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Color name
HEX #BA5AD2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5AD2 it is the complementary color #45A52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5AD2 shade: #BF5ACD, #D06CE0, #E17EF3, #F290FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5AD2 shade: #BA5AD2, #A948BF, #9836AC, #872499 and #761286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5AD2 shade: #BA5AD2, #D25AC9, #D25AA9, #D25A89 and #D25A69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5AD2 shade: #BA5AD2, #9A5AD2, #795AD2 and #5A5AD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5AD2 shade matches the following richer shades: #BA5AD2, #C449E2 and #CE39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5AD2 shade: #BA5AD2, #B06BC1, #A57CB0, #9B8D9F and #919E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5AD2 shade: #7A5AD2, #9A5AD2, #BA5AD2, #D25ACA and #D25AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5AD2 shade: #922EAB, #AC3AC9, #BA5AD2, #C77BDA and #D59BE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5AD2 shade: #BA5AD2, #D25A5A and #5AD28A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5AD2 shade: #BA5AD2, #D2BA5A and #5AD2BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5AD2 shade: #BA5AD2, #D25A5A, #72D25A and #5AD2D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5AD2 shade: #BA5AD2, #D27E5A, #72D25A and #5AAED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

Complementary color

CMYK 58 / 0 / 73 / 35

HEX #45A52D

RGB 69 165 45

HSL 108, 0.57%, 0.41%

LAB 60.22, -50.26, 50.93

 

CMYK 7 / 56 / 0 / 20

HEX #BF5ACD

RGB 191 90 205

HSL 292.7, 0.53%, 0.58%

LAB 54.86, 56.86, -42.02

 

CMYK 7 / 52 / 0 / 12

HEX #D06CE0

RGB 208 108 224

HSL 291.72, 0.65%, 0.65%

LAB 61.24, 56.3, -42.56

 

CMYK 7 / 48 / 0 / 5

HEX #E17EF3

RGB 225 126 243

HSL 290.77, 0.83%, 0.72%

LAB 67.58, 55.63, -42.99

 

CMYK 5 / 44 / 0 / 0

HEX #F290FF

RGB 242 144 255

HSL 292.97, 1%, 0.78%

LAB 73.57, 53.61, -40.03

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 12 / 62 / 0 / 25

HEX #A948BF

RGB 169 72 191

HSL 288.91, 0.48%, 0.52%

LAB 48.05, 56.96, -44.96

 

CMYK 12 / 69 / 0 / 33

HEX #9836AC

RGB 152 54 172

HSL 289.83, 0.52%, 0.44%

LAB 41.68, 57.05, -44.1

 

CMYK 12 / 76 / 0 / 40

HEX #872499

RGB 135 36 153

HSL 290.77, 0.62%, 0.37%

LAB 35.42, 56.54, -42.85

 

CMYK 12 / 87 / 0 / 47

HEX #761286

RGB 118 18 134

HSL 291.72, 0.76%, 0.3%

LAB 29.43, 54.97, -40.93

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 57 / 4 / 18

HEX #D25AC9

RGB 210 90 201

HSL 304.5, 0.57%, 0.59%

LAB 57.3, 61.16, -35.73

 

CMYK 0 / 57 / 20 / 18

HEX #D25AA9

RGB 210 90 169

HSL 320.5, 0.57%, 0.59%

LAB 55.97, 56.18, -19.37

 

CMYK 0 / 57 / 35 / 18

HEX #D25A89

RGB 210 90 137

HSL 336.5, 0.57%, 0.59%

LAB 54.89, 51.98, -2.24

 

CMYK 0 / 57 / 50 / 18

HEX #D25A69

RGB 210 90 105

HSL 352.5, 0.57%, 0.59%

LAB 54.06, 48.66, 15.5

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 27 / 57 / 0 / 18

HEX #9A5AD2

RGB 154 90 210

HSL 272, 0.57%, 0.59%

LAB 50.49, 48.5, -52.1

 

CMYK 42 / 57 / 0 / 18

HEX #795AD2

RGB 121 90 210

HSL 255.5, 0.57%, 0.59%

LAB 47.01, 40.75, -57.88

 

CMYK 57 / 57 / 0 / 18

HEX #5A5AD2

RGB 90 90 210

HSL 240, 0.57%, 0.59%

LAB 44.43, 34.44, -62.18

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 13 / 68 / 0 / 11

HEX #C449E2

RGB 196 73 226

HSL 288.24, 0.73%, 0.59%

LAB 54.02, 69.34, -55.24

 

