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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA577A it is the complementary color #45A885. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA577A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA577A shade: #BF5775, #D06988, #E17B9B, #F28DAE and #FF9FC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA577A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA577A shade: #BA577A, #A94567, #983354, #872141 and #760F2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA577A shade: #BA587B, #BA5860 and #BA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA577A shade: #BA587B, #BA5895, #BA58B0, #AA58BA and #9058BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA577A shade matches the following richer shades: #BA587B, #CD4575, #E03270 and #F31F6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA577A shade: #BA587B, #A76B80, #957E86, #82918B and #6FA491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA577A shade: #BA58B1, #BA5896, #BA587C, #BA5862 and #BA6858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA577A shade: #883754, #A64366, #BA587B, #C67592 and #D293A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA577A shade: #BA577A, #BAAA58 and #58A3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA577A shade: #BA577A, #7CBA58 and #587CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA577A shade: #BA577A, #BAAA58, #58BA96 and #5868BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA577A shade: #BA577A, #ADBA58, #58BA96 and #6558BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

Complementary color

CMYK 59 / 0 / 21 / 34

HEX #45A885

RGB 69 168 133

HSL 158.79, 0.42%, 0.46%

LAB 62.48, -37.48, 9.54

 

CMYK 0 / 54 / 39 / 25

HEX #BF5775

RGB 191 87 117

HSL 342.69, 0.45%, 0.55%

LAB 50.89, 44.77, 3.47

 

CMYK 0 / 50 / 35 / 18

HEX #D06988

RGB 208 105 136

HSL 341.94, 0.52%, 0.61%

LAB 57.36, 43.91, 1.92

 

CMYK 0 / 45 / 31 / 12

HEX #E17B9B

RGB 225 123 155

HSL 341.18, 0.63%, 0.68%

LAB 63.79, 43.03, 0.6

 

CMYK 0 / 42 / 28 / 5

HEX #F28DAE

RGB 242 141 174

HSL 340.4, 0.8%, 0.75%

LAB 70.16, 42.16, -0.55

 

CMYK 0 / 38 / 24 / 0

HEX #FF9FC1

RGB 255 159 193

HSL 338.75, 1%, 0.81%

LAB 76.01, 39.96, -2.31

 

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

CMYK 0 / 59 / 39 / 34

HEX #A94567

RGB 169 69 103

HSL 339.6, 0.42%, 0.47%

LAB 43.76, 44.4, 1.21

 

CMYK 0 / 66 / 45 / 40

HEX #983354

RGB 152 51 84

HSL 340.4, 0.5%, 0.4%

LAB 37.27, 44.93, 3.36

 

CMYK 0 / 76 / 52 / 47

HEX #872141

RGB 135 33 65

HSL 341.18, 0.61%, 0.33%

LAB 30.93, 44.96, 6.21

 

CMYK 0 / 87 / 61 / 54

HEX #760F2E

RGB 118 15 46

HSL 341.94, 0.77%, 0.26%

LAB 24.92, 43.96, 10.13

 

CMYK 0 / 53 / 34 / 27

HEX #BA587B

RGB 186 88 123

HSL 338.57, 0.42%, 0.54%

LAB 50.51, 43.28, -0.77

 

CMYK 0 / 53 / 48 / 27

HEX #BA5860

RGB 186 88 96

HSL 355.1, 0.42%, 0.54%

LAB 49.81, 40.27, 14.41

 

CMYK 0 / 53 / 53 / 27

HEX #BA5858

RGB 186 88 88

HSL 0, 0.42%, 0.54%

LAB 49.65, 39.53, 18.95

 

CMYK 0 / 53 / 34 / 27

HEX #BA587B

RGB 186 88 123

HSL 338.57, 0.42%, 0.54%

LAB 50.51, 43.28, -0.77

 

CMYK 0 / 53 / 20 / 27

HEX #BA5895

RGB 186 88 149

HSL 322.65, 0.42%, 0.54%

LAB 51.37, 46.86, -14.96

 

CMYK 0 / 53 / 5 / 27

HEX #BA58B0

RGB 186 88 176

HSL 306.12, 0.42%, 0.54%

LAB 52.46, 51.22, -29.13

 

CMYK 9 / 53 / 0 / 27

HEX #AA58BA

RGB 170 88 186

HSL 290.2, 0.42%, 0.54%

LAB 50.77, 48.54, -37.74

 

CMYK 23 / 53 / 0 / 27

HEX #9058BA

RGB 144 88 186

HSL 274.29, 0.42%, 0.54%

LAB 47.56, 41.4, -43.01

 

CMYK 0 / 53 / 34 / 27

HEX #BA587B

RGB 186 88 123

HSL 338.57, 0.42%, 0.54%

LAB 50.51, 43.28, -0.77

 

CMYK 0 / 66 / 43 / 20

HEX #CD4575

RGB 205 69 117

HSL 338.82, 0.58%, 0.54%

LAB 50.12, 57.37, 2.64

 

CMYK 0 / 78 / 50 / 12

HEX #E03270

RGB 224 50 112

HSL 338.62, 0.74%, 0.54%

LAB 51.03, 68.78, 7.42

 

CMYK 0 / 87 / 56 / 5

HEX #F31F6A

RGB 243 31 106

HSL 338.77, 0.9%, 0.54%

LAB 53.03, 77.31, 14.38

 

