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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4E98 it is the complementary color #45B167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4E98 shade: #BF4E93, #D060A6, #E172B9, #F284CC and #FF96DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4E98 shade: #BA4E98, #A93C85, #982A72, #87185F and #76064C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4E98 shade: #BA4E98, #BA4E7B, #BA4E5E and #BA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4E98 shade: #BA4E98, #BA4EB5, #A24EBA, #854EBA and #684EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4E98 shade matches the following richer shades: #BA4E98, #CE3A9F, #E227A7 and #F513AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4E98 shade: #BA4E98, #A66291, #927689, #7F8A82 and #6B9D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4E98 shade: #A14EBA, #BA4EB6, #BA4E9A, #BA4E7D and #BA4E60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4E98 shade: #83336A, #A13E82, #BA4E98, #C66CA9 and #D18ABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4E98 shade: #BA4E98, #BA844E and #4EBAAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4E98 shade: #BA4E98, #9ABA4E and #4E9ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4E98 shade: #BA4E98, #BA844E, #4EBA6F and #4E84BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4E98 shade: #BA4E98, #BAA44E, #4EBA6F and #4E64BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

Complementary color

CMYK 61 / 0 / 42 / 31

HEX #45B167

RGB 69 177 103

HSL 138.89, 0.44%, 0.48%

LAB 64.71, -47.45, 28.9

 

CMYK 0 / 59 / 23 / 25

HEX #BF4E93

RGB 191 78 147

HSL 323.36, 0.47%, 0.53%

LAB 50.25, 52.87, -15.4

 

CMYK 0 / 54 / 20 / 18

HEX #D060A6

RGB 208 96 166

HSL 322.5, 0.54%, 0.6%

LAB 56.61, 52.35, -16.67

 

CMYK 0 / 49 / 18 / 12

HEX #E172B9

RGB 225 114 185

HSL 321.62, 0.65%, 0.66%

LAB 62.97, 51.7, -17.71

 

CMYK 0 / 45 / 16 / 5

HEX #F284CC

RGB 242 132 204

HSL 320.73, 0.81%, 0.73%

LAB 69.28, 50.99, -18.6

 

CMYK 0 / 41 / 13 / 0

HEX #FF96DF

RGB 255 150 223

HSL 318.29, 1%, 0.79%

LAB 75.08, 48.99, -20.15

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 64 / 21 / 34

HEX #A93C85

RGB 169 60 133

HSL 319.82, 0.48%, 0.45%

LAB 43.3, 52.37, -17.89

 

CMYK 0 / 72 / 25 / 40

HEX #982A72

RGB 152 42 114

HSL 320.73, 0.57%, 0.38%

LAB 37.02, 52.17, -16.03

 

CMYK 0 / 82 / 30 / 47

HEX #87185F

RGB 135 24 95

HSL 321.62, 0.7%, 0.31%

LAB 30.95, 51.11, -13.46

 

CMYK 0 / 95 / 36 / 54

HEX #76064C

RGB 118 6 76

HSL 322.5, 0.9%, 0.24%

LAB 25.27, 48.65, -9.87

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 58 / 34 / 27

HEX #BA4E7B

RGB 186 78 123

HSL 335, 0.44%, 0.52%

LAB 48.66, 48.15, -3.49

 

CMYK 0 / 58 / 49 / 27

HEX #BA4E5E

RGB 186 78 94

HSL 351.11, 0.44%, 0.52%

LAB 47.87, 45.01, 12.94

 

CMYK 0 / 58 / 58 / 27

HEX #BA4E4E

RGB 186 78 78

HSL 0, 0.44%, 0.52%

LAB 47.54, 43.66, 22.12

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 58 / 3 / 27

HEX #BA4EB5

RGB 186 78 181

HSL 302.78, 0.44%, 0.52%

LAB 50.95, 56.76, -34.4

 

CMYK 13 / 58 / 0 / 27

HEX #A24EBA

RGB 162 78 186

HSL 286.67, 0.44%, 0.52%

LAB 47.85, 51.38, -42.42

 

CMYK 28 / 58 / 0 / 27

HEX #854EBA

RGB 133 78 186

HSL 270.56, 0.44%, 0.52%

LAB 44.2, 44.01, -48.45

 

CMYK 44 / 58 / 0 / 27

HEX #684EBA

RGB 104 78 186

HSL 254.44, 0.44%, 0.52%

LAB 41.12, 37.15, -53.58

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 72 / 23 / 19

HEX #CE3A9F

RGB 206 58 159

HSL 319.05, 0.6%, 0.52%

LAB 50.28, 66.54, -22.28

 

CMYK 0 / 83 / 26 / 11

HEX #E227A7

RGB 226 39 167

HSL 318.93, 0.76%, 0.52%

LAB 52.3, 77.37, -23.6

 

