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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5C2F it is the complementary color #45A3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5C2F shade: #BF5C2A, #D06E3D, #E18050, #F29263 and #FFA476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5C2F shade: #BA5C2F, #A94A1C, #983809, #872600 and #761400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5C2F shade: #BB5C2E, #BB362E and #BB2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5C2F shade: #BB5C2E, #BB822E, #BBA82E, #A9BB2E and #83BB2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5C2F shade matches the following richer shades: #BB5C2E, #CE551B and #E14F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5C2F shade: #BB5C2E, #A86341, #956954, #827067 and #6F777A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5C2F shade: #BB2E4D, #BB352E, #BB5B2E, #BB812E and #BBA62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5C2F shade: #793B1E, #9A4C26, #BB5C2E, #D07143 and #D88A64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5C2F shade: #BA5C2F, #72BB2E and #2E3ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5C2F shade: #BA5C2F, #2EBB5B and #5B2EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5C2F shade: #BA5C2F, #72BB2E, #2E8FBB and #772EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5C2F shade: #BA5C2F, #48BB2E, #2E8FBB and #A12EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

Complementary color

CMYK 67 / 22 / 0 / 18

HEX #45A3D0

RGB 69 163 208

HSL 199.42, 0.6%, 0.54%

LAB 63.35, -13.62, -31.09

 

CMYK 0 / 52 / 78 / 25

HEX #BF5C2A

RGB 191 92 42

HSL 20.13, 0.64%, 0.46%

LAB 50.57, 36.52, 45.72

 

CMYK 0 / 47 / 71 / 18

HEX #D06E3D

RGB 208 110 61

HSL 20, 0.61%, 0.53%

LAB 56.98, 34.83, 43.8

 

CMYK 0 / 43 / 64 / 12

HEX #E18050

RGB 225 128 80

HSL 19.86, 0.71%, 0.6%

LAB 63.36, 33.29, 41.88

 

CMYK 0 / 40 / 59 / 5

HEX #F29263

RGB 242 146 99

HSL 19.72, 0.85%, 0.67%

LAB 69.71, 31.89, 40.08

 

CMYK 0 / 36 / 54 / 0

HEX #FFA476

RGB 255 164 118

HSL 20.15, 1%, 0.73%

LAB 75.53, 29.07, 37.71

 

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

CMYK 0 / 56 / 83 / 34

HEX #A94A1C

RGB 169 74 28

HSL 19.57, 0.72%, 0.39%

LAB 43.38, 36.49, 44.17

 

CMYK 0 / 63 / 94 / 40

HEX #983809

RGB 152 56 9

HSL 19.72, 0.89%, 0.32%

LAB 36.97, 38.29, 45.19

 

CMYK 0 / 72 / 100 / 47

HEX #872600

RGB 135 38 0

HSL 16.89, 1%, 0.26%

LAB 30.73, 39.89, 42.99

 

CMYK 0 / 83 / 100 / 54

HEX #761400

RGB 118 20 0

HSL 10.17, 1%, 0.23%

LAB 24.8, 40.68, 36.57

 

CMYK 0 / 51 / 75 / 27

HEX #BB5C2E

RGB 187 92 46

HSL 19.57, 0.61%, 0.46%

LAB 50, 35.09, 42.98

 

CMYK 0 / 71 / 75 / 27

HEX #BB362E

RGB 187 54 46

HSL 3.4, 0.61%, 0.46%

LAB 43.36, 52.55, 35.88

 

CMYK 0 / 75 / 75 / 27

HEX #BB2E2E

RGB 187 46 46

HSL 0, 0.61%, 0.46%

LAB 42.33, 55.39, 34.75

 

CMYK 0 / 51 / 75 / 27

HEX #BB5C2E

RGB 187 92 46

HSL 19.57, 0.61%, 0.46%

LAB 50, 35.09, 42.98

 

CMYK 0 / 30 / 75 / 27

HEX #BB822E

RGB 187 130 46

HSL 35.74, 0.61%, 0.46%

LAB 58.72, 14.41, 51.82

 

CMYK 0 / 10 / 75 / 27

HEX #BBA82E

RGB 187 168 46

HSL 51.91, 0.61%, 0.46%

LAB 68.58, -6.23, 61.29

 

CMYK 10 / 0 / 75 / 27

HEX #A9BB2E

RGB 169 187 46

HSL 67.66, 0.61%, 0.46%

LAB 72.34, -23.69, 64.28

 

CMYK 30 / 0 / 75 / 27

HEX #83BB2E

RGB 131 187 46

HSL 83.83, 0.61%, 0.46%

LAB 69.87, -38.93, 61.06

 

CMYK 0 / 51 / 75 / 27

HEX #BB5C2E

RGB 187 92 46

HSL 19.57, 0.61%, 0.46%

LAB 50, 35.09, 42.98

 

CMYK 0 / 59 / 87 / 19

HEX #CE551B

RGB 206 85 27

HSL 19.44, 0.77%, 0.46%

LAB 51.49, 45.3, 53.91

 

CMYK 0 / 65 / 96 / 12

HEX #E14F08

RGB 225 79 8

HSL 19.63, 0.93%, 0.46%

LAB 53.62, 54.48, 62.32

 

