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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA84EF it is the complementary color #457B10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA84EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA84EF shade: #BF84EA, #D096FD, #E1A8FF, #F2BAFF and #FFCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA84EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA84EF shade: #BA84EF, #A972DC, #9860C9, #874EB6 and #763CA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA84EF shade: #BA85EF, #D785EF, #EF85EA, #EF85CD and #EF85B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA84EF shade: #BA85EF, #9E85EF and #8585EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA84EF shade matches the following richer shades: #BA85EF and #BA79FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA84EF shade: #BA85EF, #BA90E4, #BA9BD8, #BAA6CD and #BAB1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA84EF shade: #8588EF, #9D85EF, #BA85EF, #D685EF and #EF85EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA84EF shade: #913CE5, #A660EA, #BA85EF, #CFA9F3 and #E3CEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA84EF shade: #BA84EF, #EF85A4 and #85EF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA84EF shade: #BA84EF, #EFBA85 and #85EFBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA84EF shade: #BA84EF, #EF85A4, #BAEF85 and #85EFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA84EF shade: #BA84EF, #EF8585, #BAEF85 and #85EFEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

Complementary color

CMYK 44 / 0 / 87 / 52

HEX #457B10

RGB 69 123 16

HSL 90.28, 0.77%, 0.27%

LAB 46.27, -35.3, 47.17

 

CMYK 18 / 44 / 0 / 8

HEX #BF84EA

RGB 191 132 234

HSL 274.71, 0.71%, 0.72%

LAB 64.58, 41.18, -43

 

CMYK 18 / 41 / 0 / 1

HEX #D096FD

RGB 208 150 253

HSL 273.79, 0.96%, 0.79%

LAB 71.09, 40.39, -43.09

 

CMYK 12 / 34 / 0 / 0

HEX #E1A8FF

RGB 225 168 255

HSL 279.31, 1%, 0.83%

LAB 76.82, 36.1, -35.13

 

CMYK 5 / 27 / 0 / 0

HEX #F2BAFF

RGB 242 186 255

HSL 288.7, 1%, 0.86%

LAB 82.49, 31.73, -26.27

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

CMYK 23 / 48 / 0 / 14

HEX #A972DC

RGB 169 114 220

HSL 271.13, 0.6%, 0.65%

LAB 57.69, 41.76, -46.21

 

CMYK 24 / 52 / 0 / 21

HEX #9860C9

RGB 152 96 201

HSL 272, 0.49%, 0.58%

LAB 50.99, 42.66, -46.18

 

CMYK 26 / 57 / 0 / 29

HEX #874EB6

RGB 135 78 182

HSL 272.88, 0.42%, 0.51%

LAB 44.2, 43.55, -46.1

 

CMYK 28 / 63 / 0 / 36

HEX #763CA3

RGB 118 60 163

HSL 273.79, 0.46%, 0.44%

LAB 37.35, 44.38, -45.93

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 10 / 44 / 0 / 6

HEX #D785EF

RGB 215 133 239

HSL 286.42, 0.77%, 0.73%

LAB 67.62, 48.5, -40.82

 

CMYK 0 / 44 / 2 / 6

HEX #EF85EA

RGB 239 133 234

HSL 302.83, 0.77%, 0.73%

LAB 70.22, 54.48, -33.8

 

CMYK 0 / 44 / 14 / 6

HEX #EF85CD

RGB 239 133 205

HSL 319.25, 0.77%, 0.73%

LAB 69.14, 49.7, -19.42

 

CMYK 0 / 44 / 26 / 6

HEX #EF85B1

RGB 239 133 177

HSL 335.09, 0.77%, 0.73%

LAB 68.24, 45.62, -5.1

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 34 / 44 / 0 / 6

HEX #9E85EF

RGB 158 133 239

HSL 254.15, 0.77%, 0.73%

LAB 61.89, 32.82, -50.22

 

CMYK 44 / 44 / 0 / 6

HEX #8585EF

RGB 133 133 239

HSL 240, 0.77%, 0.73%

LAB 59.88, 26.6, -53.53

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 26 / 52 / 0 / 2

HEX #BA79FA

RGB 186 121 250

HSL 270.23, 0.93%, 0.73%

LAB 62.52, 49.34, -55.12

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 18 / 37 / 0 / 11

HEX #BA90E4

RGB 186 144 228

HSL 270, 0.61%, 0.73%

LAB 66.51, 31.81, -36.71

 

CMYK 14 / 28 / 0 / 15

HEX #BA9BD8

RGB 186 155 216

HSL 270.49, 0.44%, 0.73%

LAB 68.63, 23.05, -26.79

 

