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Color name
HEX #BA7D16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA7D16 it is the complementary color #4582E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA7D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA7D16 shade: #BF7D11, #D08F24, #E1A137, #F2B34A and #FFC55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA7D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA7D16 shade: #BA7D16, #A96B03, #985900, #874700 and #763500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA7D16 shade: #BB7D15, #BB5115, #BB2415 and #BB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA7D16 shade: #BB7D15, #BBAA15, #9FBB15, #72BB15 and #46BB15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA7D16 shade matches the following richer shades: #BB7D15 and #CC8205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA7D16 shade: #BB7D15, #AA7926, #997537, #887048 and #776C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA7D16 shade: #BB2315, #BB4F15, #BB7B15, #BBA715 and #A2BB15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA7D16 shade: #714C0D, #966411, #BB7D15, #E0961A and #E8A73B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA7D16 shade: #BA7D16, #34BB15 and #3915BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA7D16 shade: #BA7D16, #15BB7B and #7B15BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA7D16 shade: #BA7D16, #34BB15, #1555BB and #9C15BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA7D16 shade: #BA7D16, #15BB29, #1555BB and #BB15A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

Complementary color

CMYK 70 / 44 / 0 / 9

HEX #4582E9

RGB 69 130 233

HSL 217.68, 0.79%, 0.59%

LAB 55.19, 14.13, -57.9

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D11

RGB 191 125 17

HSL 37.24, 0.84%, 0.41%

LAB 57.83, 18.06, 60.9

 

CMYK 0 / 31 / 83 / 18

HEX #D08F24

RGB 208 143 36

HSL 37.33, 0.7%, 0.48%

LAB 64.31, 16.12, 61.65

 

CMYK 0 / 28 / 76 / 12

HEX #E1A137

RGB 225 161 55

HSL 37.41, 0.74%, 0.55%

LAB 70.71, 14.44, 61.33

 

CMYK 0 / 26 / 69 / 5

HEX #F2B34A

RGB 242 179 74

HSL 37.5, 0.87%, 0.62%

LAB 77.05, 12.98, 60.46

 

CMYK 0 / 23 / 64 / 0

HEX #FFC55D

RGB 255 197 93

HSL 38.52, 1%, 0.68%

LAB 82.9, 10.06, 58.78

 

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

CMYK 0 / 37 / 98 / 34

HEX #A96B03

RGB 169 107 3

HSL 37.59, 0.97%, 0.34%

LAB 50.64, 18.07, 57.26

 

CMYK 0 / 41 / 100 / 40

HEX #985900

RGB 152 89 0

HSL 35.13, 1%, 0.3%

LAB 43.97, 20.54, 52.48

 

CMYK 0 / 47 / 100 / 47

HEX #874700

RGB 135 71 0

HSL 31.56, 1%, 0.26%

LAB 37.22, 23.13, 47.02

 

CMYK 0 / 55 / 100 / 54

HEX #763500

RGB 118 53 0

HSL 26.95, 1%, 0.23%

LAB 30.39, 25.74, 41.33

 

CMYK 0 / 33 / 89 / 27

HEX #BB7D15

RGB 187 125 21

HSL 37.59, 0.8%, 0.41%

LAB 57.35, 16.37, 59.35

 

CMYK 0 / 57 / 89 / 27

HEX #BB5115

RGB 187 81 21

HSL 21.69, 0.8%, 0.41%

LAB 47.63, 39.88, 51.73

 

CMYK 0 / 81 / 89 / 27

HEX #BB2415

RGB 187 36 21

HSL 5.42, 0.8%, 0.41%

LAB 41.03, 57.71, 46.61

 

CMYK 0 / 89 / 89 / 27

HEX #BB1515

RGB 187 21 21

HSL 0, 0.8%, 0.41%

LAB 39.84, 61.08, 45.7

 

CMYK 0 / 33 / 89 / 27

HEX #BB7D15

RGB 187 125 21

HSL 37.59, 0.8%, 0.41%

LAB 57.35, 16.37, 59.35

 

CMYK 0 / 9 / 89 / 27

HEX #BBAA15

RGB 187 170 21

HSL 53.86, 0.8%, 0.41%

LAB 69.02, -8.06, 68.56

 

CMYK 15 / 0 / 89 / 27

HEX #9FBB15

RGB 159 187 21

HSL 70.12, 0.8%, 0.41%

LAB 71.53, -28.72, 69.65

 

CMYK 39 / 0 / 89 / 27

HEX #72BB15

RGB 114 187 21

HSL 86.39, 0.8%, 0.41%

LAB 68.88, -46.15, 66.37

 

CMYK 63 / 0 / 89 / 27

HEX #46BB15

RGB 70 187 21

HSL 102.29, 0.8%, 0.41%

LAB 67.2, -59.1, 64.28

 

CMYK 0 / 33 / 89 / 27

HEX #BB7D15

RGB 187 125 21

HSL 37.59, 0.8%, 0.41%

LAB 57.35, 16.37, 59.35

 

CMYK 0 / 36 / 98 / 20

HEX #CC8205

RGB 204 130 5

HSL 37.69, 0.95%, 0.41%

LAB 60.62, 20.86, 65.78

 