CMYK 0 / 53 / 34 / 27

HEX #BA587B

RGB 186 88 123

HSL 338.57, 0.42%, 0.54%

LAB 50.51, 43.28, -0.77

 

CMYK 0 / 36 / 23 / 35

HEX #A76B80

RGB 167 107 128

HSL 339, 0.25%, 0.54%

LAB 52.16, 26.94, -1.62

 

CMYK 0 / 15 / 10 / 42

HEX #957E86

RGB 149 126 134

HSL 339.13, 0.1%, 0.54%

LAB 55.11, 10.23, -1.05

 

CMYK 10 / 0 / 4 / 43

HEX #82918B

RGB 130 145 139

HSL 156, 0.06%, 0.54%

LAB 58.85, -6.62, 1.34

 

CMYK 32 / 0 / 12 / 36

HEX #6FA491

RGB 111 164 145

HSL 158.49, 0.23%, 0.54%

LAB 63.32, -21.79, 4.28

 

CMYK 0 / 53 / 5 / 27

HEX #BA58B1

RGB 186 88 177

HSL 305.51, 0.42%, 0.54%

LAB 52.5, 51.39, -29.65

 

CMYK 0 / 53 / 19 / 27

HEX #BA5896

RGB 186 88 150

HSL 322.04, 0.42%, 0.54%

LAB 51.41, 47.01, -15.5

 

CMYK 0 / 53 / 33 / 27

HEX #BA587C

RGB 186 88 124

HSL 337.96, 0.42%, 0.54%

LAB 50.54, 43.4, -1.32

 

CMYK 0 / 53 / 47 / 27

HEX #BA5862

RGB 186 88 98

HSL 353.88, 0.42%, 0.54%

LAB 49.86, 40.47, 13.28

 

CMYK 0 / 44 / 53 / 27

HEX #BA6858

RGB 186 104 88

HSL 9.8, 0.42%, 0.54%

LAB 53, 31.12, 23.41

 

CMYK 0 / 60 / 38 / 47

HEX #883754

RGB 136 55 84

HSL 338.52, 0.42%, 0.37%

LAB 35.22, 37.65, 0.04

 

CMYK 0 / 60 / 39 / 35

HEX #A64366

RGB 166 67 102

HSL 338.79, 0.42%, 0.46%

LAB 42.88, 44.23, 0.5

 

CMYK 0 / 53 / 34 / 27

HEX #BA587B

RGB 186 88 123

HSL 338.57, 0.42%, 0.54%

LAB 50.51, 43.28, -0.77

 

CMYK 0 / 41 / 26 / 22

HEX #C67592

RGB 198 117 146

HSL 338.52, 0.42%, 0.62%

LAB 58.79, 35.45, -1.95

 

CMYK 0 / 30 / 20 / 18

HEX #D293A9

RGB 210 147 169

HSL 339.05, 0.41%, 0.7%

LAB 67.6, 26.95, -1.95

 

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

CMYK 0 / 9 / 53 / 27

HEX #BAAA58

RGB 186 170 88

HSL 50.2, 0.42%, 0.54%

LAB 69.39, -5.02, 43.9

 

CMYK 53 / 12 / 0 / 27

HEX #58A3BA

RGB 88 163 186

HSL 194.08, 0.42%, 0.54%

LAB 63.19, -16.82, -19.02

 

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

CMYK 33 / 0 / 53 / 27

HEX #7CBA58

RGB 124 186 88

HSL 97.96, 0.42%, 0.54%

LAB 69.55, -37.5, 43.02

 

CMYK 53 / 33 / 0 / 27

HEX #587CBA

RGB 88 124 186

HSL 217.96, 0.42%, 0.54%

LAB 51.88, 5.29, -36.51

 

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

CMYK 0 / 9 / 53 / 27

HEX #BAAA58

RGB 186 170 88

HSL 50.2, 0.42%, 0.54%

LAB 69.39, -5.02, 43.9

 

CMYK 53 / 0 / 19 / 27

HEX #58BA96

RGB 88 186 150

HSL 157.96, 0.42%, 0.54%

LAB 69.04, -37.49, 9.57

 

CMYK 53 / 44 / 0 / 27

HEX #5868BA

RGB 88 104 186

HSL 230.2, 0.42%, 0.54%

LAB 46.34, 17.56, -45.27

 

CMYK 0 / 53 / 34 / 27

HEX #BA577A

RGB 186 87 122

HSL 338.79, 0.42%, 0.54%

LAB 50.29, 43.65, -0.49

 

CMYK 7 / 0 / 53 / 27

HEX #ADBA58

RGB 173 186 88

HSL 67.96, 0.42%, 0.54%

LAB 72.7, -18.71, 47.53

 

CMYK 53 / 0 / 19 / 27

HEX #58BA96

RGB 88 186 150

HSL 157.96, 0.42%, 0.54%

LAB 69.04, -37.49, 9.57

 

CMYK 46 / 53 / 0 / 27

HEX #6558BA

RGB 101 88 186

HSL 247.96, 0.42%, 0.54%

LAB 43.2, 30.46, -50.24

 

Description

Color code: HEX #BA577A | qconv.com Color code: HEX #BA577A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 87 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 87 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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