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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA70DD it is the complementary color #458F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA70DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA70DD shade: #BF70D8, #D082EB, #E194FE, #F2A6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA70DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA70DD shade: #BA70DD, #A95ECA, #984CB7, #873AA4 and #762891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA70DD shade: #B96EDD, #D76EDD, #DD6EC4, #DD6EA7 and #DD6E89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA70DD shade: #B96EDD, #9B6EDD, #7D6EDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA70DD shade matches the following richer shades: #B96EDD, #BE5FEB and #C351F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA70DD shade: #B96EDD, #B47CCE, #AF8BC0, #AA99B1 and #A4A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA70DD shade: #7D6EDD, #9A6EDD, #B86EDD, #D56EDD and #DD6EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA70DD shade: #982FC9, #A94CD5, #B96EDD, #C98FE4 and #D9B1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA70DD shade: #BA70DD, #DD6E7D and #6EDD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA70DD shade: #BA70DD, #DDB86E and #6EDDB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA70DD shade: #BA70DD, #DD6E7D, #93DD6E and #6EDDCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA70DD shade: #BA70DD, #DD806E, #93DD6E and #6ECADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

Complementary color

CMYK 52 / 0 / 76 / 44

HEX #458F22

RGB 69 143 34

HSL 100.73, 0.62%, 0.35%

LAB 52.98, -42.6, 47.74

 

CMYK 12 / 48 / 0 / 15

HEX #BF70D8

RGB 191 112 216

HSL 285.58, 0.57%, 0.64%

LAB 59.55, 48.05, -40.87

 

CMYK 11 / 45 / 0 / 8

HEX #D082EB

RGB 208 130 235

HSL 284.57, 0.72%, 0.72%

LAB 66.04, 47.28, -41.14

 

CMYK 11 / 42 / 0 / 0

HEX #E194FE

RGB 225 148 254

HSL 283.58, 0.98%, 0.79%

LAB 72.46, 46.52, -41.37

 

CMYK 5 / 35 / 0 / 0

HEX #F2A6FF

RGB 242 166 255

HSL 291.24, 1%, 0.83%

LAB 78.09, 42.29, -33.02

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

CMYK 16 / 53 / 0 / 21

HEX #A95ECA

RGB 169 94 202

HSL 281.67, 0.5%, 0.58%

LAB 52.62, 48.47, -44.03

 

CMYK 17 / 58 / 0 / 28

HEX #984CB7

RGB 152 76 183

HSL 282.62, 0.43%, 0.51%

LAB 45.99, 49.17, -43.7

 

CMYK 18 / 65 / 0 / 36

HEX #873AA4

RGB 135 58 164

HSL 283.58, 0.48%, 0.44%

LAB 39.34, 49.69, -43.21

 

CMYK 19 / 72 / 0 / 43

HEX #762891

RGB 118 40 145

HSL 284.57, 0.57%, 0.36%

LAB 32.73, 49.8, -42.43

 

CMYK 16 / 50 / 0 / 13

HEX #B96EDD

RGB 185 110 221

HSL 280.54, 0.62%, 0.65%

LAB 58.68, 48.47, -45.09

 

CMYK 3 / 50 / 0 / 13

HEX #D76EDD

RGB 215 110 221

HSL 296.76, 0.62%, 0.65%

LAB 62.35, 56.67, -39.06

 

CMYK 0 / 50 / 11 / 13

HEX #DD6EC4

RGB 221 110 196

HSL 313.51, 0.62%, 0.65%

LAB 62.09, 54.13, -25.34

 

CMYK 0 / 50 / 24 / 13

HEX #DD6EA7

RGB 221 110 167

HSL 329.19, 0.62%, 0.65%

LAB 61.06, 49.81, -10.36

 

CMYK 0 / 50 / 38 / 13

HEX #DD6E89

RGB 221 110 137

HSL 345.41, 0.62%, 0.65%

LAB 60.19, 46.03, 5.66

 

CMYK 16 / 50 / 0 / 13

HEX #B96EDD

RGB 185 110 221

HSL 280.54, 0.62%, 0.65%

LAB 58.68, 48.47, -45.09

 

CMYK 30 / 50 / 0 / 13

HEX #9B6EDD

RGB 155 110 221

HSL 264.32, 0.62%, 0.65%

LAB 55.42, 40.51, -50.47

 

CMYK 43 / 50 / 0 / 13

HEX #7D6EDD

RGB 125 110 221

HSL 248.11, 0.62%, 0.65%

LAB 52.66, 33.1, -55.05

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 16 / 50 / 0 / 13

HEX #B96EDD

RGB 185 110 221

HSL 280.54, 0.62%, 0.65%

LAB 58.68, 48.47, -45.09

 

CMYK 19 / 60 / 0 / 8

HEX #BE5FEB

RGB 190 95 235

HSL 280.71, 0.78%, 0.65%

LAB 57.2, 60.18, -55.25

 

CMYK 22 / 67 / 0 / 2

HEX #C351F9

RGB 195 81 249

HSL 280.71, 0.93%, 0.65%

LAB 56.41, 70.36, -64.28

 