CMYK 9 / 19 / 0 / 20

HEX #BAA6CD

RGB 186 166 205

HSL 270.77, 0.28%, 0.73%

LAB 70.95, 14.63, -17.2

 

CMYK 4 / 9 / 0 / 24

HEX #BAB1C2

RGB 186 177 194

HSL 271.76, 0.12%, 0.73%

LAB 73.4, 6.38, -7.49

 

CMYK 44 / 43 / 0 / 6

HEX #8588EF

RGB 133 136 239

HSL 238.3, 0.77%, 0.73%

LAB 60.63, 24.84, -52.35

 

CMYK 34 / 44 / 0 / 6

HEX #9D85EF

RGB 157 133 239

HSL 253.58, 0.77%, 0.73%

LAB 61.81, 32.56, -50.36

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 10 / 44 / 0 / 6

HEX #D685EF

RGB 214 133 239

HSL 285.85, 0.77%, 0.73%

LAB 67.5, 48.22, -41

 

CMYK 0 / 44 / 2 / 6

HEX #EF85EB

RGB 239 133 235

HSL 302.26, 0.77%, 0.73%

LAB 70.26, 54.65, -34.28

 

CMYK 37 / 74 / 0 / 10

HEX #913CE5

RGB 145 60 229

HSL 270.18, 0.76%, 0.57%

LAB 45.51, 65.32, -71.02

 

CMYK 29 / 59 / 0 / 8

HEX #A660EA

RGB 166 96 234

HSL 270.43, 0.77%, 0.65%

LAB 54.46, 53.84, -59.24

 

CMYK 22 / 44 / 0 / 6

HEX #BA85EF

RGB 186 133 239

HSL 270, 0.77%, 0.73%

LAB 64.52, 40.35, -45.89

 

CMYK 15 / 30 / 0 / 5

HEX #CFA9F3

RGB 207 169 243

HSL 270.81, 0.76%, 0.81%

LAB 74.9, 27.62, -31.76

 

CMYK 8 / 17 / 0 / 3

HEX #E3CEF8

RGB 227 206 248

HSL 270, 0.75%, 0.89%

LAB 85.63, 14.96, -17.92

 

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

CMYK 0 / 44 / 31 / 6

HEX #EF85A4

RGB 239 133 164

HSL 342.45, 0.77%, 0.73%

LAB 67.88, 43.92, 1.68

 

CMYK 44 / 0 / 40 / 6

HEX #85EF8F

RGB 133 239 143

HSL 125.66, 0.77%, 0.73%

LAB 86.36, -50.06, 37.1

 

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

CMYK 0 / 22 / 44 / 6

HEX #EFBA85

RGB 239 186 133

HSL 30, 0.77%, 0.73%

LAB 79.13, 12.54, 34.15

 

CMYK 44 / 0 / 22 / 6

HEX #85EFBA

RGB 133 239 186

HSL 150, 0.77%, 0.73%

LAB 87.13, -42.5, 16.23

 

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

CMYK 0 / 44 / 31 / 6

HEX #EF85A4

RGB 239 133 164

HSL 342.45, 0.77%, 0.73%

LAB 67.88, 43.92, 1.68

 

CMYK 22 / 0 / 44 / 6

HEX #BAEF85

RGB 186 239 133

HSL 90, 0.77%, 0.73%

LAB 88.86, -34.44, 45.73

 

CMYK 44 / 0 / 13 / 6

HEX #85EFCF

RGB 133 239 207

HSL 161.89, 0.77%, 0.73%

LAB 87.59, -38.11, 5.96

 

CMYK 22 / 45 / 0 / 6

HEX #BA84EF

RGB 186 132 239

HSL 270.28, 0.77%, 0.73%

LAB 64.3, 40.9, -46.24

 

CMYK 0 / 44 / 44 / 6

HEX #EF8585

RGB 239 133 133

HSL 0, 0.77%, 0.73%

LAB 67.14, 40.41, 18.08

 

CMYK 22 / 0 / 44 / 6

HEX #BAEF85

RGB 186 239 133

HSL 90, 0.77%, 0.73%

LAB 88.86, -34.44, 45.73

 

CMYK 44 / 0 / 0 / 6

HEX #85EFEF

RGB 133 239 239

HSL 180, 0.77%, 0.73%

LAB 88.42, -30.64, -9.57

 

Description

Color code: HEX #BA84EF | qconv.com Color code: HEX #BA84EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 132 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 132 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 45 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 45% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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