CMYK 0 / 33 / 89 / 27

HEX #BB7D15

RGB 187 125 21

HSL 37.59, 0.8%, 0.41%

LAB 57.35, 16.37, 59.35

 

CMYK 0 / 29 / 78 / 33

HEX #AA7926

RGB 170 121 38

HSL 37.73, 0.63%, 0.41%

LAB 54.41, 11.51, 50.27

 

CMYK 0 / 24 / 64 / 40

HEX #997537

RGB 153 117 55

HSL 37.96, 0.47%, 0.41%

LAB 51.58, 7.04, 38.89

 

CMYK 0 / 18 / 47 / 47

HEX #887048

RGB 136 112 72

HSL 37.5, 0.31%, 0.41%

LAB 48.62, 3.81, 25.72

 

CMYK 0 / 9 / 25 / 53

HEX #776C59

RGB 119 108 89

HSL 38, 0.14%, 0.41%

LAB 46.13, 1.01, 12.21

 

CMYK 0 / 81 / 89 / 27

HEX #BB2315

RGB 187 35 21

HSL 5.06, 0.8%, 0.41%

LAB 40.93, 57.98, 46.53

 

CMYK 0 / 58 / 89 / 27

HEX #BB4F15

RGB 187 79 21

HSL 20.96, 0.8%, 0.41%

LAB 47.25, 40.86, 51.43

 

CMYK 0 / 34 / 89 / 27

HEX #BB7B15

RGB 187 123 21

HSL 36.87, 0.8%, 0.41%

LAB 56.87, 17.47, 58.96

 

CMYK 0 / 11 / 89 / 27

HEX #BBA715

RGB 187 167 21

HSL 52.77, 0.8%, 0.41%

LAB 68.21, -6.48, 67.92

 

CMYK 13 / 0 / 89 / 27

HEX #A2BB15

RGB 162 187 21

HSL 69.04, 0.8%, 0.41%

LAB 71.74, -27.47, 69.91

 

CMYK 0 / 33 / 88 / 56

HEX #714C0D

RGB 113 76 13

HSL 37.8, 0.79%, 0.25%

LAB 35.42, 10.15, 40.05

 

CMYK 0 / 33 / 89 / 41

HEX #966411

RGB 150 100 17

HSL 37.44, 0.8%, 0.33%

LAB 46.5, 13.63, 49.86

 

CMYK 0 / 33 / 89 / 27

HEX #BB7D15

RGB 187 125 21

HSL 37.59, 0.8%, 0.41%

LAB 57.35, 16.37, 59.35

 

CMYK 0 / 33 / 88 / 12

HEX #E0961A

RGB 224 150 26

HSL 37.58, 0.79%, 0.49%

LAB 67.82, 19.02, 68.18

 

CMYK 0 / 28 / 75 / 9

HEX #E8A73B

RGB 232 167 59

HSL 37.46, 0.79%, 0.57%

LAB 72.96, 14.4, 62.2

 

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

CMYK 72 / 0 / 89 / 27

HEX #34BB15

RGB 52 187 21

HSL 108.8, 0.8%, 0.41%

LAB 66.77, -62.76, 63.73

 

CMYK 70 / 89 / 0 / 27

HEX #3915BB

RGB 57 21 187

HSL 253.01, 0.8%, 0.41%

LAB 26.72, 58.98, -77.93

 

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

CMYK 89 / 0 / 34 / 27

HEX #15BB7B

RGB 21 187 123

HSL 156.87, 0.8%, 0.41%

LAB 67.37, -53.99, 21.67

 

CMYK 34 / 89 / 0 / 27

HEX #7B15BB

RGB 123 21 187

HSL 276.87, 0.8%, 0.41%

LAB 34.67, 65.53, -64.54

 

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

CMYK 72 / 0 / 89 / 27

HEX #34BB15

RGB 52 187 21

HSL 108.8, 0.8%, 0.41%

LAB 66.77, -62.76, 63.73

 

CMYK 89 / 55 / 0 / 27

HEX #1555BB

RGB 21 85 187

HSL 216.87, 0.8%, 0.41%

LAB 38.28, 20.5, -58.98

 

CMYK 17 / 89 / 0 / 27

HEX #9C15BB

RGB 156 21 187

HSL 288.8, 0.8%, 0.41%

LAB 39.9, 70.39, -55.79

 

CMYK 0 / 33 / 88 / 27

HEX #BA7D16

RGB 186 125 22

HSL 37.68, 0.79%, 0.41%

LAB 57.24, 15.94, 58.93

 

CMYK 89 / 0 / 78 / 27

HEX #15BB29

RGB 21 187 41

HSL 127.23, 0.8%, 0.41%

LAB 66.41, -65.57, 58.17

 

CMYK 89 / 55 / 0 / 27

HEX #1555BB

RGB 21 85 187

HSL 216.87, 0.8%, 0.41%

LAB 38.28, 20.5, -58.98

 

CMYK 0 / 89 / 11 / 27

HEX #BB15A7

RGB 187 21 167

HSL 307.23, 0.8%, 0.41%

LAB 44.08, 72.7, -36.96

 

Description

Color code: HEX #BA7D16 | qconv.com Color code: HEX #BA7D16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 125 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 125 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 88% 27% C M Y K

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Provide designers and agencies with accurate color values.

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