CMYK 0 / 92 / 29 / 4

HEX #F513AE

RGB 245 19 174

HSL 318.85, 0.92%, 0.52%

LAB 55, 85.17, -23.25

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 41 / 13 / 35

HEX #A66291

RGB 166 98 145

HSL 318.53, 0.28%, 0.52%

LAB 50.55, 34.36, -14.09

 

CMYK 0 / 19 / 6 / 43

HEX #927689

RGB 146 118 137

HSL 319.29, 0.11%, 0.52%

LAB 52.81, 14.29, -6.22

 

CMYK 8 / 0 / 6 / 46

HEX #7F8A82

RGB 127 138 130

HSL 136.36, 0.04%, 0.52%

LAB 56.39, -5.63, 2.9

 

CMYK 32 / 0 / 22 / 38

HEX #6B9D7B

RGB 107 157 123

HSL 139.2, 0.2%, 0.52%

LAB 60.49, -24.12, 12.54

 

CMYK 13 / 58 / 0 / 27

HEX #A14EBA

RGB 161 78 186

HSL 286.11, 0.44%, 0.52%

LAB 47.71, 51.12, -42.64

 

CMYK 0 / 58 / 2 / 27

HEX #BA4EB6

RGB 186 78 182

HSL 302.22, 0.44%, 0.52%

LAB 51, 56.94, -34.91

 

CMYK 0 / 58 / 17 / 27

HEX #BA4E9A

RGB 186 78 154

HSL 317.78, 0.44%, 0.52%

LAB 49.76, 52.4, -20.37

 

CMYK 0 / 58 / 33 / 27

HEX #BA4E7D

RGB 186 78 125

HSL 333.89, 0.44%, 0.52%

LAB 48.72, 48.39, -4.6

 

CMYK 0 / 58 / 48 / 27

HEX #BA4E60

RGB 186 78 96

HSL 350, 0.44%, 0.52%

LAB 47.92, 45.2, 11.79

 

CMYK 0 / 61 / 19 / 49

HEX #83336A

RGB 131 51 106

HSL 318.75, 0.44%, 0.36%

LAB 34.46, 41.05, -15.2

 

CMYK 0 / 61 / 19 / 37

HEX #A13E82

RGB 161 62 130

HSL 318.79, 0.44%, 0.44%

LAB 42.21, 48.72, -17.85

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 45 / 15 / 22

HEX #C66CA9

RGB 198 108 169

HSL 319.33, 0.44%, 0.6%

LAB 57.65, 43.67, -16.95

 

CMYK 0 / 34 / 11 / 18

HEX #D18ABB

RGB 209 138 187

HSL 318.59, 0.44%, 0.68%

LAB 66, 34.38, -14.45

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 29 / 58 / 27

HEX #BA844E

RGB 186 132 78

HSL 30, 0.44%, 0.52%

LAB 59.43, 14.85, 37.07

 

CMYK 58 / 0 / 6 / 27

HEX #4EBAAF

RGB 78 186 175

HSL 173.89, 0.44%, 0.52%

LAB 69.35, -33.47, -3.72

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 17 / 0 / 58 / 27

HEX #9ABA4E

RGB 154 186 78

HSL 77.78, 0.44%, 0.52%

LAB 71.24, -27.26, 50.15

 

CMYK 58 / 17 / 0 / 27

HEX #4E9ABA

RGB 78 154 186

HSL 197.78, 0.44%, 0.52%

LAB 60.14, -14.09, -23.72

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 29 / 58 / 27

HEX #BA844E

RGB 186 132 78

HSL 30, 0.44%, 0.52%

LAB 59.43, 14.85, 37.07

 

CMYK 58 / 0 / 40 / 27

HEX #4EBA6F

RGB 78 186 111

HSL 138.33, 0.44%, 0.52%

LAB 67.94, -47.66, 28.96

 

CMYK 58 / 29 / 0 / 27

HEX #4E84BA

RGB 78 132 186

HSL 210, 0.44%, 0.52%

LAB 53.67, -1.65, -33.73

 

CMYK 0 / 58 / 18 / 27

HEX #BA4E98

RGB 186 78 152

HSL 318.89, 0.44%, 0.52%

LAB 49.68, 52.1, -19.31

 

CMYK 0 / 12 / 58 / 27

HEX #BAA44E

RGB 186 164 78

HSL 47.78, 0.44%, 0.52%

LAB 67.68, -2.65, 46.78

 

CMYK 58 / 0 / 40 / 27

HEX #4EBA6F

RGB 78 186 111

HSL 138.33, 0.44%, 0.52%

LAB 67.94, -47.66, 28.96

 

CMYK 58 / 46 / 0 / 27

HEX #4E64BA

RGB 78 100 186

HSL 227.78, 0.44%, 0.52%

LAB 44.63, 17.93, -48.04

 

Description

Color code: HEX #BA4E98 | qconv.com Color code: HEX #BA4E98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 78 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 78 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 18 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 18% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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