CMYK 16 / 50 / 0 / 13

HEX #B96EDD

RGB 185 110 221

HSL 280.54, 0.62%, 0.65%

LAB 58.68, 48.47, -45.09

 

CMYK 13 / 40 / 0 / 19

HEX #B47CCE

RGB 180 124 206

HSL 280.98, 0.46%, 0.65%

LAB 60.4, 36.31, -33.99

 

CMYK 9 / 28 / 0 / 25

HEX #AF8BC0

RGB 175 139 192

HSL 280.75, 0.3%, 0.65%

LAB 62.83, 23.4, -22.4

 

CMYK 4 / 14 / 0 / 31

HEX #AA99B1

RGB 170 153 177

HSL 282.5, 0.13%, 0.65%

LAB 65.36, 10.76, -10.19

 

CMYK 2 / 0 / 3 / 34

HEX #A4A8A3

RGB 164 168 163

HSL 108, 0.03%, 0.65%

LAB 68.42, -2.37, 2.08

 

CMYK 43 / 50 / 0 / 13

HEX #7D6EDD

RGB 125 110 221

HSL 248.11, 0.62%, 0.65%

LAB 52.66, 33.1, -55.05

 

CMYK 30 / 50 / 0 / 13

HEX #9A6EDD

RGB 154 110 221

HSL 263.78, 0.62%, 0.65%

LAB 55.32, 40.25, -50.63

 

CMYK 17 / 50 / 0 / 13

HEX #B86EDD

RGB 184 110 221

HSL 280, 0.62%, 0.65%

LAB 58.57, 48.2, -45.28

 

CMYK 4 / 50 / 0 / 13

HEX #D56EDD

RGB 213 110 221

HSL 295.68, 0.62%, 0.65%

LAB 62.1, 56.12, -39.48

 

CMYK 0 / 50 / 10 / 13

HEX #DD6EC6

RGB 221 110 198

HSL 312.43, 0.62%, 0.65%

LAB 62.17, 54.45, -26.35

 

CMYK 24 / 77 / 0 / 21

HEX #982FC9

RGB 152 47 201

HSL 280.91, 0.62%, 0.49%

LAB 42.65, 65.44, -59.56

 

CMYK 21 / 64 / 0 / 16

HEX #A94CD5

RGB 169 76 213

HSL 280.73, 0.62%, 0.57%

LAB 49.99, 59.59, -54.52

 

CMYK 16 / 50 / 0 / 13

HEX #B96EDD

RGB 185 110 221

HSL 280.54, 0.62%, 0.65%

LAB 58.68, 48.47, -45.09

 

CMYK 12 / 37 / 0 / 11

HEX #C98FE4

RGB 201 143 228

HSL 280.94, 0.61%, 0.73%

LAB 67.77, 36.85, -34.63

 

CMYK 8 / 25 / 0 / 7

HEX #D9B1EC

RGB 217 177 236

HSL 280.68, 0.61%, 0.81%

LAB 77.43, 24.95, -24.01

 

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

CMYK 0 / 50 / 43 / 13

HEX #DD6E7D

RGB 221 110 125

HSL 351.89, 0.62%, 0.65%

LAB 59.89, 44.73, 12.18

 

CMYK 50 / 0 / 37 / 13

HEX #6EDD8B

RGB 110 221 139

HSL 135.68, 0.62%, 0.65%

LAB 80.12, -49.4, 30.76

 

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

CMYK 0 / 17 / 50 / 13

HEX #DDB86E

RGB 221 184 110

HSL 40, 0.62%, 0.65%

LAB 76.54, 4.12, 42.33

 

CMYK 50 / 0 / 17 / 13

HEX #6EDDB8

RGB 110 221 184

HSL 160, 0.62%, 0.65%

LAB 81.01, -40.54, 8.48

 

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

CMYK 0 / 50 / 43 / 13

HEX #DD6E7D

RGB 221 110 125

HSL 351.89, 0.62%, 0.65%

LAB 59.89, 44.73, 12.18

 

CMYK 33 / 0 / 50 / 13

HEX #93DD6E

RGB 147 221 110

HSL 100, 0.62%, 0.65%

LAB 81.31, -42.58, 46.97

 

CMYK 50 / 0 / 7 / 13

HEX #6EDDCE

RGB 110 221 206

HSL 171.89, 0.62%, 0.65%

LAB 81.56, -35.4, -2.4

 

CMYK 16 / 49 / 0 / 13

HEX #BA70DD

RGB 186 112 221

HSL 280.73, 0.62%, 0.65%

LAB 59.2, 47.7, -44.26

 

CMYK 0 / 42 / 50 / 13

HEX #DD806E

RGB 221 128 110

HSL 9.73, 0.62%, 0.65%

LAB 63.29, 34.02, 25.36

 

CMYK 33 / 0 / 50 / 13

HEX #93DD6E

RGB 147 221 110

HSL 100, 0.62%, 0.65%

LAB 81.31, -42.58, 46.97

 

CMYK 50 / 9 / 0 / 13

HEX #6ECADD

RGB 110 202 221

HSL 190.27, 0.62%, 0.65%

LAB 76.54, -22.33, -17.91

 

Description

Color code: HEX #BA70DD | qconv.com Color code: HEX #BA70DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 112 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 112 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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