38, -14.95

 

CMYK 2 / 0 / 2 / 48

HEX #838583

RGB 131 133 131

HSL 120, 0.01%, 0.52%

LAB 55.32, -1.13, 0.81

 

CMYK 26 / 0 / 27 / 40

HEX #719970

RGB 113 153 112

HSL 118.54, 0.17%, 0.52%

LAB 59.4, -22.13, 17.23

 

CMYK 36 / 62 / 0 / 25

HEX #7A49BF

RGB 122 73 191

HSL 264.92, 0.48%, 0.52%

LAB 42.25, 45.37, -54.57

 

CMYK 19 / 62 / 0 / 25

HEX #9A49BF

RGB 154 73 191

HSL 281.19, 0.48%, 0.52%

LAB 46.17, 52.85, -48.07

 

CMYK 3 / 62 / 0 / 25

HEX #B949BF

RGB 185 73 191

HSL 296.95, 0.48%, 0.52%

LAB 50.5, 60.45, -40.92

 

CMYK 0 / 62 / 14 / 25

HEX #BF49A5

RGB 191 73 165

HSL 313.22, 0.48%, 0.52%

LAB 50.17, 57.71, -26.19

 

CMYK 0 / 62 / 30 / 25

HEX #BF4986

RGB 191 73 134

HSL 328.98, 0.48%, 0.52%

LAB 48.96, 53.36, -9.58

 

CMYK 3 / 65 / 0 / 47

HEX #832F87

RGB 131 47 135

HSL 297.27, 0.48%, 0.36%

LAB 35.22, 47.93, -32.18

 

CMYK 2 / 65 / 0 / 35

HEX #A13AA5

RGB 161 58 165

HSL 297.76, 0.48%, 0.44%

LAB 43.24, 56.24, -37.37

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 2 / 49 / 0 / 21

HEX #C568CA

RGB 197 104 202

HSL 296.94, 0.48%, 0.6%

LAB 58.07, 51.12, -35.22

 

CMYK 1 / 37 / 0 / 17

HEX #D186D4

RGB 209 134 212

HSL 297.69, 0.48%, 0.68%

LAB 66.03, 40.99, -28.39

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 0 / 52 / 62 / 25

HEX #BF5B49

RGB 191 91 73

HSL 9.15, 0.48%, 0.52%

LAB 50.73, 38.71, 29.3

 

CMYK 62 / 0 / 28 / 25

HEX #49BF8A

RGB 73 191 138

HSL 153.05, 0.48%, 0.52%

LAB 69.83, -45.54, 17.13

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 0 / 3 / 62 / 25

HEX #BFB949

RGB 191 185 73

HSL 56.95, 0.48%, 0.52%

LAB 73.71, -11.87, 55.89

 

CMYK 62 / 0 / 3 / 25

HEX #49BFB9

RGB 73 191 185

HSL 176.95, 0.48%, 0.52%

LAB 71, -34.04, -6.79

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 0 / 52 / 62 / 25

HEX #BF5B49

RGB 191 91 73

HSL 9.15, 0.48%, 0.52%

LAB 50.73, 38.71, 29.3

 

CMYK 59 / 0 / 62 / 25

HEX #4FBF49

RGB 79 191 73

HSL 116.95, 0.48%, 0.52%

LAB 69.04, -54.73, 48.92

 

CMYK 62 / 9 / 0 / 25

HEX #49ADBF

RGB 73 173 191

HSL 189.15, 0.48%, 0.52%

LAB 65.8, -23.51, -17.89

 

CMYK 3 / 62 / 0 / 25

HEX #BA49BF

RGB 186 73 191

HSL 297.46, 0.48%, 0.52%

LAB 50.65, 60.69, -40.68

 

CMYK 0 / 34 / 62 / 25

HEX #BF7E49

RGB 191 126 73

HSL 26.95, 0.48%, 0.52%

LAB 58.49, 19.92, 38.72

 

CMYK 59 / 0 / 62 / 25

HEX #4FBF49

RGB 79 191 73

HSL 116.95, 0.48%, 0.52%

LAB 69.04, -54.73, 48.92

 

CMYK 62 / 28 / 0 / 25

HEX #498ABF

RGB 73 138 191

HSL 206.95, 0.48%, 0.52%

LAB 55.44, -4.5, -33.84

 

Description

Color code: HEX #BA49BF | qconv.com Color code: HEX #BA49BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 73 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 73 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 62 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 62% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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