CMYK 0 / 51 / 75 / 27

HEX #BB5C2E

RGB 187 92 46

HSL 19.57, 0.61%, 0.46%

LAB 50, 35.09, 42.98

 

CMYK 0 / 41 / 61 / 34

HEX #A86341

RGB 168 99 65

HSL 19.81, 0.44%, 0.46%

LAB 49.04, 24.59, 31.02

 

CMYK 0 / 30 / 44 / 42

HEX #956954

RGB 149 105 84

HSL 19.38, 0.28%, 0.46%

LAB 48.43, 14.89, 18.81

 

CMYK 0 / 14 / 21 / 49

HEX #827067

RGB 130 112 103

HSL 20, 0.12%, 0.46%

LAB 48.65, 5.49, 7.6

 

CMYK 9 / 2 / 0 / 52

HEX #6F777A

RGB 111 119 122

HSL 196.36, 0.05%, 0.46%

LAB 49.47, -2.35, -2.68

 

CMYK 0 / 75 / 59 / 27

HEX #BB2E4D

RGB 187 46 77

HSL 346.81, 0.61%, 0.46%

LAB 42.85, 57.07, 16.52

 

CMYK 0 / 72 / 75 / 27

HEX #BB352E

RGB 187 53 46

HSL 2.98, 0.61%, 0.46%

LAB 43.22, 52.92, 35.73

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 0 / 31 / 75 / 27

HEX #BB812E

RGB 187 129 46

HSL 35.32, 0.61%, 0.46%

LAB 58.47, 14.97, 51.57

 

CMYK 0 / 11 / 75 / 27

HEX #BBA62E

RGB 187 166 46

HSL 51.06, 0.61%, 0.46%

LAB 68.05, -5.18, 60.79

 

CMYK 0 / 51 / 75 / 53

HEX #793B1E

RGB 121 59 30

HSL 19.12, 0.6%, 0.3%

LAB 32.45, 24.69, 29.69

 

CMYK 0 / 51 / 75 / 40

HEX #9A4C26

RGB 154 76 38

HSL 19.66, 0.6%, 0.38%

LAB 41.5, 29.73, 36.61

 

CMYK 0 / 51 / 75 / 27

HEX #BB5C2E

RGB 187 92 46

HSL 19.57, 0.61%, 0.46%

LAB 50, 35.09, 42.98

 

CMYK 0 / 46 / 68 / 18

HEX #D07143

RGB 208 113 67

HSL 19.57, 0.6%, 0.54%

LAB 57.68, 33.59, 41.49

 

CMYK 0 / 36 / 54 / 15

HEX #D88A64

RGB 216 138 100

HSL 19.66, 0.6%, 0.62%

LAB 64.72, 25.85, 32.61

 

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

CMYK 39 / 0 / 75 / 27

HEX #72BB2E

RGB 114 187 46

HSL 91.06, 0.61%, 0.46%

LAB 68.98, -45.07, 59.9

 

CMYK 75 / 69 / 0 / 27

HEX #2E3ABB

RGB 46 58 187

HSL 234.89, 0.61%, 0.46%

LAB 32.25, 40.12, -68.81

 

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

CMYK 75 / 0 / 51 / 27

HEX #2EBB5B

RGB 46 187 91

HSL 139.15, 0.61%, 0.46%

LAB 67.18, -57.32, 38.06

 

CMYK 51 / 75 / 0 / 27

HEX #5B2EBB

RGB 91 46 187

HSL 259.15, 0.61%, 0.46%

LAB 33.49, 52.37, -66.63

 

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

CMYK 39 / 0 / 75 / 27

HEX #72BB2E

RGB 114 187 46

HSL 91.06, 0.61%, 0.46%

LAB 68.98, -45.07, 59.9

 

CMYK 75 / 24 / 0 / 27

HEX #2E8FBB

RGB 46 143 187

HSL 198.72, 0.61%, 0.46%

LAB 55.9, -12.92, -30.91

 

CMYK 36 / 75 / 0 / 27

HEX #772EBB

RGB 119 46 187

HSL 271.06, 0.61%, 0.46%

LAB 36.86, 56.89, -60.98

 

CMYK 0 / 51 / 75 / 27

HEX #BA5C2F

RGB 186 92 47

HSL 19.42, 0.6%, 0.46%

LAB 49.86, 34.73, 42.28

 

CMYK 61 / 0 / 75 / 27

HEX #48BB2E

RGB 72 187 46

HSL 108.94, 0.61%, 0.46%

LAB 67.36, -57.36, 57.77

 

CMYK 75 / 24 / 0 / 27

HEX #2E8FBB

RGB 46 143 187

HSL 198.72, 0.61%, 0.46%

LAB 55.9, -12.92, -30.91

 

CMYK 14 / 75 / 0 / 27

HEX #A12EBB

RGB 161 46 187

HSL 288.94, 0.61%, 0.46%

LAB 42.94, 64.77, -50.85

 

Description

Color code: HEX #BA5C2F | qconv.com Color code: HEX #BA5C2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 92 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 92 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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