CMYK 15 / 77 / 0 / 5

HEX #CE39F3

RGB 206 57 243

HSL 288.06, 0.89%, 0.59%

LAB 54.57, 79.92, -63.82

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 9 / 45 / 0 / 24

HEX #B06BC1

RGB 176 107 193

HSL 288.14, 0.41%, 0.59%

LAB 55.68, 41.7, -34.01

 

CMYK 6 / 30 / 0 / 31

HEX #A57CB0

RGB 165 124 176

HSL 287.31, 0.25%, 0.59%

LAB 57.61, 25.27, -21.4

 

CMYK 3 / 11 / 0 / 38

HEX #9B8D9F

RGB 155 141 159

HSL 286.67, 0.09%, 0.59%

LAB 60.36, 8.64, -7.62

 

CMYK 8 / 0 / 10 / 38

HEX #919E8E

RGB 145 158 142

HSL 108.75, 0.08%, 0.59%

LAB 63.69, -7.73, 6.78

 

CMYK 42 / 57 / 0 / 18

HEX #7A5AD2

RGB 122 90 210

HSL 256, 0.57%, 0.59%

LAB 47.11, 40.97, -57.72

 

CMYK 27 / 57 / 0 / 18

HEX #9A5AD2

RGB 154 90 210

HSL 272, 0.57%, 0.59%

LAB 50.49, 48.5, -52.1

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 57 / 4 / 18

HEX #D25ACA

RGB 210 90 202

HSL 304, 0.57%, 0.59%

LAB 57.35, 61.32, -36.23

 

CMYK 0 / 57 / 19 / 18

HEX #D25AAA

RGB 210 90 170

HSL 320, 0.57%, 0.59%

LAB 56, 56.33, -19.89

 

CMYK 15 / 73 / 0 / 33

HEX #922EAB

RGB 146 46 171

HSL 288, 0.58%, 0.43%

LAB 39.59, 58.68, -46.9

 

CMYK 14 / 71 / 0 / 21

HEX #AC3AC9

RGB 172 58 201

HSL 287.83, 0.57%, 0.51%

LAB 46.99, 65.35, -52.41

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 9 / 44 / 0 / 15

HEX #C77BDA

RGB 199 123 218

HSL 288, 0.56%, 0.67%

LAB 62.82, 44.96, -36.8

 

CMYK 6 / 32 / 0 / 11

HEX #D59BE3

RGB 213 155 227

HSL 288.33, 0.56%, 0.75%

LAB 71.65, 33.83, -28

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 57 / 57 / 18

HEX #D25A5A

RGB 210 90 90

HSL 0, 0.57%, 0.59%

LAB 53.76, 47.42, 23.91

 

CMYK 57 / 0 / 34 / 18

HEX #5AD28A

RGB 90 210 138

HSL 144, 0.57%, 0.59%

LAB 76.13, -49.83, 25.83

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 11 / 57 / 18

HEX #D2BA5A

RGB 210 186 90

HSL 48, 0.57%, 0.59%

LAB 75.8, -3.16, 50.97

 

CMYK 57 / 0 / 11 / 18

HEX #5AD2BA

RGB 90 210 186

HSL 168, 0.57%, 0.59%

LAB 77.17, -39.4, 1.79

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 57 / 57 / 18

HEX #D25A5A

RGB 210 90 90

HSL 0, 0.57%, 0.59%

LAB 53.76, 47.42, 23.91

 

CMYK 46 / 0 / 57 / 18

HEX #72D25A

RGB 114 210 90

HSL 108, 0.57%, 0.59%

LAB 76.32, -50.71, 49.97

 

CMYK 57 / 0 / 0 / 18

HEX #5AD2D2

RGB 90 210 210

HSL 180, 0.57%, 0.59%

LAB 77.83, -33.22, -10.13

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 0 / 40 / 57 / 18

HEX #D27E5A

RGB 210 126 90

HSL 18, 0.57%, 0.59%

LAB 61.1, 29.05, 33.33

 

CMYK 46 / 0 / 57 / 18

HEX #72D25A

RGB 114 210 90

HSL 108, 0.57%, 0.59%

LAB 76.32, -50.71, 49.97

 

CMYK 57 / 17 / 0 / 18

HEX #5AAED2

RGB 90 174 210

HSL 198, 0.57%, 0.59%

LAB 67.35, -15.15, -25.98

 

Description

Color code: HEX #BA5AD2 | qconv.com Color code: HEX #BA5AD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 90 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 90 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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